4.3/10
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2 user 1 critic

Honeybaby, Honeybaby (1974)

PG | | Action | October 1974 (USA)
Liv is a mercenary drawn into a mission to rescue a kidnapped politician. He travels to the volatile Mideast and is assisted by Laura, a translator, where their lives are imperiled.

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Cast

Credited cast:
Diana Sands ...
Laura Lewis
...
Liv
Seth Allen ...
Sam
J. Eric Bell ...
Skiggy Lewis
Brian Phelan ...
Harry
Bricktop ...
Harry's Mother
Thomas Baptiste ...
Gen. Christian Awani
Gay Suilin ...
Mme. Chan
Nabih Aboul Hoson ...
Herb
Mr. Sunshine ...
Real Makuba
Rest of cast listed alphabetically:
...
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Storyline

Liv is a mercenary drawn into a mission to rescue a kidnapped politician. He travels to the volatile Mideast and is assisted by Laura, a translator, where their lives are imperiled.

Plot Summary | Add Synopsis

Genres:

Action

Certificate:

PG
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October 1974 (USA)  »

Also Known As:

Honey Baby  »

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Did You Know?

Trivia

Final appearance in a theatrical feature film for actress Diana Sands. See more »

Connections

Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

Soundtracks

Honeybaby, Honeybaby
Written by Michael Tschudin
Sung by Jimmy Huff
Performed by Harvey Schwartz, Sam Burtis, Chip White, Butch Jones and Jerry Bergonz courtesy of Mercer Arts Center
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User Reviews

Sloppy, unfinished, international thriller.
3 May 2000 | by (Seattle, Washington) – See all my reviews

Overseas production Casting Sands (her last film) and Lockhart and director Schultz to market the black action film market is a misfire. The film looks like a unfinished film! Co-star J. Eric Bell appears talking cool explaining the plot as himself (!) telling us about the movie. Bell has little to do as Sands brother in the film, but seems to have screen potential as himself in the begining of the film. The basic plot is Sands wins a contest to go to Lebennon and gets mixed up in a international plot concerning an assassinated African leader. Lockhart plays a mercenary who is also confused and teams up with Sands. People who went to the theatres (or rent this film on video) will be disappointed that this is not a "black exploitation" film. Title songs and post art work suggest it is, but it's not. Not recommended.


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