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Mark Boone Junior,
Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
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Vincent's life is on hold until he finds his wife's killer. Alice, his neighbor, is convinced she can make him happy. She decides to invent a culprit, so that Vincent can find revenge and leave the past behind. But there is no ideal culprit and no perfect crime...
A college student launches an investigation into his wealthy father's death when he suspects his mother and his uncle may have been involved. His suspicions seem cemented when the two announce their impending marriage only shortly after the death. The student's girl friend is also revealed to be increasingly unstable as the investigation progresses. Satch also is revealed to be deeply involved, but the connection has to be found. Written by
John Sacksteder <firstname.lastname@example.org>
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A bold and worthy attempt to update Shakespeare's Hamlet by stripping the play of its dialogue, and turning it into a contemporary murder story.
Of course it isn't always successful, I suspect that no such strategy would be, since Shakespeare's language is actually more important than his plotting.
Still, the sincerity of cast and crew carry the effort a great ways. The Rozencrantz and Guildenstern sup-plot was, I thought, particularly well-handled.
I have shown this to people who say they hate Shakespeare, without telling them the connection to the bard, and they have generally found it fascinating. Perhaps this is the only way some people can "get" Shakespeare.
definitely worth a viewing.
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