| Sue Bernard | ... | Terry Manning | |
| Bee Tompkins | ... | Marsha Prentis | |
| Rick Cooper | ... | Ken Manning | |
| Phae Dera | ... | Wendy Barrett | |
| Dolly Read | ... | Dodie (as Margaret Read) | |
| Victoria Hale | ... | Jane | |
| Richard St. John | ... | Paul Barrett | |
| Tanya Lemani | ... | Irene Barrett | |
| Roger Heldfond | ... | Jim | |
| Joe Castagna | ... | Joe |
Directed by | |||
| Russel Vincent | |||
Writing credits(in alphabetical order) | ||
| Russel Vincent | ||
Produced by | |||
| George Moskov | .... | associate producer | |
| Russel Vincent | .... | producer | |
Original Music by | |||
| David Saxon | |||
Cinematography by | |||
| Robert Caramico | |||
Film Editing by | |||
| Maurice Wright | |||
Set Decoration by | |||
| Wilma Fiolek | |||
Makeup Department | |||
| Kathy Hill | .... | hair stylist | |
| Ric Sagliani | .... | makeup artist (as Ric Sagiani) | |
Production Management | |||
| George Collaraffi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Herb Willis | .... | assistant director | |
Art Department | |||
| Ken Willis | .... | property master | |
Sound Department | |||
| Keith A. Wester | .... | sound recordist (as Keith Wester) | |
Camera and Electrical Department | |||
| Al B. Denney | .... | set electrician | |
| Gene Houchin | .... | assistant photographer | |
Costume and Wardrobe Department | |||
| Meryle Selinger | .... | wardrobe (as Merle Selinger) | |
Music Department | |||
| Carl Vitalle | .... | music editor | |
| Eddie Warner | .... | conductor | |
Other crew | |||
| Berta Durham | .... | production secretary | |
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| Kama Sutra: A Tale of Love | Damage | Lolita | Scorned | Dangerous Liaisons |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Bathos rules the day in this apparently sincere combination of mild sexploitation and message picture. The narrative is so insubstantial that I am loathe to reveal its few turns here--rather, I urge you to marvel at it for yourself! You may find yourself surprised to be caught up in this story of a woman-girl-man love triangle despite the turgid soap opera histrionics. I have seen two different splicey, pink-faded prints of this film, leading me to make the following plea: Restore THAT TENDER TOUCH now! I hope it's not already too late.