A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Chicago Sun Times copy editor Josie Gellar (25), who was desperate to graduate from perfectionist copy editor to reporter, gets her chance when the goody owner orders the editor to cover the high-school scene by undercover. Josie, who was a frustrated, ridiculed nerd, gets a popular make-over from her drop-out, naturally funny brother Rob Geller. Both siblings find love and joys of youth again. But in Josie's case, it's sensitive bachelor teacher Sam Coulson, who enjoys sophisticated conversation. As the publication deadline approaches, the price of blowing their cover seems ever more daunting, yet inevitable unless she sacrifices her career. Written by
Can't hate anything with Drew Barrymore and Jessica Alba in the cast list...
The nice thing about Drew Barrymore - or, to paraphrase the late Douglas Adams, ONE of the nice things for there are several - is that she's willing to try almost anything from "Guncrazy" to "Ever After" (although I suspect she would draw the line at "Bad Girls 2"). In this appealing though predictable teen flick, she's an eager writer for a newspaper given a chance to prove she can do more by going undercover to see what today's teens are up to in high school, and finds that nothing's really changed.
Drew is as engaging as ever whether appearing in class way too overdressed or dancing on stage while on drugs (relax, the film's overall pretty inoffensive), and it may have been prophetic that her joke about having been named Josie after the leader of a cartoon rock band goes over the head of her best friend at school (the film version of "Josie and the Pussycats" was a box office flop in America). The movie isn't exactly surprising, and won't appeal to anyone who insists on teen films having acid in their veins - but then again, the edgier "Jawbreaker" wasn't just bad-spirited, it was BAD, period. Call me soppy, but I like a happy ending, and this does have one (even The Prettiest Girls In School don't turn out to be that horrid in the end).
If only the Seekers' "Free To Be You And Me" (which Drew and her friends sing along to in a car in one scene) and some of David Newman's sweet score had been on the soundtrack album, but that's not a problem exclusive to this film; what with this and "Charlie's Angels" (not to mention "Olive, the Other Reindeer") Barrymore's record as a producer is a lot better than, say, Michelle Pfeiffer's. And as I said in the summary, you get Drew Barrymore and Jessica Alba in the same movie (this is a Twentieth Century Fox movie in more ways than one).
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