Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, ... See full summary »
Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, architectural analysis, and philosophical musings in equal measures. He's reflective and funny about cruising: he loves it, got in it to meet women, and he'd quit work if he could. His personal life is disclosed in small doses: he takes home $200 a week for 20 hours work, home is his suitcase and wherever he can flop, he's been arrested for going out on the roof tops of skyscrapers to see his city; he stands between the towers of the World Trade Center, spins until he's dizzy, then looks up. Written by
This little film could also have been a great story for The New Yorker. When I saw Tim "Speed" Levitch, I thought, Wow, I know this guy! He's every New Yorker I've ever met - tough, effete, gruff, wise, silly, profane, provincial, cosmopolitan, neurotic, eloquent, voluble, accessible, insecure, indomitable...
A few points:
I hope Speed wasn't fired by Grey Line (like he was afraid he'd be) for his choice comments and his non-regulation livery.
Grey Line should wise up and charge a premium for the "Speed Tour" and give Tim Levitch a fitting raise.
More than anything else, "The Cruise" is a portrait of a natural-born poet in his element.
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