| Videos (see all 2) |
| Allan Corduner | ... | Sir Arthur Sullivan | |
| Dexter Fletcher | ... | Louis | |
| Sukie Smith | ... | Clothilde | |
| Roger Heathcott | ... | Banton | |
| Wendy Nottingham | ... | Helen Lenoir | |
| Stefan Bednarczyk | ... | Frank Cellier | |
| Geoffrey Hutchings | ... | Armourer | |
| Timothy Spall | ... | Richard Temple (The Mikado) | |
| Francis Lee | ... | Butt | |
| William Neenan | ... | Cook | |
| Adam Searle | ... | Shrimp | |
| Martin Savage | ... | George Grossmith (Ko-Ko) | |
| Jim Broadbent | ... | W. S. Gilbert | |
| Lesley Manville | ... | Lucy Gilbert | |
| Kate Doherty | ... | Mrs. Judd | |
| Kenneth Hadley | ... | Pidgeon | |
| Keeley Gainey | ... | Maidservant | |
| Ron Cook | ... | Richard D'Oyly Carte | |
| Eleanor David | ... | Fanny Ronalds | |
| Gary Yershon | ... | Pianist in Brothel | |
| Katrin Cartlidge | ... | Madame | |
| Julia Rayner | ... | Mademoiselle Fromage | |
| Jenny Pickering | ... | Second Prostitute | |
| Kevin McKidd | ... | Durward Lely (Nanki-Poo) | |
| Sam Kelly | ... | Richard Barker | |
| Charles Simon | ... | Gilbert's Father | |
| Philippe Constantin | ... | Paris Waiter | |
| David Neville | ... | Dentist | |
| Matthew Mills | ... | Walter Simmonds | |
| Shirley Henderson | ... | Leonora Braham (Yum-Yum) | |
| Nicholas Woodeson | ... | Mr. Seymour, Production Manager | |
| Nick Bartlett | ... | Stage Hand | |
| Gary Dunnington | ... | Stage Hand | |
| Dorothy Atkinson | ... | Jessie Bond (Pitti-Sing) | |
| Amanda Crossley | ... | Emily, Jessie's Maid | |
| Kimi Shaw | ... | Spinner | |
| Toksan Takahashi | ... | Calligrapher | |
| Akemi Otani | ... | Dancer | |
| Kanako Morishita | ... | Samisen Player | |
| Theresa Watson | ... | Maude Gilbert | |
| Lavinia Bertram | ... | Florence Gilbert | |
| Togo Igawa | ... | First Kabuki Actor | |
| Eiji Kusuhara | ... | Second Kabuki Actor | |
| Naoko Mori | ... | Miss 'Sixpence Please' | |
| Eve Pearce | ... | Gilbert's Mother | |
| Neil Humphries | ... | Boy Actor | |
| Vincent Franklin | ... | Rutland Barrington (Pooh-Bah) | |
| Michael Simkins | ... | Frederick Bovill | |
| Alison Steadman | ... | Madame Leon | |
| Cathy Sara | ... | Sybil Grey (Peep-Bo) | |
| Angela Curran | ... | Miss Morton | |
| Millie Gregory | ... | Alice | |
| Jonathan Aris | ... | Wilhelm | |
| Andy Serkis | ... | John D'Auban | |
| Mia Soteriou | ... | Mrs. Russell | |
| Louise Gold | ... | Rosina Brandram (Katisha) | |
| Shaun Glanville | ... | Mr. Harris | |
| Julian Bleach | ... | Mr. Plank | |
| Neil Salvage | ... | Mr. Hurley | |
| Matt Bardock | ... | Mr. Tripp | |
| Brid Brennan | ... | Mad Woman (as Bríd Brennan) | |
| Mark Benton | ... | Mr. Price | |
| Heather Craney | ... | Miss Russell | |
| Julie Jupp | ... | Miss Meadows | |
| John Warnaby | ... | Mr. Sanders | |
| Kacey Ainsworth | ... | Miss Dorothea Fitzherbert | |
| Ashley Artus | ... | Mr. Marchmont | |
| Richard Attlee | ... | Mr. Gordon | |
| Paul Barnhill | ... | Mr. Flagstone | |
| Nicholas Boulton | ... | Mr. Conyngham | |
| Lorraine Brunning | ... | Miss Jardine | |
| Simon Butteriss | ... | Mr. Lewis | |
| Wayne Cater | ... | Mr. Rhys | |
| Rosie Cavaliero | ... | Miss Moore | |
| Michelle Chadwick | ... | Miss Warren | |
| Debbie Chazen | ... | Miss Kingsley | |
| Richard Coyle | ... | Mr. Hammond | |
| Monica Dolan | ... | Miss Barnes | |
| Sophie Duval | ... | Miss Brown | |
| Anna Francolini | ... | Miss Biddles | |
| Teresa Gallagher | ... | Miss Coleford | |
| Sarah Howe | ... | Miss Woods | |
| Ashley Jensen | ... | Miss Tringham | |
| Gemma Page | ... | Miss Langton-James | |
| Paul Rider | ... | Mr. Bentley | |
| Mary Roscoe | ... | Miss Carlyle | |
| Steve Speirs | ... | Mr. Kent | |
| Nicola Wainwright | ... | Miss Betts | |
| Angie Wallis | ... | Miss Wilkinson | |
| Kevin Walton | ... | Mr. Evans | |
| rest of cast listed alphabetically: | |||
| Tatiana Lavrentieva | ... | Recital Guest (uncredited) | |
| Lance Patrick | ... | James (uncredited) | |
Directed by | |||
| Mike Leigh | |||
Writing credits(in alphabetical order) | ||
| Mike Leigh | written by | |
Produced by | |||
| Simon Channing Williams | .... | producer | |
| Georgina Lowe | .... | associate producer | |
Cinematography by | |||
| Dick Pope | |||
Film Editing by | |||
| Robin Sales | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Helen Scott | |||
Set Decoration by | |||
| John Bush | |||
| Eve Stewart | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Christine Blundell | .... | hair designer | |
| Christine Blundell | .... | makeup designer | |
| Kirstin Chalmers | .... | makeup artist | |
| Dianne Jamieson | .... | makeup artist | |
| Tony Martin | .... | hair stylist | |
| Nicola Matthews | .... | junior makeup artist | |
| Trefor Proud | .... | makeup artist | |
| Tracey Lee | .... | hair and make up assistant (uncredited) | |
| Sarah Love | .... | hair stylist (uncredited) | |
| Leda Shawyer | .... | makeup artist (uncredited) | |
| Sarah Weatherburn | .... | facial hair maker (uncredited) | |
Production Management | |||
| Deborah Reade | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nick Heckstall-Smith | .... | first assistant director | |
| Dan John | .... | additional third assistant director (as Daniel John) | |
| Josh Robertson | .... | second assistant director | |
| Paula Spinks | .... | third assistant director | |
| Hannah Titley | .... | third assistant director | |
| George Walker | .... | additional second assistant director | |
| Echo Ward | .... | fourth assistant director | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| Jim Booth | .... | dressing props | |
| Anthony Burton | .... | additional carpenter | |
| Richard Cameron | .... | additional carpenter | |
| Andrea Coathupe | .... | set dresser | |
| Charles Cottrell | .... | additional painter | |
| Diane Dancklefsen | .... | stand-by art director | |
| Steve Deane | .... | carpenter | |
| Andrew Forrest | .... | art department assistant | |
| Gary Fox | .... | stand-by props | |
| Terence Gamble | .... | additional painter | |
| Andrew Grant | .... | additional carpenter | |
| Liz Griffiths | .... | production buyer | |
| Dean Hayward | .... | additional carpenter | |
| David Hill | .... | additional carpenter | |
| Derek Honeybun | .... | painter | |
| Charles Leatherland | .... | draughtsman | |
| Lisa Lloyd | .... | set dresser | |
| Wayne Marsh | .... | additional scenic carpenter | |
| Leon McCarthy | .... | stand-by carpenter | |
| Adam McCreight | .... | prop assistant | |
| Tanya Miller | .... | action graphics | |
| Richard Mills | .... | property storeman | |
| Barry Moll | .... | construction manager | |
| Eugenie Neilson | .... | assistant scenic artist | |
| Steve Oakes | .... | assistant production buyer | |
| Justin Overhill | .... | scenic artist | |
| Stephen Pearton | .... | additional scenic carpenter | |
| Dave Perschky | .... | carpenter | |
| Tom Read | .... | property master | |
| Loraine Schneider | .... | scenic artist | |
| Mike Standish | .... | production buyer | |
| Ian Taylor | .... | additional carpenter (as Ian C. Taylor) | |
| Remo Tozzi | .... | prop assistant | |
| Phil Wheeler | .... | additional painter | |
| Joe Willmott | .... | carpenter (as Joseph Willmott) | |
| Sarah Wright | .... | prop assistant | |
Sound Department | |||
| Roy Baker | .... | foley walker | |
| Howard Bargroff | .... | sound re-recording mixer | |
| Orin Beaton | .... | boom operator | |
| Ed Colyer | .... | foley mixer | |
| Tim Fraser | .... | sound recordist | |
| Pauline Griffiths | .... | foley walker | |
| Loveday Harding | .... | boom operator | |
| Peter Joly | .... | supervising sound editor | |
| Danny Longhurst | .... | additional sound editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Mark Rose | .... | assistant sound editor | |
| Alison Ross | .... | sound assistant | |
| Ted Swanscott | .... | adr mixer | |
| William Towers | .... | additional boom operator | |
| Richard Undrell | .... | sound assistant | |
| Paul Wrightson | .... | foley editor | |
| Mike Prestwood Smith | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Ray Bateman | .... | generator operator | |
| Lucy Bristow | .... | focus puller | |
| Lucy Bristow | .... | second camera operator | |
| David Bryant | .... | second focus puller | |
| Dick Buckley | .... | electrician (as Richard Buckley) | |
| Frank Cox | .... | electrician | |
| Martin Duncan | .... | gaffer | |
| Alan Graham | .... | electrician | |
| Andrew Jeffery | .... | digital main titles: Magic Camera | |
| Simon Mein | .... | still photographer | |
| Kenny Monger | .... | best boy electric (as Kenneth Monger) | |
| Andy Ormesher | .... | stand-by rigger | |
| Daniel Pettipher | .... | digital main titles: Magic Camera (as Dan Pettifer) | |
| Dick Pope | .... | camera operator | |
| Dan Shoring | .... | second focus puller | |
| Colin Strachan | .... | grip | |
| Iain Struthers | .... | clapper loader | |
Casting Department | |||
| Lynn Glaser | .... | casting assistant (uncredited) | |
| Sasha Robertson | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Victoria Clarke | .... | additional wardrobe assistant | |
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Jane Clive | .... | textile assistant | |
| Andrea Cripps | .... | costume assistant | |
| David Crossman | .... | wardrobe supervisor | |
| Jacqueline Durran | .... | second assistant costume designer | |
| Charlotte Finlay | .... | additional wardrobe assistant | |
| Magot Forster | .... | dressmaker and cutter | |
| Dan Grace | .... | additional wardrobe assistant | |
| Nicola Latham | .... | dressmaker and sewer | |
| Helen Mattocks | .... | additional wardrobe assistant | |
| Laura May | .... | costume assistant | |
| Neil Murphy | .... | additional wardrobe assistant | |
| Michael O'Connor | .... | assistant costume designer | |
| Adam Roach | .... | costume assistant | |
| Timothy Shanahan | .... | costume breakdown (as Tim Shanahan) | |
| Claire Thornton | .... | dressmaker and sewer | |
| Emma Walker | .... | textile assistant | |
| Jason Gill | .... | daily costume assistant (uncredited) | |
| Jenny Hawkins | .... | daily wardrobe assistant (uncredited) | |
Editorial Department | |||
| Angela Bailey | .... | trainee: FT2 | |
| Lisa Clifford-Owen | .... | trainee editor: FT2 | |
| Lalit Goyal | .... | lightworks assistant | |
| Celia Haining | .... | additional second assistant editor | |
| Mark Neale | .... | second assistant editor | |
| Clive Noakes | .... | color timer | |
| Jonathan Sales | .... | first assistant editor | |
| Victoria Stevens | .... | second assistant editor | |
Music Department | |||
| Richard Addison | .... | musician | |
| Andrew Baker | .... | musician | |
| Ian Balmain | .... | musician | |
| Clive Bell | .... | additional musician | |
| Roger Benedict | .... | musician | |
| Chris Bevan | .... | musician | |
| Timothy Brown | .... | musician | |
| Hilary Browning | .... | musician | |
| Nicholas Bucknall | .... | musician | |
| Colin Chambers | .... | musician | |
| Anthony Chidell | .... | musician | |
| Denise Connell | .... | music editor | |
| Michael Connell | .... | supervising music editor | |
| Mark David | .... | musician | |
| Michael Davis | .... | orchestra leader | |
| Clive Dobbins | .... | musician | |
| Jonathan Evans-Jones | .... | musician | |
| Julian Farrell | .... | musician | |
| Joseph Frohlich | .... | orchestra leader | |
| David Fuest | .... | musician | |
| Martin Gatt | .... | musician | |
| David Gordon | .... | musician | |
| David Greenlees | .... | musician | |
| Michael Hext | .... | musician | |
| Joji Hirota | .... | additional musician | |
| Iain King | .... | musician | |
| Timothy Kipling | .... | musician | |
| Richard Layton | .... | musician | |
| Pan Hon Lee | .... | musician | |
| Tom Martin | .... | musician | |
| William O'Sullivan | .... | musician | |
| Stephen Orton | .... | musician | |
| Anthony Pike | .... | musician | |
| Matthew Scrivener | .... | musician | |
| Andrew Shulman | .... | musician | |
| Andrew Smith | .... | musician | |
| David Theodore | .... | musician | |
| John Timperley | .... | music engineer | |
| Richard Wainwright | .... | musician | |
| Timothy Walden | .... | musician | |
| James Warburton | .... | musician | |
| David White | .... | musician | |
| David Whitson | .... | musician | |
| Paul Willey | .... | orchestra leader | |
| Stephen Williams | .... | musician | |
| Paul Wing | .... | music fixer | |
| Gary Yershon | .... | musical director | |
Transportation Department | |||
| Charlie Collins | .... | unit driver | |
| David Rosenbaum | .... | unit driver | |
| Brian Scott | .... | unit driver | |
| Bill Wright | .... | unit driver | |
Other crew | |||
| Richard Ackland | .... | trainee: FT2 | |
| Chris Allies | .... | title designer | |
| Angela Bailey | .... | trainee: FT2 | |
| Rosie Chambers | .... | researcher | |
| Sophie Cornet | .... | trainee: FT2 (as Sophie Cornett) | |
| Graham Easton | .... | completion bond: Film Finance Services | |
| Katina Ellery | .... | additional researcher | |
| Scott Horan | .... | assistant location manager | |
| Ben Howard | .... | floor runner | |
| Francesca Jaynes | .... | choreographer | |
| Alexandra Kosevic | .... | production secretary (as Alex Kosevic) | |
| Harriet Lawrence | .... | assistant location manager | |
| Neil Lee | .... | location manager | |
| David Lewisohn | .... | solicitor: Westaway & Co. | |
| Jo Littlejohn | .... | trainee: FT2 | |
| Paula McBreen | .... | production coordinator | |
| Justin Miller | .... | assistant accountant | |
| Julia Rayner | .... | additional choreographer: brothel scene | |
| Deborah Reade | .... | assistant to producer | |
| Jonathan Rutter | .... | publicity: McDonald & Rutter | |
| Roger Sampson | .... | insurance: AON/Albert G. Ruben | |
| Brian Shemmings | .... | advisor: health and safety | |
| Andrea Slater | .... | assistant floor runner | |
| Paula Spinks | .... | assistant continuity | |
| Chris Stoaling | .... | trainee: FT2 | |
| Heather Storr | .... | script supervisor | |
| Will Tyler | .... | production accountant | |
| Michael D. Walsh | .... | production runner (as Michael Walsh) | |
| Mark Westaway | .... | solicitor: Westaway & Co. | |
Thanks | |||
| Anthony Burgess | .... | thanks | |
| John Cannon | .... | thanks | |
| Kevin Chapple | .... | thanks | |
| Andrew Cobbing | .... | thanks | |
| Penny Corfield | .... | thanks | |
| Shani D'Cruze | .... | thanks | |
| David Eden | .... | thanks | |
| John Gardner | .... | thanks | |
| Andrew Goodman | .... | thanks | |
| Judith Hatton | .... | thanks | |
| David Russell Hulme | .... | thanks | |
| Brian Jones | .... | thanks | |
| George J. Low | .... | thanks | |
| Peter Mulloy | .... | thanks | |
| Philip Plumb | .... | thanks | |
| Terence Rees | .... | thanks | |
| Marc Shepherd | .... | thanks | |
| Jesse Shereff | .... | thanks | |
| Jane W. Stedman | .... | thanks | |
| Melvyn Tarran | .... | thanks | |
| Selwyn Tillett | .... | thanks | |
| Stephen J. Turnbull | .... | thanks (as Stephen Turnbull) | |
| Michael Walters | .... | thanks | |
| Toshio Watanabe | .... | thanks | |
| David Wilmore | .... | thanks | |
| Fredric Woodbridge Wilson | .... | thanks | |
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| The Harmonists | Isadora | The Children of the Century | Cousin Bette | Die, Mommie, Die! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
I was introduced to Gilbert & Sullivan in my very early teens under the auspices of the parents of one of my friends. They took us to Falmouth on Cape Cod to a place called Highfield, the summer home of the Oberlin College Players. They specialized in G&S and other light operettas.
I learned to appreciate G&S, but I never became a fanatical devotee, even with the historical context patiently explained to me by my friend's mom. (It was similar with Shakespeare. The language could be a barrier rather than a gateway.)
The audience in the theater where I saw Topsy-Turvy was filled with devotees. You could hear their delight as they viewed the actual performances of Gilbert & Sullivan's work in the film. The director, Mike Leigh, through skillful editing and camera work, does an excellent job of photographing a stage presentation, certainly one of the best I've ever seen on film. He uses closeups, and though the actors are using an exaggerated, theatrical style, somehow the G&S material has never been clearer to me; and I've seen at least a dozen G&S performances, including two D'Oyle Carte productions (Pirates and The Mikado), the present-day descendant company of the Savoy Theater depicted in the film. People who have never seen G&S before will appreciate their work here.
Most of all, the film is very much about the highly contrasting personalities of William S. Gilbert and Sir Arthur Sullivan, the former emotionally restrained, the latter a hedonist. Leigh allows us to get to know them quite well and a host of other characters too, though G&S are first among equals in this excellent, ensemble cast. Among the supporting players, I found Shirley Henderson to be increasingly interesting as the film progressed, and I felt rewarded when she was the central character in the last two scenes of the film.
The period settings, manners, and speech are very accurate and detailed. As presented here, the Victorian era seems physically stifling, with people leading their lives in the close quarters of dressing rooms, offices, restaurants, living rooms, and bedrooms. Even more stifling is the emotional inhibition masked by correctly blustery forthrightness. Toward the end of the film, there's a revealing and poignant scene between Gilbert and his wife which makes this all very clear, and what also becomes clear is how important theatrical presentations were to people then as a means of expressing themselves in a culture which sanctioned few quarters to do so. It's one of the best examples of Mike Leigh's direction.
The G&S operettas were, of course, a commentary on Victorian times. In the film, you can see why they were so wildly popular. In that period, I think so many people were so restrained and distant from their own feelings that even the, to us, mannered and wordy G&S operettas were a breath of fresh air in Victorian England. The few occasions when Leigh breaks out of consistently claustrophobic medium shots and closeups are when he gives us a wide view of the full, theatrical stage.
Topsy-Turvy is about how Gilbert and Sullivan refracted Victorian England through a proscenium arch. Mike Leigh refracts it again through the camera lens in a way that allows us to see ourselves in our times by looking at G&S and their operettas in theirs. This is a long film (over two and one half hours), and given the subject matter, not to everyone's interest, though it's far more than the specifics of the period and the material. I found it to be my favorite film of the year thus far, and I highly recommend it.