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B.U.S.T.E.D (1999)
"Everybody Loves Sunshine" (original title)

 -  Crime | Drama  -  20 March 1999 (Japan)
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Ratings: 5.3/10 from 530 users  
Reviews: 18 user | 4 critic

Two toughs from the wrong side of the tracks in Manchester, choose different paths when they are released from prison. The quiet Ray wants out of the 'gangsta' life and into the local music... See full summary »



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Cast overview, first billed only:
David Baker ...
Graham Bryan ...
Vincent Davies ...
Jamie Draven ...
Geeg (as Jaim Draven)
Goldie ...
Andrew Goth ...
Paul Hawkyard ...
Kevin John Harvey ...
Paul Courtenay Hyu ...
Ian (as Paul Courtnay-Hyu)
Doreen Ingleton ...
Ray's Mum
Chooye Bay ...
Mr. Chang (as Chooi Khengbeh)
Carl Learmond ...


Two toughs from the wrong side of the tracks in Manchester, choose different paths when they are released from prison. The quiet Ray wants out of the 'gangsta' life and into the local music scene with his pals, while his brash, emotional partner Terry wants to dominate the city's criminal community. His strange fixation with Ray and his pathological need for respect that he cannot show to others in return, lead him to make some impulsive moves that result in violent death and tragedy for all concerned. Written by Christopher Chase <>

Plot Summary | Add Synopsis


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, a scene of sexuality and drug content | See all certifications »




Release Date:

20 March 1999 (Japan)  »

Also Known As:

B.U.S.T.E.D  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


References Rocky III (1982) See more »


So Good
Performed by Introspect
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User Reviews

Good-not-great intro by a British triple-threat, but he's no Guy Ritchie...yet.
13 October 2001 | by (Arlington, VA.) – See all my reviews

Saw this just earlier on THRILLERMax, Cinemax's suspense channel. I surmise the depictions of the locales, the club scene and the character's backgrounds are as indigenous to Londoners as BOYS 'N' THE HOOD would be to people from Compton, and ONCE WERE WARRIORS would be to those folks struggling in the metropolitan slums of New Zealand's larger cities. That said, if you're not a fan of EASTENDERS, Guy Ritchie or British flicks in general, you'll find it rough going deciphering most of the dialogue, never mind the street slang.

Writer/director/star Andrew Goth makes like a Brit Spike Lee with a much better body and a thicker accent, with his freshman tale of two former prison mates just released, (how they are related is not really made very clear; are they brothers in the familial sense, or just brothers in crime?), and the different paths they choose to take once they're out. Ray (Goth) wants to turn his life around and use his connections to do good in the neighborhood and help out some struggling dance troupe/musician mates, while Terry (Goldie) has been, is and always will be content to live the life of a 'G-man.'

I'm not familiar with Goldie's history as a singer/musician, but I did recognize him from his role in the ensemble cast of SNATCH. I'm sure that Goth's playing it low-key was the choice he thought was right for Ray, and he does have a magnetic, physical presence that is undeniably compelling. But if his acting even equals what success I've read about him having as a musician, Goldie has quite a future ahead of him. He is as mesmerizing and terrifying in his psychopathic portrayal of an unhinged street thug as anything ever essayed on-screen by actors of the same mold, (think Ice-T), and manages to rip the movie out of Goth's muscular grip every time they appear in a scene together.

Besides hungering for the one thing that he is willing to give to no one else: respect, Terry also has some kind of psychosexual obsession/fascination with his "brother." Kind of makes you wonder if anything went down between them behind bars...

Though I'm not an aficionado of the club scene or the music, the soundtrack was good, and definitely appropriate for the scenario. David Bowie's performance may seem stilted by comparison with the work he's done in other films, especially THE HUNGER and THE MAN WHO FELL TO EARTH, but then B.U.S.T.E.D. is not a showcase for him--it's allegedly Goth's baby, and I think he does a more-than-credible job with what little he's given to do.

The movie overall could've used a trim in some places where it definitely moves too slowly. Violence junkies won't find nearly enough to hold their interest, though there's enough misogynistic vibe to turn off any potential female viewers, as the pathologically jealous Terry assaults and tortures Ray's new girlfriend, (the comely Rachel Shelley), and the grisly death of a central character and his young son are shocking enough, IMHO. The ending is meant to be a jaw-dropper, but it's curiously unsatisfying, especially since not nearly enough was made of the Ray/Terry relationship to warrant the gasps it was meant to elicit from the audience.

Still, overall, it wasn't a bad start, and should Goth choose to give Hollywood a shot, he has shown that he has the basic knowledge (not to mention the looks) to attract some pretty serious attention. Ditto for Goldie, though I'm afraid that after this and SNATCH he could very well find himself typecast; all the more reason for him to keep his musical "day job," just in case.

6 of 7 people found this review helpful.  Was this review helpful to you?

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everybody loves sunshine must be on cd somewhere in some ones room sameer_tajuddin
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