Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.
Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who's aging quickly and becoming forgetful, mum's ghastly upper-middle-class neighbors, and ... See full summary »
In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes. Written by
Steve Fenwick <firstname.lastname@example.org>
The pictures on George Grossmith's (Martin Savage) dressing room table when Sir Arthur Sullivan (Allan Corduner) visited him to give him motivation before the first night showing of The Mikado is real pictures of George Grossmith and his family. See more »
Length of Sullivan's cigarette and ash during their lengthy discussion See more »
[giving notes to the cast after a dress rehearsal]
Ko-ko's entrance: Mr. Kent and Mr. Conyngham. Please ensure that you do not flinch at Mr. Grossmith's sword. You must have confidence that he is not about to chop off your heads, even if it may appear that that is your inevitable fate.
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Not being a big fan of opera (of the comedic variety or otherwise), I chose to watch this movie as a period piece, hoping to see a lot of eccentric characters putting on even more eccentric theatre. That was easy, since the trailer for the film points in that direction entirely.
What I didn't expect was a thoroughly entrancing inside view of the Victorian theatre. Not to mention comprehensive. Everyone is covered in this - from the stage boy through the chorus through the leads and producers and assistant directors. The telling of the complex relationships between the directors (Gilbert and Sullivan) and the leads is particularly poignant
whether dealing with the actors' considerable egos or their individual
popularity among the chorus, nothing presented doesn't ring true.
I loved everything about this movie. It's a great story, told wonderfully by all involved. It is truly a film of much love and craft.
And I expect I'll be attending the next run of the Mikado next time it comes to town.
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