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The Cruise (1998)

PG-13 | | Documentary | 23 October 1998 (USA)
Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, ... See full summary »

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4 wins & 5 nominations. See more awards »

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Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, architectural analysis, and philosophical musings in equal measures. He's reflective and funny about cruising: he loves it, got in it to meet women, and he'd quit work if he could. His personal life is disclosed in small doses: he takes home $200 a week for 20 hours work, home is his suitcase and wherever he can flop, he's been arrested for going out on the roof tops of skyscrapers to see his city; he stands between the towers of the World Trade Center, spins until he's dizzy, then looks up. Written by <jhailey@hotmail.com>

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Fasten your seat belts See more »

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Documentary

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »
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Release Date:

23 October 1998 (USA)  »

Also Known As:

I periigisi  »

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Box Office

Budget:

$139,064 (estimated)

Opening Weekend:

$12,127 (USA) (23 October 1998)

Gross:

$238,434 (USA) (8 January 1999)
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Trivia

Edward Norton's favorite movie. See more »

Quotes

Timothy 'Speed' Levitch: The anti-cruise is an attempt to imprison us. At every level of living it exists. Younger cruisers have asked me, "Why?" "Why is the anti-cruise so avaricious and constant in its attempt to stop the cruise? And I have no answer. There is no answer. I mean, it's gravitational, it's a relationship that's made up of reciprocals and pulling gravities. It simply exists. Where there is cruise there is an escort of anti-cruise. But even in a bastion of anti-cruise fodder... there is cruise. Somewhere ...
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Soundtracks

But Not For Me
Written by George Gershwin (as George) and Ira Gershwin
Performed by Chet Baker
Published by Chappell & Co. (ASCAP)
Courtesy of Pacific Jazz by arrangement with EMI-Capitol Music Special Markets
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Timothy "Speed" Levitch is more than just a New York crank.
10 November 1998 | by (Queens, NY) – See all my reviews

Timothy "Speed" Levitch is more than just a New York crank, he's a spokesman for the genX drop out philosophy; find the space you are happy in, forget the rest. Forget the conventions, forget the rules. He's cruising because he's in love with everything that is creative and destructive in himself. That's what a romantic does. And he is the quintessential modern romantic.

The Cruise has been criticized as for being a purely sympathetic portrait of Levitch-- but that's what makes it so exhilarating; we are brought to Levitch's way of seeing; we don't come to judge, but to cruise.

When I try to think of flaws in this movie, I come up with virtues: that we don't get enough, that Levitch's secrets are not revealed, that we are left wondering about the reactions of those pastel-visored tourists... these mysteries actually augement the movie's charm.

I should have given it a nine.


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