A medical student, Amarnath meets and falls in love with the daughter of a herbal medicine healer, Chanda while preparing for his exams in Darjeeling. He returns to Calcutta to sit his ... See full summary »

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Cast

Cast overview, first billed only:
...
Dr. Amarnath Gill
...
Chanda / Kajli
...
Harihar Thapa
Agha ...
Maharaj (The Cook)
...
(as Satyen Kappu)
...
Gangu Rani
T.P. Jain ...
Ved
Pinchoo Kapoor
Mrinal Mukherjee ...
(as Mrinal Mukerjee)
Kamaldeep ...
Chowdhury (as Kamal Deep)
Shekhar Purohit
Yogendra
Nasir
R. Chopra
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Storyline

A medical student, Amarnath meets and falls in love with the daughter of a herbal medicine healer, Chanda while preparing for his exams in Darjeeling. He returns to Calcutta to sit his exams. Fast forward two decades Amarnath sets out to search Chanda. His encounter and involvement with a prostitute, Kajli has far reaching implications for both of them. How did Kajli, whose mother wanted her to become a doctor end up in a whorehouse. The three way relationship between the madam of the whorehouse, Kajli and Amarnath comes to a head when in a humane moment the madam gives away a fortune. What does Kajli have to do to restore her relationship with Amarnath? Written by MG Gopalan

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Musical | Romance

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Release Date:

29 December 1975 (India)  »

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Amitabh and Jaya were to star in the film. But Hrishikesh changed his mind. See more »

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User Reviews

 
Gulzar's atmospheric gem
28 February 2011 | by (Earth) – See all my reviews

Gulzar's Mausam tells the story of Dr. Amarnath Gill, who returns to Darjeeling after many years and after a while decides to look for his past love there. Just like Aandhi, Mausam is about a missed opportunity, only that here the separation is inevitable as in Aandhi the pair separated for good and only later realised what they had missed out on, and here, it was unintentional. Mausam is excellent in writing, direction, cinematography and acting. It's authentic to the core, it's beautifully shot, it's emotional and melancholic, and it just presents a moving episode of mainly three characters, while it is mainly seen through the eyes of Amarnath. Wavering between the present and the past through flashbacks, memories and confessions, the story is narrated exceedingly well. Gulzar gives the script a touch of tension and suspense, and several proceedings are completely unexpected and surprising.

Gulzar shows his characters going through many trials and tribulations, and yet he never tries to victimise them or dramatise their stories when he presents the motives behind their current state. The movie in large portions works as a character drama, and is a very poetic, intense and atmospheric piece. Moreover, while the casting of one actor in two different roles has often not been justified in Hindi films, in Mausam it is very symbolic actually, showing what a cruel and ironic game destiny has played with Amarnath by taking away his love and making him meet her lookalike daughter who is a completely different person, namely a prostitute. I was very impressed by this part of the film, particularly by the portrayal of the brothel which looks most lifelike and real. You will see none of the mess or the caricature girls one is used to seeing in Hindi movies dealing with prostitution.

There can be no doubt about Sanjeev Kumar's extraordinary acting talent and following Aandhi, in which he played a similar part, here too he plays his character's regret and pain with depth and ease. Sharmila Tagore got her best roles in Satyajit Ray films, and Mausam may be one of the best parts she received in Hindi cinema. She is astonishing in both roles although it's the role of Kajri, the daughter which lets her do a full emotional cycle. Not for a single moment in the film did she overdo her part, not the cute young girl, not the foul-mouthed prostitute, not the woman who lost her mental sanity. The transformation of Kajli looks very natural and due credit goes to her. She exudes a warmth and her emotional scenes towards the end, particularly the final scene of her realisation, are amazingly forceful. Among the supporting actors, Dina Pathak and Om Sivpuri play their parts excellently.

The film was released after the death of its music director Madan Mohan. I liked his compositions very much and "Dil Dhoonta Hai" is my favourite. The film's ending is very touching, and it provides a great moment of relief and optimism. Mausam is another example of Gulzar's craftsmanship and of his unique storytelling. Just go and watch it.


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In anticipation of Indu Sarkar, a Marathi political drama about the 1975 Emergency in India, our editors chose seven Indian movies that powerfully portray a political issue with a point of view.

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