A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
Marc (Michel Piccoli) recruits Alex (Denis Lavant), son of his former, now dead colleague. Alex is a card shark with a big dream to go out to the world and leave his own mark. His ... See full summary »
Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol... See full summary »
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
In 1997, for it's fiftieth anniversary, the Cannes Film Festival asked Leos Carax for a short film, a kind of postcard addressed to the festival, in which the director would give news of himself and of his film project "Pola X".
Pierre vive con la madre in Normandia. Un'esistenza tranquilla e felice. Ogni mattina Pierre va a trovare Lucie, la propria fidanzata. Sono in fermento perchè devono sposarsi fra breve. Una sera il giovane fa uno strano incontro. Una donna bella e malinconica, dal volto stranamente familiare. Lei gli dice di essere sua sorella e di chiamarsi Isabelle. Pierre rimane scioccato : perchè la madre non gli ha mai rivelato questo segreto? Written by
Pola is an acronym for "Pierre ou les ambiguites," the French translation of the title of the Herman Melville novel on which the film is based. See more »
Be careful! You dream of writing a mature work, but your charm lies in your thorough immaturity. You dream of setting fire to God knows what, of rising above your times like a dazzling cloud, leaving everyone terrified and admiring. But you weren't born for that, Pierre! You don't even believe it yourself.
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Violence, explicit/deviant sex and other shock used to propel story
Imagine the 2,500 seat Lumiere Theatre at Cannes dead silent. No one breathed as the incestuous sex scene began.
Understandably, half of the audience applauded as others booed the close of this film. The innovations in sound are remarkable, and locations stunning, but the crawling pace of a youthful cult leader's slow descent and eventual destruction of everyone near to him is arduous business. Thankfully it is broken up by strange twists of circumstance which justify those tortured looks from monolithic Deneuve and Depardeiu. It's just a bit of a shame that such traditional shock elements (an exploding head, a beautifully choreographed motorcycle accident) are precisely what the audience lives for to lift the weight of the rest of the picture. Carax's reply to the press between long drags on a cigarette, "What explicit imagery?" told me the rest of the story.
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