Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who's aging quickly and becoming forgetful, mum's ghastly upper-middle-class neighbors, and ... See full summary »
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to... See full summary »
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ... See full summary »
A short comedy by Mike Leigh about the romance between a young woman and a man who communicates only through jokes and humor. The story is told as a series of very short vignettes between ... See full summary »
Sylvestra Le Touzel,
After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes. Written by
Steve Fenwick <email@example.com>
In the actual opening-night performance of "The Mikado", the Act 2 finale began with "The Threatened Cloud Has Passed Away". This version was felt to be too short, so "For He's Gone and Married Yum-Yum" was later added, as seen in the film and modern performances. See more »
During the performance, Katisha's kimono is wrapped incorrectly. All Kimono wrap from the right side of the body to the left (i.e. the right side folds over the left), but her kimono wraps from left to right. Every other character has her/his kimono wrapped correctly. See more »
TOPSY-TURVY, director Leigh's spectacularly entertaining look at the lives and times of the nineteenth-century British duo that gave the world such musical treasures as The Pirates of Penzance and HMS Pinafore. Leigh's film finds G & S in 1884 at a creative impasse following the disappointing reception of their new flop operetta, Princess Ida. Sullivan (Allan Corduner), tired of writing music for the increasingly trite and repetitive librettos of Gilbert (Jim Broadbent), wants to give up their lucrative partnership and write "serious" grand opera. But when an exhibition of Japanese art and culture travelling through London inspires Gilbert to begin writing The Mikado, both men see the opportunity to create something unique and extraordinary. Praise for this stunning film must extend from top to bottom, beginning to end. The music, of course, is wonderful and ever present. The costumes, sets and cinematography are exemplary in their attention to atmosphere and detail. Leigh's script and direction not only bring the period to life, but make it crackle with drama, wit, and social comment. And the performances are fabulous, notably the magnificent Broadbent as mercurial Gilbert; Corduner, warm and charming as the more sweet-natured Sullivan; and Leigh regular Timothy Spall (SECRETS & LIES) as a veteran actor fearful that his big number may be cut. This is quite simply one of the most vastly entertaining, joyous and fascinating films ever made about the creative process. I actually saw it twice within a three-day period and wasn't bored for one second of either viewing!
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