| Photos (See all 22 | slideshow) | Videos (see all 2) |
| Emily Watson | ... | Jackie Du Pré | |
| Rachel Griffiths | ... | Hilary Du Pré | |
| James Frain | ... | Daniel Barenboin | |
| David Morrissey | ... | Kiffer Finzi | |
| Charles Dance | ... | Derek Du Pré | |
| Celia Imrie | ... | Iris Du Pré | |
| Rupert Penry-Jones | ... | Piers Du Pré | |
| Bill Paterson | ... | Cello Teacher | |
| Auriol Evans | ... | Young Jackie | |
| Keylee Jade Flanders | ... | Young Hilary (as Keeley Flanders) | |
| Grace Chatto | ... | Teena | |
| Nyree Dawn Porter | ... | Dame Margot Fonteyn | |
| Maggie McCarthy | ... | Margaret | |
| Vernon Dobtcheff | ... | Professor Bentley | |
| Anthony Smee | ... | BBC Nabob | |
| Delia Lindsay | ... | Tweedy Woman (as Delia Lindsey) | |
| Linda Spurrier | ... | Twinset | |
| Nick Haverson | ... | Photographer | |
| Kika Mirylees | ... | Patron | |
| Robert Rietty | ... | Italian Flunky | |
| Tamsin Pike | ... | Harpsichord Player | |
| David Shimwell | ... | Man In Suit | |
| Peter Czajowski | ... | German Admirer (as Peter Czajkowski) | |
| Stella Maris | ... | Spanish Admirer | |
| Carla Mendonça | ... | Spanish Maid (as Carla Medonca) | |
| Pal Banda | ... | Maestro | |
| Anna Barkan | ... | Acolyte | |
| Steven Atholl | ... | Bookish Man | |
| Heather Weeks | ... | Guest | |
| Ralph De Souza | ... | Violinist | |
| Andrea Chaialton | ... | Dressmaker | |
| Jon Rumney | ... | Rabbi | |
| Kate Hetherington | ... | Middle Jackie | |
| Ariana Daykin | ... | Middle Hilary | |
| Oliver Lee | ... | Baby Piers | |
| Hayley James-Gannon | ... | Hilary's Child | |
| Melissa James-Gannon | ... | Hilary's Child | |
| George Kennaway | ... | German Concert Conductor | |
| John Gough | ... | Wigmore Accompanist | |
| Brian Perkins | ... | Radio Announcer | |
| rest of cast listed alphabetically: | |||
| Michael Fish | ... | T.V. Weatherman (uncredited) | |
| Paul Rushworth | ... | Audience Member 1 (uncredited) | |
Directed by | |||
| Anand Tucker | |||
Writing credits | ||
| Hilary du Pré | (book "A Genius in the Family") and | |
| Piers du Pré | (book "A Genius in the Family") | |
| Frank Cottrell Boyce | (screenplay) | |
Produced by | |||
| Guy East | .... | executive producer | |
| Ruth Jackson | .... | executive producer | |
| Nicolas Kent | .... | producer | |
| Andy Paterson | .... | producer | |
| Nigel Sinclair | .... | executive producer | |
Original Music by | |||
| Barrington Pheloung | |||
Cinematography by | |||
| David Johnson | |||
Film Editing by | |||
| Martin Walsh | |||
Casting by | |||
| Simone Ireland | |||
| Vanessa Pereira | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Charmian Adams | |||
Set Decoration by | |||
| Trisha Edwards | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Jane Body | .... | assistant hair stylist | |
| Lois Burwell | .... | chief makeup artist | |
| Mark English | .... | assistant hair stylist | |
| Eithne Fennel | .... | assistant hair stylist (as Ethnie Fennell) | |
| Kay Georgiou | .... | assistant hair stylist (as Kay Geogiou) | |
| Richard Glass | .... | contact lens optician | |
| Hilary Haines | .... | hair stylist | |
| Catherine Heys | .... | assistant makeup artist | |
| Pauline Heys | .... | makeup artist | |
| Jill Hornby | .... | assistant hair stylist | |
| Jan Jamison | .... | assistant hair stylist (as Jan Jameson) | |
| Amanda Knight | .... | assistant makeup artist | |
| Clare Le Vesconte | .... | assistant makeup artist (as Claire Le Vesconte) | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Lisa Tomblin | .... | chief hair stylist | |
| Rose Warder | .... | assistant hair stylist | |
| Julia Wilson | .... | assistant hair stylist | |
| Julia Wilson | .... | assistant makeup artist | |
Production Management | |||
| Guy Tannahill | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | third assistant director | |
| Jason Byrne | .... | co-third assistant director | |
| Geoff Dibben | .... | co-second assistant director | |
| Guy Heeley | .... | second assistant director | |
| Rupert Ryle-Hodges | .... | first assistant director | |
Art Department | |||
| Barry Arnold | .... | stand-by props | |
| Norman Baker | .... | machinist | |
| John Bastin | .... | carpenter | |
| Lee Betis | .... | painter (as Lee Betts) | |
| Robert Betts | .... | painter | |
| David Brooks | .... | joiner | |
| Gerard Brown | .... | painter | |
| Lee Bryant | .... | props | |
| Antonio Caccavale | .... | scenic artist | |
| Barry Cahill | .... | stand-by painter | |
| Kevin Campbell | .... | painter | |
| Roy Chapman | .... | dressing props | |
| Alan Chesters | .... | construction manager | |
| Leigh Chesters | .... | carpenter | |
| Mat Collingwood | .... | painter (as Matt Collingwood) | |
| Ciaran Donnelly | .... | chargehand carpenter | |
| Martin Duffy | .... | carpenter | |
| Damon Earnshaw | .... | assistant art director | |
| Derek Ede | .... | stagehand | |
| Brian Eke | .... | carpenter | |
| Barry Gibbs | .... | property master | |
| Michael Gleeson | .... | dressing props | |
| Michael Gunner | .... | chargehand carpenter | |
| Michael Gunner | .... | supervising painter | |
| Anya Hawe | .... | art department runner | |
| Joe Hawthorne | .... | carpenter (as Jo Hawthorne) | |
| Brian Humphrey | .... | dressing props (as Brian Humphreys) | |
| Ronnie Jackson | .... | carpenter | |
| David Ned Kelly | .... | chargehand carpenter (as David Kelly) | |
| Ron King | .... | scenic artist | |
| Robert Loftus | .... | joiner | |
| Roy Martin | .... | painter | |
| Gary McCarthy | .... | craft apprentice painter: FT2 | |
| David Mears | .... | painter (as Dave Mears) | |
| Anthony Morris | .... | carpenter | |
| Anthony Morris | .... | joiner | |
| Colin Mutch | .... | stand-by props | |
| Darryl Paterson | .... | chargehand dresser | |
| Darryl Paterson | .... | props storeman | |
| Reg Patterson | .... | carpenter (as Reg Paterson) | |
| Reg Patterson | .... | joiner (as Reg Paterson) | |
| Michael Poole | .... | stagehand | |
| Simon Robilliard | .... | stand-by carpenter | |
| Shirley Robinson | .... | buyer | |
| Andy Sandbach | .... | plasterer | |
| Ben Smith | .... | art department assistant | |
| Matthew Start | .... | painter | |
| Brian Todd | .... | plasterer | |
| Kevin Walker | .... | graphic designer | |
| John Watts | .... | scenic artist | |
| Michael Webb | .... | stagehand | |
| Terry Woods | .... | props | |
| David Woodward | .... | plasterer | |
Sound Department | |||
| John Casali | .... | boom operator | |
| David Crozier | .... | production sound mixer | |
| Graham Daniel | .... | sound re-recording mixer | |
| James Feltham | .... | dialogue editor | |
| Stan Fiferman | .... | foley artist | |
| Pam Finch | .... | foley artist | |
| Arthur Graley | .... | assistant sound editor | |
| Nigel Heath | .... | sound designer | |
| John Lewis | .... | playback operator | |
| Ray Merrin | .... | sound re-recording mixer | |
| Lionel Selwyn | .... | foley artist | |
| Julian Slater | .... | sound designer | |
| Kevin Taylor | .... | adr mixer | |
| Kevin Taylor | .... | foley mixer | |
Special Effects by | |||
| Steve Breheney | .... | special effects technician (as Steve Breheny) | |
| Evan Green-Hughes | .... | special effects supervisor | |
Visual Effects by | |||
| Marilyn Anderson | .... | head technical assistant: Mill Film | |
| Jeanette Brill | .... | visual effects associate producer: Mill Film (as Jeanette Volturno) | |
| Tim Caplan | .... | film recording technician: Mill Film | |
| Mike Connolly | .... | compositor: Mill Film | |
| Andrew Garnet-Lawson | .... | digital matte paintings (as Andrew Garnett-Lawson) | |
| John Hardwick | .... | compositor: Mill Film | |
| Charley Henley | .... | technical assistant | |
| Karl Mooney | .... | digital effects supervisor: Mill Film | |
| Leigh Raby | .... | technical assistant: Mill Film | |
| Andrea Scholer | .... | compositor: Mill Film (as Andrea Sholer) | |
| John Seymour | .... | visual effects editor: Mill Film | |
| Dominic Sidoli | .... | visual effects accounts assistant: mill film | |
| Gabriel White | .... | technical assistant: Mill Film | |
| Craig Chandler | .... | digital compositor (uncredited) | |
Casting Department | |||
| Kate Bulpitt | .... | assistant to casting directors | |
| Louis Elman | .... | adr voice casting | |
| Adam O'Brien | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Barbara Brady | .... | wardrobe assistant | |
| Anthony Brookman | .... | wardrobe assistant | |
| Dan Grace | .... | additional wardrobe (as Daniel Grace) | |
| Lester Mills | .... | additional wardrobe | |
| Jenny Nelson | .... | additional wardrobe | |
| Sophie Norinder | .... | wardrobe assistant (as Sophie Norrinder) | |
| Hester Peden | .... | additional wardrobe | |
| Carla Pope | .... | assistant costume designer | |
| John Scott | .... | wardrobe supervisor | |
| Jackie Thomas | .... | additional wardrobe | |
| Allison Wyldeck | .... | additional wardrobe (as Alison Wyldeck) | |
Editorial Department | |||
| Dan Gane | .... | assistant editor | |
| Andrea Isaac | .... | second assistant editor | |
| Steve Maguire | .... | second assistant editor (as Stephen Maguire) | |
| Martyn Robinson | .... | first assistant editor | |
| Mike Stainer | .... | color timer | |
| Tamara Syer | .... | post-production coordinator | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| Daniel Barenboim | .... | conductor: recording of Jacqueline du Pré | |
| Brian Carlile | .... | music fixer: Liverpool | |
| Jonathan Carney | .... | orchestra leader: The Philharmonia | |
| Caroline Dale | .... | musician: cello solo | |
| Jacqueline du Pré | .... | musician: cello, recordings | |
| Anthony Fabian | .... | music coordinator | |
| Matthias Gohl | .... | soundtrack producer | |
| Robert Hathaway | .... | music editor (as Bob Hathaway) | |
| David Heath | .... | musician: flute | |
| Sally Heath | .... | musician: piano | |
| Joel Iwataki | .... | music mixer | |
| Joel Iwataki | .... | music recordist | |
| Jan Kaznowski | .... | musician: Bedfordshire Chamber Music | |
| The London Metropolitan Orchestra | .... | orchestra | |
| Heather Lovejoy | .... | music assistant | |
| Neil McLaren | .... | coach: Flute | |
| Stephen Mercurio | .... | conductor: The Philharmonia | |
| Duncan Paveling | .... | music assistant | |
| Barrington Pheloung | .... | conductor | |
| Barrington Pheloung | .... | music supervisor | |
| Jonathan Rees | .... | orchestra leader: Metropolitan Orchestra | |
| Alison Riach | .... | music coordinator: Sony Classical | |
| Mike Ross-Trevor | .... | music mixer | |
| Mike Ross-Trevor | .... | music recordist | |
| Matthew Slater | .... | music preparation | |
| Matthew Slater | .... | music researcher | |
| Stephen Threlfall | .... | musician: Chetham's School of Music | |
Transportation Department | |||
| Terry Bleasdale | .... | unit driver | |
| Brian Brookner | .... | unit driver | |
| Keith Campbell | .... | driver: minibus | |
| Jimmy Carruthers | .... | driver: minibus | |
| Dean Macey | .... | driver: on-set locations | |
| Ian Maskell | .... | driver: on-set locations | |
| Hughie McCouglin | .... | driver: on-set locations | |
| Clive Randall | .... | driver: on-set locations (as Clive Randell) | |
| Tony Redman | .... | unit driver | |
| Jim Stephens | .... | unit driver | |
| Ben Thomas | .... | driver: minibus | |
| Paul Thompson | .... | driver: on-set locations | |
| Andrew Thorn | .... | driver: on-set locations | |
| Ron Tierney | .... | unit driver | |
| Ricky Titcombe | .... | driver: on-set locations (as Ricky Titcom) | |
| Dale Wilson | .... | driver: on-set locations | |
Other crew | |||
| Colette Appleby | .... | stand-in (as Collette Appleby) | |
| Robert Bailey | .... | cello coach | |
| Frank Bloom | .... | production legal services | |
| Andy Brown | .... | managing director: Metropolitan Orchestra | |
| Jo Charlesworth | .... | assistant: Mr. Tucker | |
| Stephen Cheers | .... | assistant location manager: Liverpool | |
| Stephanie Collins | .... | contact: London | |
| Natasha Coombs | .... | trainee script supervisor: FT2 | |
| Simon Cox | .... | second playback operator | |
| Caroline Dale | .... | cello coach | |
| Paul Davis | .... | representative: Intermedia Films | |
| Patsy de Lord | .... | production coordinator | |
| Diana Dill | .... | script supervisor | |
| Nick Drake | .... | script consultant | |
| Neil Duffin | .... | stand-in | |
| Timothy Easthill | .... | assistant accountant | |
| Will Evans | .... | representative: Intermedia Films | |
| Candice Fonseca | .... | assistant coordinator | |
| Keith Foston | .... | production office runner: London | |
| Louise Fudge | .... | stand-in | |
| Kathy Goodman | .... | representative: Intermedia Films | |
| Paul Grant | .... | assistant location manager: Liverpool | |
| Linda Gregory | .... | production accountant | |
| Marriott Harrison | .... | production legal services | |
| Tim Haslam | .... | representative: Intermedia Films | |
| Steven Higgins | .... | conducting coach | |
| Robin Higgs | .... | assistant location scout: London | |
| Andy Holt | .... | location scout | |
| Phil Hounam | .... | assistant location manager: London | |
| Andrew Jack | .... | dialect coach | |
| Laura Jellicoe | .... | stand-by flute advisor | |
| Carrie Johnson | .... | unit nurse | |
| Patricia Johnson | .... | unit publicist | |
| Ian Jones | .... | piano coach | |
| Beth Knight | .... | stand-in | |
| Sue Lefton | .... | movement coach | |
| Carol Little | .... | flute teacher | |
| David Oliver | .... | stand-in | |
| David Pinnington | .... | location manager | |
| Joy Pollard | .... | chaperone | |
| Jacqui Rafferty | .... | production office runner: Liverpool | |
| Tamara Syer | .... | assistant: Mr. Paterson | |
| Karen Wagg | .... | accounting assistant | |
Thanks | |||
| David Askin | .... | thanks | |
| Mark Bentley | .... | very special thanks | |
| Helen Bingham | .... | thanks: Liverpool Film Office | |
| Christine Colvin | .... | thanks | |
| Kiffer Finzi | .... | thanks | |
| Andrew Hildebrand | .... | thanks | |
| Michael Jackson | .... | thanks | |
| Sharon Maguire | .... | thanks | |
| Cameron McCracken | .... | thanks | |
| Kevin O'Shea | .... | thanks | |
| Nigel Palmer | .... | thanks | |
| Simon Perry | .... | thanks | |
| Allon Reich | .... | thanks | |
| David Thompson | .... | thanks | |
| Paul Webster | .... | thanks | |
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| As It Is in Heaven | August Rush | Sid and Nancy | Bride of the Wind | Mahler |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
I've read the 54 reviews here, and agree with most, both positive and negative, but I have a different perspective. Of all instruments, cello speaks to me most deeply. I do not play, I sing (deep bass, centered below the bottom of the bass staff, presently studying music in college after retirement), but still the cello resonates within my soul. I grieve that I never got the chance to see Jacqueline in her prime. But more so, that MS brought her down and killed her.
My wife has MS, is about 2/3 the way through the course of the disease. Its pace for her is much slower than the 20 years it took to kill Jackie. Slower, but just as bitterly relentless. The devastation of the disease is portrayed effectively in the film even though it is compressed in the telling. Some critics challenged the portrayal of incontinence, of tremors, of puzzling mental behavior. Those portrayals were quite accurate and the challenges unwarranted.
The one portrayal I would challenge is the final scene of Jackie being fed reclining. As I understand it, at least from current writings on the subject, the manner in which that was done would guarantee (aspiration) pneumonia and death because of the damage MS does to the swallowing reflex which uses the vocal cords to keep contaminants out of the lungs. I hope that portrayal was inaccurate. Other than this one glitch, I've found the movie haunting, invading my thoughts at quiet times and while drifting in and out of sleep. Sorry critics, I give it a 10, for the ballet of bond and competition between the sisters, for the portrayal of the musical genius of both of them, for the tragedy wrought by MS, for the powerful telling of the tale.....