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Cradle Will Rock (1999) Poster

Trivia

This film is based on actual events, though it takes liberties with the details. Marc Blitzstein's 1937 anti-capitalist operetta 'The Cradle Will Rock', about the effort to unionize steelworkers, was originally produced as part of the Federal Theatre Project. The Federal Theatre Project (1935-1939), in turn, was part of the Works Progress Administration (WPA), which was created in 1935 by President Franklin D. Roosevelt to employ people during the Great Depression. Directed by Orson Welles and produced by John Houseman, Cradle was shut down right before it was due to open because of "budget cuts" at the FTP. Everyone involved believed the government deliberately cut funding because the play's message offended its more conservative contingent; Actor's Equity prohibited its members from taking part, apparently oblivious to the fact that Cradle was a pro-union piece and Actor's Equity was - and is - a union. Welles, Housman and Blitzstein spontaneously rented another theater and planned to put on Cradle with Blitzstein himself singing/reading the piece; the show sold out and various actors defied Equity and performed their parts from the seats they'd bought. The secondary plot which involved Mexican painter Diego Rivera butting heads with Nelson Rockefeller when the mural the latter commissioned for a Rockefeller Center lobby on the high-minded subject of "human intelligence in control of the forces of nature" included a portrait of Lenin, is also based on fact, though it happened in 1933. The incident is also dramatized in the 2002 film Frida (2002). Tim Robbins included it because it tied into the theme of artistic integrity vs. economic practicality.
Last film of Barnard Hughes.
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Originally, an adaptation of 'The Cradle Will Rock' was supposed to be filmed in 1984. Amy Irving and Rupert Everett were already cast in their roles and was supposed to be filming in Rome when the production fell apart.
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Cary Elwes and Angus Macfadyen would later act in the "Saw" series, as Doctor Gordon in "Saw" and Jeff Reinhart in Saws "3" and "4" respectively.
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Director Tim Robbins co-wrote the song "Cobbler in Despair" and co-produced the song "Croon Spoon". "Croon Spoon" was sung by Susan Sarandon and Eddie Vedder from the rock group Pearl Jam.
The three-toned art-deco console radio seen in an office sequence is a Midwest Radio Model B-16 from 1936.
Tim Robbins considered playing Orson Welles.

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