Penny's love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for ... See full summary »
Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who's aging quickly and becoming forgetful, mum's ghastly upper-middle-class neighbors, and ... See full summary »
After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes. Written by
Steve Fenwick <firstname.lastname@example.org>
As Sir Arthur Sullivan and his mistress Fanny Ronalds casually discuss aborting their baby, the incidental music is a passage from Gilbert and Sullivan's "Iolanthe." The lyric which goes with the music is, "Plead for my boy. He dies." See more »
Length of Sullivan's cigarette and ash during their lengthy discussion See more »
And now, sir, I am going in search of some Italian hokey-pokey, and I care not who knows it.
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TOPSY-TURVY, director Leigh's spectacularly entertaining look at the lives and times of the nineteenth-century British duo that gave the world such musical treasures as The Pirates of Penzance and HMS Pinafore. Leigh's film finds G & S in 1884 at a creative impasse following the disappointing reception of their new flop operetta, Princess Ida. Sullivan (Allan Corduner), tired of writing music for the increasingly trite and repetitive librettos of Gilbert (Jim Broadbent), wants to give up their lucrative partnership and write "serious" grand opera. But when an exhibition of Japanese art and culture travelling through London inspires Gilbert to begin writing The Mikado, both men see the opportunity to create something unique and extraordinary. Praise for this stunning film must extend from top to bottom, beginning to end. The music, of course, is wonderful and ever present. The costumes, sets and cinematography are exemplary in their attention to atmosphere and detail. Leigh's script and direction not only bring the period to life, but make it crackle with drama, wit, and social comment. And the performances are fabulous, notably the magnificent Broadbent as mercurial Gilbert; Corduner, warm and charming as the more sweet-natured Sullivan; and Leigh regular Timothy Spall (SECRETS & LIES) as a veteran actor fearful that his big number may be cut. This is quite simply one of the most vastly entertaining, joyous and fascinating films ever made about the creative process. I actually saw it twice within a three-day period and wasn't bored for one second of either viewing!
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