| Photos (See all 38 | slideshow) | Videos (see all 15) |
| Ron Livingston | ... | Peter Gibbons | |
| Jennifer Aniston | ... | Joanna | |
| David Herman | ... | Michael Bolton | |
| Ajay Naidu | ... | Samir Nagheenanajar | |
| Diedrich Bader | ... | Lawrence | |
| Stephen Root | ... | Milton Waddams | |
| Gary Cole | ... | Bill Lumbergh | |
| Richard Riehle | ... | Tom Smykowski | |
| Alexandra Wentworth | ... | Anne | |
| Joe Bays | ... | Dom Portwood | |
| John C. McGinley | ... | Bob Slydell | |
| Paul Willson | ... | Bob Porter | |
| Kinna McInroe | ... | Nina | |
| Todd Duffey | ... | Brian - Chotchkie's Waiter | |
| Greg Pitts | ... | Drew | |
| Michael McShane | ... | Dr. Swanson (as Micheal McShane) | |
| Linda Wakeman | ... | Laura Smykowski | |
| Jennifer Jane Emerson | ... | Female Temp | |
| Kyle Scott Jackson | ... | Rob Newhouse - Smykowski's Lawyer | |
| Orlando Jones | ... | Steve - Magazine Salesman | |
| Barbara George-Reiss | ... | Peggy - Lumbergh's Secretary | |
| Tom Schuster | ... | Construction Foreman | |
| Rupert Reyes | ... | Mexican Waiter (as Ruperto Reyes Jr.) | |
| Jackie Belvin | ... | Swanson's Patient #1 | |
| Gabriel Folse | ... | Swanson's Patient #2 | |
| Jesse De Luna | ... | Cop at Fire | |
| Mike Judge | ... | Stan - Chotchkie's Manager (as William King) | |
| Justin Possenti | ... | Spectator | |
| Jack Betts | ... | Judge | |
| rest of cast listed alphabetically: | |||
| Charissa Allen | ... | Jogger (uncredited) | |
| Josh Bond | ... | Initech Security Guard (uncredited) | |
| Bob Crain | ... | Sleepy Office Worker (uncredited) | |
| Natalie Denning | ... | Initech Employee (uncredited) | |
| Samantha Inoue Harte | ... | Initech Employee (uncredited) | |
| Mark Kubiak | ... | Initech Employee (uncredited) | |
| K. Todd Lytle | ... | Rush Hour Driver (uncredited) | |
| David Sharp | ... | Rush Hour Driver (uncredited) | |
| Fabian Watkins | ... | Pedestrian (uncredited) | |
Directed by | |||
| Mike Judge | |||
Writing credits(WGA) | ||
| Mike Judge | (Milton animated shorts) | |
| Mike Judge | (screenplay) | |
Produced by | |||
| Daniel Rappaport | .... | producer | |
| Guy Riedel | .... | executive producer | |
| Michael Rotenberg | .... | producer | |
| Mike Judge | .... | producer (uncredited) | |
Original Music by | |||
| John Frizzell | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| David Rennie | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Edward T. McAvoy | (as Edward McAvoy) | ||
Art Direction by | |||
| Adele Plauche | |||
Set Decoration by | |||
| Carla Curry | |||
Costume Design by | |||
| Melinda Eshelman | |||
Makeup Department | |||
| Felicity Bowring | .... | key makeup artist | |
| Bonnie Clevering | .... | key hair stylist | |
| Melissa Forney | .... | additional hair stylist | |
| Kalen Hoyle | .... | additional makeup artist | |
| Julie Janes-Love | .... | assistant hair stylist (as Julie Janes) | |
| Shelley Tanner | .... | assistant makeup artist | |
Production Management | |||
| Udi Nedivi | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christina Fong | .... | second assistant director | |
| Phil Hardage | .... | second second assistant director (as Philip Hardage) | |
| Rip Murray | .... | first assistant director (as James W. 'Rip' Murray Jr.) | |
Art Department | |||
| Michael Bayer | .... | set dresser | |
| Kevin Berve | .... | additional props | |
| Randy Bilski | .... | propmaker | |
| Chris Buchinsky | .... | storyboard illustrator | |
| John V. Burson | .... | construction coordinator | |
| Tom Christopher | .... | lead man | |
| Brian Cross | .... | propmaker | |
| April Crump | .... | set dresser (as April L. Crump) | |
| Marc Dabrusin | .... | set dresser | |
| Travis Dean | .... | propmaker | |
| Bill Dunagin | .... | propmaker | |
| Stanford Gilbert | .... | property master (as Stanford S. Gilbert) | |
| Austin Gorg | .... | graphic artist | |
| Donald Gross | .... | property maker (as Don Gross) | |
| Kelley A. Hankins | .... | painter | |
| Joseph Hendrix | .... | greensman | |
| Joseph D. Hendrix | .... | propmaker | |
| Roy G. Huth | .... | set dresser | |
| Thomas V. Johnson | .... | painter (as Thomas Johnson) | |
| Melinda Pharr | .... | buyer | |
| DeLayne Rasmussen | .... | construction accountant (as Delayne Barnett) | |
| Virle S. Reid | .... | additional props | |
| Jerry Riddles | .... | propmaker | |
| Felix Rosales III | .... | laborer | |
| E. Colleen Saro | .... | on-set dresser | |
| Steve Sawhill | .... | set dresser | |
| Charles Seale | .... | laborer | |
| Coridon Steele | .... | construction foreman | |
| Paul Steele | .... | laborer | |
| Ric Trzeciak | .... | assistant property master | |
| Ronnie White | .... | shop foreman | |
| Phillip Williams | .... | labor foreman | |
| Jeri Woodward | .... | paint foreman (as Jeri Lowe) | |
| Randal Woodward | .... | lead scenic | |
| Terri Wright | .... | buyer (as Terri L. Wright) | |
| Bob 'Boom Boom' Zaborski | .... | propmaker | |
Sound Department | |||
| Michael Axinn | .... | assistant sound editor | |
| Christopher Barrick | .... | sound re-recordist (as Christopher 'Bear' Barrick) | |
| Chris Barron | .... | digital audio transferer | |
| Karen Brocco | .... | supervising assistant sound editor (as Karen A. Brocco) | |
| Stacy Brownrigg | .... | sound mixer (as Stacy F. Brownrigg) | |
| Tony Eckert | .... | foley mixer | |
| Stan Ginsel | .... | sound transferer | |
| Jonathan Greber | .... | transfer supervisor | |
| Bruce Lacey | .... | adr editor | |
| David Lucarelli | .... | adr recordist | |
| Frank 'Pepe' Merel | .... | foley recordist | |
| Tom Myers | .... | sound re-recording mixer | |
| Jonathan Null | .... | dialogue editor | |
| Larry Oatfield | .... | sound effects editor (as E. Larry Oatfield) | |
| Brandon Proctor | .... | machine room operator | |
| Charleen Richards | .... | adr mixer | |
| Gary Rizzo | .... | sound re-recording mixer (as Gary A. Rizzo) | |
| Steve Romanko | .... | machine room operator | |
| Ronald G. Roumas | .... | machine room supervisor | |
| Brooke Satrazemis | .... | cable person | |
| Larry Schalit | .... | adr editor | |
| Jurgen Scharpf | .... | sound mix technician | |
| Dee Selby | .... | digital audio transferer | |
| Michael Semanick | .... | sound re-recording mixer | |
| Robert Shoup | .... | supervising sound editor | |
| David A. Smith | .... | boom operator (as David Allen Smith) | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Joan Malloch | .... | digital audio transferer (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Robert Calvert | .... | special effects (as Bob Calvert) | |
| Steve Dearth | .... | special effects | |
| Paul J. Lombardi | .... | special effects coordinator (as Paul Lombardi) | |
| Rick Peterson | .... | special effects | |
| Shane Scott | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Robert W. Morgenroth | .... | video effects supervisor: E=mc² Inc. (as Bob Morgenroth) | |
| Paul Le Blanc | .... | CGI supervisor (uncredited) | |
| Reid Paul | .... | digital artist (uncredited) | |
Stunts | |||
| Rob King | .... | stunt coordinator | |
| Eric Norris | .... | stunts | |
| Don Pike | .... | stunts | |
| Gary Pike | .... | stunts (as Gary T. Pike) | |
Camera and Electrical Department | |||
| Jeff Andrus | .... | company grip | |
| Marc Andrus | .... | key grip | |
| Abby Antweil | .... | electrician | |
| Arthur Blum | .... | dolly grip | |
| Jose F. Cruz | .... | electrician | |
| Debra Dotts-Sladek | .... | second assistant camera (as Debra Dotts Sladek) | |
| Paul V. Ferrazzi | .... | first assistant camera (as Paul 'Cancun' Ferrazzi) | |
| Bob Field | .... | gaffer | |
| Kory Funk | .... | electrician | |
| Robert Hicks | .... | company grip (as Rob Hicks) | |
| Emily Pedraza Hudson | .... | camera loader | |
| Key Kolb | .... | best boy grip (as Key Kolb III) | |
| James 'Buz' Maloy | .... | company grip (as Buz Maloy) | |
| Mark Mims | .... | electrician | |
| Richard Nance | .... | company grip | |
| Charles Papert | .... | camera operator | |
| Gabe Proctor | .... | video assist operator | |
| Van Redin | .... | still photographer | |
| Wally Rowell | .... | electrician | |
| Troy Sneed | .... | electrician | |
| Jason B. Thorpe | .... | company grip | |
| Tim Travis | .... | electrician | |
| Troy Webb | .... | best boy electric (as Troy D. Webb) | |
| Sean Wright | .... | company grip (as Sean R. Wright) | |
Casting Department | |||
| Laura C. Auldridge | .... | casting assistant: Texas | |
| Jo Edna Boldin | .... | casting: Texas | |
| Kira Burns | .... | extras casting assistant | |
| Johnny Gidcomb | .... | adr casting | |
| Hillary Sachs | .... | casting associate | |
| Beth Sepko | .... | extras casting | |
| Elana Wakeman | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Alix Friedberg | .... | assistant costume designer | |
| Kimmie Furlong | .... | set costumer | |
| Lee Hunsaker | .... | set costumer | |
| Janice Janacek | .... | costume supervisor | |
| David W. King | .... | costumer (uncredited) | |
Editorial Department | |||
| Kimberly Adams | .... | apprentice editor (as Kim Jorgensen) | |
| Damon Botsford | .... | post-production assistant | |
| Aaron Brock | .... | apprentice editor | |
| Gary Burritt | .... | negative cutter | |
| Cherie King | .... | assistant editor | |
| Eric A. Lewy | .... | first assistant editor | |
| Dennis McNeill | .... | color timer | |
| Myra A. Minchew | .... | editorial intern | |
| Warren Paeff | .... | associate editor | |
| Elizabeth Peters | .... | assistant editor: avid | |
| Kathy Thomson | .... | digital colorist | |
| Kurt Leitner | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Heidi Arnold | .... | assistant music editor | |
| Allen Dameron | .... | conductor: orchestra | |
| Simon James | .... | orchestra contractor | |
| Andrew Kinney | .... | orchestrator | |
| Micha Liberman | .... | score coordinator | |
| Micha Liberman | .... | score recordist | |
| Gabriel Mann | .... | featured vocalist (as Gabe Rutman) | |
| Robert Puff | .... | music preparation | |
| Reed Ruddy | .... | score recordist | |
| Abby Treloggen | .... | music editor | |
| Rick Winquest | .... | score mixer | |
| Jay B. Richardson | .... | music editor (uncredited) | |
Transportation Department | |||
| Greg Faucett | .... | transportation captain | |
| James Lowder | .... | transportation coordinator (as James R. Lowder) | |
| Ricky Damazio | .... | driver (uncredited) | |
| Patrick A. Reynolds Jr. | .... | driver (uncredited) | |
| Russell E. Scott | .... | picture car coordinator (uncredited) | |
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| Grosse Pointe Blank | The Big Lebowski | Freeway | The Devil Wears Prada | Day of the Wacko |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Easily one of my favorite comedies, and sort of a source of medicine for the pains of working in an office with complete idiots. Ahh, cubicle life. Anyone who's ever worked in a corporate office can relate to this film on some level, and can probably swear that they know someone exactly like one of the characters depicted here. Mike Judge really captures the aspect that makes office life so miserable, which is without a doubt the characters that you must deal with that your personal life would normally exclude. There is no question that he must've had his own bout with the way of the office bitch, as he shows that he knows it all too well. Out of the comedies I've seen, I can most identify with this one.
Kudos to the casting department for putting together a unique group of people to portray the perfect characters for the story. Peter, Samir, Michael Bolton, and especially the Milton and Lumbergh characters, are all a true treat to watch and never get old upon reviewings.
A true comedic classic, but probably for more of a niche audience. Having never worked in an office before, you may not enjoy it as much as others...but then again, I could be wrong and is still worth checking out. But if you have or do work in an office, this movie is a must see!
Office Space has a special place in my heart for others reasons too. Parts of it were filmed within walking distance of my apartment, and my girlfriend lives in Peter's apartments from the movie, which is also right down the street! That just adds even more to the fact that I can identify with this film 100%, especially considering I drive the same way to work as Peter did! Too weird.
Um, yeah, go see it.