A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced...
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A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced with the killing of an asthmatic junkie. The killer settles into a seaside rooming house run by an unhappy married couple and waits for his next victims to unveil themselves. Dream cops plague his nights, while plotting his murders. Meanwhile, he also starts a relationship with a postal clerk. Written by
John Sacksteder <firstname.lastname@example.org>
When the TV newscaster is reporting on the murder of Laurie Bloom, the town's name of Owensville is shown on the screen. Owen Wilson is the star of the film. See more »
Vann is talking to Doug while Doug is putting his pants on. Doug is sitting with his pants just past his underwear, when the camera moves to Vann. When we come back to Doug, you cannot see his pants at all, just his underwear. See more »
[Vann walks into a bar, seeing only a lady and a bartender]
Do you have any pie?
No pie. No pizza. No kitchen. Just booze.
You got pickles.
[the three of them look at the pickle jar that's full of yellow juice and yellow pickles]
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A beautifully crafted, complex and touching thriller
Hampton Fancher is a brilliant writer and director. In The Minus Man, he has managed to accomplish several tasks that no one else has be able to do. He is the first director who has cast Janeane Garofalo in a role that reveals her immense sex appeal. Ms. Garofalo's character, Ferrin displays a full range of emotions and despite her obvivous personal demons, she is a beam of light in a rather dark and disturbing film. Owen Wilson is magnificant as the quirky, unassuming vagabond killer machine, Van. Much of the movie is told by Van's narration. We are made to sympathize with his obvivious moral confusion. The scene with Van and Ferrin are touching, sweet and spooky. Mr. Fancher's fantastic film is further enhanced by the presence of Mercedes Reuhl and Brian cox as the landlords who rents Van a room. Ms. reuhl is allowed to be troubled and complex and still maintain her smouldering, mature sexuality while Mr. Cox is still engaging despite his David Lynchian psychotic episodes. This director even manages to makes Van's truck and the sun-drenched, westcoast beachscape a character in the film. A must-see!
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