Shavian social satire. Odette is an actress who's now the mistress of a government minister. Her household of cook, maid, and chauffeur needs a valet. On the eve of going with the minister ... See full summary »

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Cast

Cast overview:
Sacha Guitry ...
Jacqueline Delubac ...
Jacques Baumer ...
Felix Montignac
Saturnin Fabre ...
Alys Delonce ...
Henriette Corniche, femme d'Adrien
...
Madeleine Crapicheau, la femme de chambre
Pauline Carton ...
Geneviève Vix ...
La comtesse
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Storyline

Shavian social satire. Odette is an actress who's now the mistress of a government minister. Her household of cook, maid, and chauffeur needs a valet. On the eve of going with the minister to Deauville, she engages Désiré, a robust and talkative man, even through his most recent employer, a countess, intimates improprieties. Things go well for a short time: the wealthy talk about the servants, the servants talk about their employers. Then, Désiré has explicit dreams about Odette; his outbursts wake the maid in the next room nightly. Odette has the same dream each night, awaking the minister and his jealousy. Is there any decorous way to handle these subconscious attractions? Written by <jhailey@hotmail.com>

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Comedy

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Release Date:

3 December 1937 (France)  »

Also Known As:

Fruens Tjener  »

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(Western Electric)

Aspect Ratio:

1.37 : 1
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Connections

Remade as Désiré (1996) See more »

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User Reviews

 
One of the best of Guitry's filmed plays
16 October 2009 | by (France) – See all my reviews

In "Désiré," Guitry gives himself a quite out-of-the-ordinary vehicle. Frankly, I had become rather tired of his usual pater familias-type character, and it is refreshing to see him in the role of a servant -- a wise, extremely sophisticated valet de chambre, but a servant nonetheless. Oddly, this film somewhat calls to mind Genet's "The Maids," in plot and even, strangely enough, a bit in tone (though it's very funny, funnier even than the usual Guitry comedy). Altogether a very unusual Guitry! Jacqueline Delubac is her usual charming self, Pauline Carton (the French Thelma Ritter, one could say) is as always excellent, and Arletty is seen in her only principal role in a Guitry film (though she is also seen in cameos -- one very wild! -- in two other Guitrys). Also excellent in a small but difficult role is Saturnin Fabre. One is hardly conscious that this is "filmed theater." Yes, there is a lot of talk, but the film-making is swift, sophisticated and inventive. Very enjoyable.


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