Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens' Pip, no expectations. Mick lives with his parents... See full summary »
A simple tale of a year in the life of a Gamekeeper. From the troubles involved in rearing the pheasants and dealing with predators (poachers and foxes). The gamekeeper shows us all the ... See full summary »
A rediscovered classic from director Ken Loach (THE WIND THAT SHAKES THE BARLEY, KES) and one of the inspirations for Wes Anderson's MOONRISE KINGDOM, BLACK JACK is a dark and complex ... See full summary »
1987, love in time of war. A bus driver George Lennox meets Carla, a Nicaraguan exile living a precarious, profoundly sad life in Glasgow. Her back is scarred, her boyfriend missing, her ... See full summary »
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
This Ken Loach docu-drama relates the story of a British woman's fight with Social Services over the care of her children. Maggie has a history of bouncing from one abusive relationship to ... See full summary »
This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (... See full summary »
Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the ... See full summary »
A compassionate study of hopes and hopes deceived.
Kenneth Loach's story of three people living through the period between the world wars covers the recovery from the slaughter after 1918, the conflict in Ireland, the Depression and the general strike. Though the overall outcome is a betrayal of the hopes of ordinary people, it is not depressing or preachy. The director's point of view is always overt, but the great impressions are of compassion and of complete truthfulness in the representation of characters. After seeing and hearing one of the group scenes, of conversations in a pub, for example, you realise that every similar scene you've experienced before in film or on television was quite artificial. The rather drawn face of the (then young) Paul Copley in the leading role is unforgettable. This is at the top of my great experiences on television.
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