An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
It's hard to review this movie without giving anything away. Suffice it to say that it depicts the crime of one member of a gay male relationship and the desperate struggle for the lead ... See full summary »
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
British sisters Hilary du Pré and Jacqueline du Pré are both talented musicians, Hilary a flautist, Jackie a cellist. With regard to their musical prowess, they have always had a friendly competitive nature with each other, fueled in large part by the want of their pianist mother, Iris, for them to achieve musical greatness. But underlying this friendliness is a deep desire to be truly better than the other. Despite or perhaps in part because of her flamboyant performance style, the younger Jackie emerges from the shadows of older Hilary's more triumphant childhood successes to become the renowned musician in the family. Although both continue with their music and both end up marrying (Hilary to Kiffer Finzi, and Jackie to pianist Daniel Barenboim), Hilary focuses on her home life, whereas Jackie focuses on her career. A seemingly odd request by Jackie to Hilary is later understood, but Hilary's agreement to that request demonstrates the true nature of their loving but unusual ... Written by
Emily Watson actually learned to play the cello as a child so was a natural for the part of Jacqueline du Pré. She practiced so long and so intensively for the film that she would frequently make her fingers bleed. See more »
In the Russian newspaper the title above the Jackie's photo states "About Lenin, about October" See more »
I've read the 54 reviews here, and agree with most, both positive and negative, but I have a different perspective. Of all instruments, cello speaks to me most deeply. I do not play, I sing (deep bass, centered below the bottom of the bass staff, presently studying music in college after retirement), but still the cello resonates within my soul. I grieve that I never got the chance to see Jacqueline in her prime. But more so, that MS brought her down and killed her.
My wife has MS, is about 2/3 the way through the course of the disease. Its pace for her is much slower than the 20 years it took to kill Jackie. Slower, but just as bitterly relentless. The devastation of the disease is portrayed effectively in the film even though it is compressed in the telling. Some critics challenged the portrayal of incontinence, of tremors, of puzzling mental behavior. Those portrayals were quite accurate and the challenges unwarranted.
The one portrayal I would challenge is the final scene of Jackie being fed reclining. As I understand it, at least from current writings on the subject, the manner in which that was done would guarantee (aspiration) pneumonia and death because of the damage MS does to the swallowing reflex which uses the vocal cords to keep contaminants out of the lungs. I hope that portrayal was inaccurate. Other than this one glitch, I've found the movie haunting, invading my thoughts at quiet times and while drifting in and out of sleep. Sorry critics, I give it a 10, for the ballet of bond and competition between the sisters, for the portrayal of the musical genius of both of them, for the tragedy wrought by MS, for the powerful telling of the tale.....
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