A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced...
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A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced with the killing of an asthmatic junkie. The killer settles into a seaside rooming house run by an unhappy married couple and waits for his next victims to unveil themselves. Dream cops plague his nights, while plotting his murders. Meanwhile, he also starts a relationship with a postal clerk. Written by
John Sacksteder <email@example.com>
The original teaser trailer featured Eddie Ifft and Marin Hinkle as a couple discussing the movie after a date, and did not feature any footage whatsoever from the movie. See more »
Vann is talking to Doug while Doug is putting his pants on. Doug is sitting with his pants just past his underwear, when the camera moves to Vann. When we come back to Doug, you cannot see his pants at all, just his underwear. See more »
[Vann walks into a bar, seeing a lady and a bartender]
Do you have any pie?
No pie. No pizza. No kitchen. Just booze.
You got pickles.
[the three of them look at the pickle jar that's full of yellow juice and yellow pickles]
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When Our Band Goes Marching By
Written by Willard A. Palmer, Morton Manus and Amanda Vick Lethco
Performed and Arranged by Tor Hyams
Courtesy of Shooting Gallery Records and Alfred Publishing Co., Inc. (ASCAP) See more »
"A person's brain is like a pet- sometimes it gets loose, sometimes it gets lost, sometimes it sort of behaves itself and stays in the yard."
This film isn't a mystery in the sense of a whodunnit, it's more of an examination of the mystery and strangeness of people, and the minutely strange things we do. Hampton Francher tows a taut line of existential inquest. This film defies categorization and really does get the gears turning by creating a complete world with an unrelentingly quiet unease. This film is what I'd call a mirror film, it's uninflected and amoral, so the ultimate interpretation is left to us.
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