Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, ... See full summary »
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The greatest Olympic Wrestling Champion brother team joins Team Foxcatcher led by multimillionaire sponsor John E. du Pont as they train for the 1988 games in Seoul - a union that leads to unlikely circumstances.
Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, architectural analysis, and philosophical musings in equal measures. He's reflective and funny about cruising: he loves it, got in it to meet women, and he'd quit work if he could. His personal life is disclosed in small doses: he takes home $200 a week for 20 hours work, home is his suitcase and wherever he can flop, he's been arrested for going out on the roof tops of skyscrapers to see his city; he stands between the towers of the World Trade Center, spins until he's dizzy, then looks up. Written by
Timothy 'Speed' Levitch:
By saying that everyone likes The Grid Plan you're saying, "I'm going to relive all the mistakes my parents made. I'm going to identify and relive all the sorrows my mother ever lived through. I will propagate and create dysfunctional children in the same dysfunctional way that I was raised. I will spread neurosis throughout the landscape and do my best to recreate myself and the damages of my life for the next generation."
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Timothy "Speed" Levitch is more than just a New York crank.
Timothy "Speed" Levitch is more than just a New York crank, he's a spokesman for the genX drop out philosophy; find the space you are happy in, forget the rest. Forget the conventions, forget the rules. He's cruising because he's in love with everything that is creative and destructive in himself. That's what a romantic does. And he is the quintessential modern romantic.
The Cruise has been criticized as for being a purely sympathetic portrait of Levitch-- but that's what makes it so exhilarating; we are brought to Levitch's way of seeing; we don't come to judge, but to cruise.
When I try to think of flaws in this movie, I come up with virtues: that we don't get enough, that Levitch's secrets are not revealed, that we are left wondering about the reactions of those pastel-visored tourists... these mysteries actually augement the movie's charm.
I should have given it a nine.
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