A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol... See full summary »
Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ... See full summary »
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X".
Pierre vive con la madre in Normandia. Un'esistenza tranquilla e felice. Ogni mattina Pierre va a trovare Lucie, la propria fidanzata. Sono in fermento perchè devono sposarsi fra breve. Una sera il giovane fa uno strano incontro. Una donna bella e malinconica, dal volto stranamente familiare. Lei gli dice di essere sua sorella e di chiamarsi Isabelle. Pierre rimane scioccato : perchè la madre non gli ha mai rivelato questo segreto? Written by
The "X" in the title represents the number of drafts the script went through. See more »
Be careful! You dream of writing a mature work, but your charm lies in your thorough immaturity. You dream of setting fire to God knows what, of rising above your times like a dazzling cloud, leaving everyone terrified and admiring. But you weren't born for that, Pierre! You don't even believe it yourself.
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What to say? The film is overdone, for sure, but I can't agree with criticism of the lack of naturalism in the film. It's melodramatic, yes, it's over-the-top, yes, it's self-important, yes, but for all that, I think it ends up telling a story with interest and passion that would be very difficult to tell except in this way. It's a story about a certain, highly Romantic worldview that, yes, is basically horseshit, but at least Carax is honest with his audience about where that kind of self-aggrandizement leads.
What almost saves the film from total pretentiousness is the fact that Pierre must lie in the bed he has made for himself. If one demands so much "truth" out of life, if one rejects anything with the slightest tinge of falsehood about it, then that is yet another ridiculous attitude. And by that I mean, yes, in the end Pierre is ridiculous, but maybe that's Carax's point?
Maybe I'm wrong. Maybe he does end up as a Romantic hero in the end. And maybe it's not so original for that reason.
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