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After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes. Written by
Steve Fenwick <email@example.com>
When Richard Temple performs "A More Humane Mikado" during the dress rehearsal, the script cuts out the third verse. Partly this may have been because of time considerations, but also because the original verse used the word "nigger" and was not changed until the 1940s. See more »
Length of Sullivan's cigarette and ash during their lengthy discussion See more »
I'm sure we shall reap the benefits of your remonstrations in the fullness of time.
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Not being a big fan of opera (of the comedic variety or otherwise), I chose to watch this movie as a period piece, hoping to see a lot of eccentric characters putting on even more eccentric theatre. That was easy, since the trailer for the film points in that direction entirely.
What I didn't expect was a thoroughly entrancing inside view of the Victorian theatre. Not to mention comprehensive. Everyone is covered in this - from the stage boy through the chorus through the leads and producers and assistant directors. The telling of the complex relationships between the directors (Gilbert and Sullivan) and the leads is particularly poignant
whether dealing with the actors' considerable egos or their individual
popularity among the chorus, nothing presented doesn't ring true.
I loved everything about this movie. It's a great story, told wonderfully by all involved. It is truly a film of much love and craft.
And I expect I'll be attending the next run of the Mikado next time it comes to town.
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