The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
John Waters' first 16mm film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never ... See full summary »
John Waters' second film, shot on 8mm, and featuring Divine for the first time. Essentially a plotless collage of random incidents involving sex, drugs, religion and 'The Wizard of Oz', it ... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film curator, psychologists, and Maryland's last censor, who shudders at the memory of Waters's pictures. Also included is footage of Waters making his early movies, culminating in an up-close and in-depth look at Pink Flamingos: the script, the set, the filming conditions, its editing, its distribution, and its impact. In sweet ways, this documentary is also a celebration of Divine (1945-1988). Written by
This must be considered a required double bill with The Celluloid Closet, because it nails Waters as avatar of the REAL queer cinema - the stuff that dominated the American underground for decades. And as it describes how contemporary drag queens wanted nothing to do with Divine, one can only imagine their reaction to Waters - his attitude to alternative sexualities being not exactly poster boy material. But I love him so, and this provides priceless behind-the-scenes stuff from Pink Flamingos and interviews old and new. Yes there are the contractually obligatory/utterly irrelevant money faces (Buscemi, Jarmusch etc) prattling about how cool Waters is, but there's also priceless stuff with Waters' family plus an extended, excitingly detailed peek into the underground at large, with gratifying screen time allotted to the Kuchars, Ken Jacobs, Jonas Mekas. And no sign of Tom Hanks anywhere.
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