This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
When an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth... which they soon ... See full summary »
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During the scene where the football team steal the strips from the depot, Gordon McMurray (Scrag) was stopped by suspicious police officers while running after the van, as he was well-known to them. The cameras were some distance away and director Ken Loach had to step in to explain he was part of a film. See more »
The reflection of the boom microphone is visible in the television set when Sarah is talking with Sabine at the school. See more »
Joe (Peter Mullan) is a guy who has seen it all before. A former alcoholic, he kicked his habit. Now he is unemployed but is paradoxically very active since he trains a little football team and interests himself in young Liam who has a brush with the local underground for a story of unpaid drugs with his young spouse Sabine. He falls in love with Sarah, a social worker who brings them help and support. The two people fall in love whereas to help Liam, Joe is ready to break the law and to do shady jobs for the mobsters. Will his relationship with Sarah be affected by this?
When he places his camera in the popular neighborhoods of a big city eaten away by unemployment, Ken Loach is the defender of the outcasts who are very strongly linked by friendship and mutual support, like Joe here with his tiny football team. Loach refuses to feel pity for them and shots the outset of his film with energy and generosity. Where he also grabs the audience and impresses her is his master at supple cinematographic writing. "My Name is Joe" starts up first time with a humorist perspective that the filmmaker will try to keep to the maximum. You have to see Joe and his sidekick who pretend to be professional house painters to Sarah's. Then, as Liam and Sabine's trouble grow and with Joe's decision to help them, the tone becomes darker, blacker and is here to remind us that we are in Loach's universe. His characters in spite of their big efforts are caught up in a sad fate. In the end, Loach runs the whole gamut of tones with ability in a quite gloomy plot.
The arresting performance of Peter Mullan helps to make Loach's 1998 film more appealing and it's one to discover or rediscover.
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