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Cradle Will Rock
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Cradle Will Rock (1999) More at IMDbPro »

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Overview

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Director:
Writer (WGA):
Tim Robbins (written by)
Contact:
View company contact information for Cradle Will Rock on IMDbPro.
Release Date:
12 April 2000 (France) See more »
Genre:
Tagline:
On 12.10.99, make history. See more »
Plot:
A true story of politics and art in the 1930s U.S., focusing on a leftist musical drama and attempts to stop its production. Full summary » | Add synopsis »
Plot Keywords:
Awards:
5 wins & 7 nominations See more »
User Reviews:
fascinating slice of history See more (158 total) »

Cast

  (in credits order)

Hank Azaria ... Marc Blitzstein

Rubén Blades ... Diego Rivera

Joan Cusack ... Hazel Huffman

John Cusack ... Nelson Rockefeller

Cary Elwes ... John Houseman

Philip Baker Hall ... Gray Mathers

Cherry Jones ... Hallie Flanagan

Angus Macfadyen ... Orson Welles

Bill Murray ... Tommy Crickshaw

Vanessa Redgrave ... Countess Constance LaGrange

Susan Sarandon ... Margherita Sarfatti

Jamey Sheridan ... John Adair

John Turturro ... Aldo Silvano

Emily Watson ... Olive Stanton

Bob Balaban ... Harry Hopkins

Jack Black ... Sid

Kyle Gass ... Larry

Paul Giamatti ... Carlo

Barnard Hughes ... Frank Marvel

Barbara Sukowa ... Sophie Silvano

Victoria Clark ... Maxine Elliot's - Dulce Fox

Erin Hill ... Maxine Elliot's - Sandra Mescal
Daniel Jenkins ... Maxine Elliot's - Will Geer
Timothy Jerome ... Maxine Elliot's - Bert Weston

Chris McKinney ... Maxine Elliot's - Canada Lee / Rev. Salvation
Henry Stram ... Maxine Elliot's - Hiram Sherman

Adele Robbins ... Augusta Weissberger

Lee Arenberg ... Abe Feder

Allan F. Nicholls ... George Zorn
Rob Carlson ... National guardsman
Alison Tatlock ... Reporter
Dina Platias ... Lucille Schly

Pamela D. Henry ... Alma Dixon
Emma Smith Stevens ... Stagehand
Steven Tyler ... Lehman Engel
Charles Giordano ... Accordion
Jeffrey Kievit ... Trumpet
Kenneth Finn ... Trombone
Kenneth Hitchcock ... Clarinet
David D'Angelo ... Alto saxophone
David Ratajczak ... Percussion

Stephen Spinella ... Federal Theatre - Donald O'Hara

Brenda Pressley ... Federal Theatre - Rose
Brian Brophy ... Federal Theatre - Pierre de Rohan

David Costabile ... Federal Theatre - Beaver Man
Marla Schaffel ... Federal Theatre - Beaver Woman
Dominic Cortese ... Federal Theatre - Beaver Accordion Accompanist
John Carpenter ... Power - William Randolph Hearst

Gretchen Mol ... Marion Davies
Gil Robbins ... Congressman Starnes

Harris Yulin ... Chairman Martin Dies

Ned Bellamy ... Paul Edwards

V.J. Foster ... James
William Duell ... Butler
Albert Macklin ... Tailor

Scott Sowers ... Reporter

Bobby Amore ... Reporter

Lynn Cohen ... Silvano - Mama

Dominic Chianese ... Silvano - Papa

Peter Jacobson ... Silvano - Uncle
Evan Katz ... Silvano - Joey
Alysia Zucker ... Silvano - Chance

Sarah Hyland ... Silvano - Giovanna

Stephanie Roth Haberle ... Silvano - Marta (as Stephanie Roth)
Spanky McHugh ... Vaudeville - Melvin

Todd Stockman ... Vaudeville - Puppeteer

Patrick Husted ... Vaudeville - Vaudeville Theatre Manager
Jay Green ... Vaudeville - Plate Twirler
Carolyn West ... Vaudeville - Assistant Plate Twirler

Steven Skybell ... Blitzstein - Bertolt Brecht
Susan Heimbeinder ... Blitzstein - Eva Blitzstein

Audra McDonald ... Blitzstein - 'Joe Worker' Singer
Robert Ari ... Blitzstein - Liberty Committee #1
Michele Pawk ... Blitzstein - Liberty Committee #2

Gregg Edelman ... Blitzstein - Dream Larry Foreman

Matthew Bennett ... Blitzstein - Dream Cop

Brian Powell ... Rockefeller Center - Aide
Jack Willis ... Rockefeller Center - Lawyer

Gilbert Cruz ... Rockefeller Center - Mendez
Robert Hirschfeld ... Rockefeller Center - Sol

P.J. Brown ... Rockefeller Center - Guard

Michael Rivkin ... Rockefeller Center - Protester
Keira Naughton ... Rockefeller Center - Protester
Taylor Stanley ... Rockefeller Center - Claire
Tommy Allen ... Rockefeller Center - Pete
Jeff Butcher ... Rockefeller Center - Mendez Double
Sandy Hamilton ... Rockefeller Center - Sol Double

Corina Katt Ayala ... Diego - Frida Kahlo
Josie Whittlesey ... Diego - Models
Sandra Lindquist ... Diego - Models

Tamika Lamison ... Diego - Models

Edward James Hyland ... Opening - Worker in Theatre

Boris McGiver ... Opening - Man on Street

Chris Bauer ... VTA - Carpenter

Leonardo Cimino ... VTA - Man in Line

Patti Tippo ... VTA - Clerk

Carrie Preston ... VTA - Administrator
Mary Robbins ... VTA - Disgruntled Worker #1
Chris Talbott ... VTA - Disgruntled Worker #2 (as Christopher Talbott)
Susan Bruce ... VTA - Disgruntled Worker #3
Ian Bagg ... VTA - Disgruntled Worker #4

Tony Amendola ... Riot - Carl Jasper
rest of cast listed alphabetically:
Carl Burrows ... Fireman (as Edward Burrows)

Craig DiFrancia ... Banker

Marshall Factora ... Striker
Dennis Karagovalis ... Congressional Aide

Cinda Lawrence ... VTA Worker

Kimberly Manion ... WPA Worker
Glenn Nocera ... Man on the street

Jeff Patterson ... Protestor

Alex Spencer ... Audience Member #1

Ben Van Bergen ... WPA Worker 2

Robert Aberdeen ... Congressional Aide (uncredited)

Dar Billingham ... Showgirl (uncredited)
Ed Brown ... Theatre Patron (uncredited)

Scott Charles ... Reporter (uncredited)

Peter Fernandez ... (voice) (uncredited)

Karen Lynn Gorney ... Dancer (uncredited)

Jenni Graham ... Protestor (uncredited)

Darryl Reuben Hall ... Theatre Patron (uncredited)

Marianne Hettinger ... Protestor (uncredited)
David LaRosa ... Audience Attendee (uncredited)

Lisa Lucas ... Protester (uncredited)
Michael J. Meyers ... Reporter (uncredited)

George F. Miller ... Reporter #1 at Table in Court (uncredited)
Mike Muldoon ... (uncredited)
Dan Paragon ... Banker (uncredited)
Andy Redmond ... Congressional Aide #1 (uncredited)

Tim Robbins ... Voice On Film Reel (voice) (uncredited)
Rocco ... Marcher (uncredited)

Franklin D. Roosevelt ... Himself (archive footage) (uncredited)
Wanda Sanders ... Theatre Patron (uncredited)

Kevin Scullin ... WPA Worker (uncredited)
Haile Selassie ... Himself (in pith helmet) (archive footage) (uncredited)
George Wilhelm ... Theatre Patron (uncredited)

Stephanie Lynn Wilson ... Demonstrator In Blu Dress With White Polka Dots (uncredited)

Directed by
Tim Robbins 
 
Writing credits
(WGA)
Tim Robbins (written by)

Produced by
Frank Beacham .... executive producer
Lydia Dean Pilcher .... producer
Allison R. Hebble .... associate producer
Jon Kilik .... producer
Louise Krakower .... executive producer
Allan F. Nicholls .... executive producer
Tim Robbins .... producer
 
Original Music by
David Robbins 
 
Cinematography by
Jean-Yves Escoffier (director of photography) (as Jean Yves Escoffier)
 
Film Editing by
Geraldine Peroni 
 
Casting by
Douglas Aibel 
 
Production Design by
Richard Hoover 
 
Art Direction by
Richard Hoover 
Peter Rogness 
Troy Sizemore (supervising art director)
 
Set Decoration by
Debra Schutt 
 
Costume Design by
Ruth Myers 
 
Makeup Department
Michal Bigger .... Make-up Department Head
Lynn Campbell .... makeup artist
Jane Choi .... additional assistant makeup artist
Mary Cooke .... hair stylist
Jerry DeCarlo .... hair stylist
Linda Grimes .... key makeup artist
Raul Hernandez .... hair stylist
Heidi Kulow .... makeup artist
Eva Polywka .... makeup artist
Peggy Schierholz .... hair designer
Taurance F. Williams .... hair stylist
Adenike Wright .... hair stylist
 
Production Management
Kelley Cribben .... post-production supervisor
Amy Herman .... unit production manager
 
Second Unit Director or Assistant Director
Allan F. Nicholls .... first assistant director
Susan Perlman .... assistant director
Danielle Rigby .... assistant director
Shea Rowan .... second second assistant director
 
Art Department
Tommy Allen .... property master
JoAnn Atwood .... on-set dresser
Mark Bachman .... sign designer
Peter Betulia .... KEY CONSTRUCTION GRIP
Frances Catalano .... best boy construction grip
Ann Edgeworth .... props
Gerard J. Furey .... shop craftsman
Sandy Hamilton .... assistant property master
Tina Khayat .... assistant to production designer
Steven E. Lawler .... construction foreman
Byron K. Lovelace .... props
Jeffrey D. McDonald .... assistant art director
Ken Nelson .... construction coordinator
Mark Newell .... set dresser
Michael Parmelee .... set dresser
Peter Regnier .... swing gang
Karl Shefelman .... storyboard artist
Stephen Siersema .... scenic artist
Nell Stifel .... scenic artist
Dick Tice .... lead man
Robert Topol .... master scenic artist
M. Tony Trotta .... camera scenic artist
Karin Wiesel .... assistant set decorator
Joan Winters .... graphic designer
Sarah Fredericks .... set dresser (uncredited)
Alexandra Mazur .... assistant set decorator (uncredited)
 
Sound Department
Ajae Clearway .... assistant sound editor
Marko A. Costanzo .... foley artist
Lee Dichter .... sound re-recording mixer
Bruce Kitzmeyer .... sound effects editor
Tod A. Maitland .... sound
Barry Malawski .... assistant adr editor
Tony Martinez .... dialogue editor
Jane McCulley .... supervising adr editor
Eliza Paley .... supervising sound editor
Michael Scott .... boom operator
Warren Shaw .... supervising sound effects editor
 
Special Effects by
J.C. Brotherhood .... special effects coordinator
 
Stunts
Michael Broughton .... stunt cop
Lisa Cain .... stunt cop 3
David Chirico .... stunt rider
James Del Monico .... stunt rider (as James Delmonico)
Kathy Dion .... stunt cop
Ken Haas .... stunt rider
Don Hewitt .... stunt cop
Donald John Hewitt .... stunt cop (as Don J. Hewitt)
Jery Hewitt .... stunt coordinator
Jennifer Lamb .... stunt cop 1
Steve McAuliff .... stunt rider
Michael Pagan .... stunt rider
Charles Page .... stunt guard
Don Picard .... stunt cop
Michael Russo .... stunt cop 6 (as Mike Russo)
Keith Siglinger .... stunt cop 4
Derrick Simmons .... stunt cop 2
Manny Siverio .... stunt cop
Thomas J. Smith .... stunt rider
Brian Smyj .... stunt cop 5
Raymond H. Stein .... stunt rider
Jeff Butcher .... stunt double: Gilbert Cruz (uncredited)
Sandy Hamilton .... stunt double: Robert Hirschfeld (uncredited)
 
Camera and Electrical Department
Scott Gregoire .... electrician
Petr Hlinomaz .... assistant chief lighting technician
Thomas Landi .... electrician
Scott Maguire .... assistant camera
Jim McConkey .... Steadicam operator
Jim McConkey .... camera operator
Michael 'Flash' McDonald .... electrician
Kevin McKenna .... video assist operator
Jason Micallef .... lighting technician
Phil Oetiker .... additional camera operator
Craig Vaccaro .... key rigging grip
 
Casting Department
Jordan Beswick .... casting assistant
Byron Crystal .... extras casting
David H. Kramer .... adr voice casting
 
Costume and Wardrobe Department
Diana J. Collins .... set costumer
Lisa R. Frucht .... costume supervisor
Sheila Grover .... costumer (as Sheila Gentile)
Alix Hester .... assistant costume designer
Barrett Hong .... set costumer
Robert Pease .... set costumer
Monica Russell .... set costumer
Ajamu Walker .... wardrobe
Susan J. Wright .... assistant wardrobe supervisor
Michael Anzalone .... set wardrobe (uncredited)
 
Editorial Department
Don Ciana .... color timer
James Y. Kwei .... additional editor
Misako Shimizu .... first assistant editor
Ian Silverstein .... second assistant editor
Neil A. Stelzner .... post-production assistant
V. Renee Taylor .... apprentice editor
Sara Thorson .... assistant editor
Joe Violante .... dailies advisor
 
Music Department
David Campbell .... arranger, orchestrator, conductor
Gary Chester .... score engineer
Dan Lieberstein .... music editor
Bettie Ross .... supervising music copyist
Debra C. Victoroff .... assistant music editor
 
Transportation Department
Timothy Paustian .... driver
 
Other crew
Randall Balsmeyer .... title designer
Nadia Benamara .... assistant: Tim Robbins
Tyson Bidner .... location assistant
David Brotsky .... location assistant
Eva Z. Cabrera .... script supervisor
Jerry Carita .... production assistant
Kelley Cribben .... assistant to producers
Carey DePalma .... assistant location manager
Christine V. Desrochers .... assistant production coordinator
Anne Devereux .... assistant: Mr. Cusack
Johnny Egan .... production assistant
Frances Fiore .... unit publicist
Samuel V. Franco .... production assistant
Jennifer Zolten Freed .... post-production accountant
Jessica Johnson Tavenner .... second assistant accountant (as Jessica Johnson)
Nicole Klett .... location assistant
Diana E. Latham .... production coordinator
Steve Lee .... production assistant
Karen Mayen .... location assistant
Tim Monich .... dialect coach
Kellie Morrison .... location assistant
Andy Muller .... production assistant
Kip Myers .... production assistant
Jesse Nye .... production assistant
Caleb Omens .... production assistant
Cynthia Onrubia .... associate choreographer
Claudia Raschke .... operator
Demian Resnick .... location assistant
Peggy Robinson .... production assistant
Eddie Roche .... production assistant
Vernon Rodriquez .... parking assistant
Bettie Ross .... supervising copyist
Autumn Saville .... production assistant
Alan Semok .... consultant: ventriloquism
Jodi Shapera .... first assistant accountant
Dean M. Stephens .... location assistant (as Dean Stephens)
Todd Stockman .... consultant: ventriloquism
Bryan Thomas .... location manager
K.L. Connie Wang .... assistant: clearances (as Connie Wang)
Adam T. Weisinger .... production assistant
Tim Ballou .... script clearance administrator (uncredited)
Jay Geller .... metal work and welding (uncredited)
Steve Nuke .... utility stand-in (uncredited)
 
Thanks
Rick Dior .... in memoriam
Samuel Fuller .... in memoriam (as Sam Fuller)
Steven Gorelick .... special thanks
Barton Heyman .... in memoriam
David W. Schoner Jr. .... thanks: New Jersey Motion Picture and TV Commission
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for some language and sexuality
Runtime:
132 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
This film is based on actual events, though it takes liberties with the details. Marc Blitzstein's 1937 anti-capitalist operetta 'The Cradle Will Rock', about the effort to unionize steelworkers, was originally produced as part of the Federal Theatre Project. The Federal Theatre Project (1935-1939), in turn, was part of the Works Progress Administration (WPA), which was created in 1935 by President Franklin D. Roosevelt to employ people during the Great Depression. Directed by Orson Welles and produced by John Houseman, Cradle was shut down right before it was due to open because of "budget cuts" at the FTP. Everyone involved believed the government deliberately cut funding because the play's message offended its more conservative contingent; Actor's Equity prohibited its members from taking part, apparently oblivious to the fact that Cradle was a pro-union piece and Actor's Equity was - and is - a union. Welles, Housman and Blitzstein spontaneously rented another theater and planned to put on Cradle with Blitzstein himself singing/reading the piece; the show sold out and various actors defied Equity and performed their parts from the seats they'd bought. The secondary plot which involved Mexican painter Diego Rivera butting heads with Nelson Rockefeller when the mural the latter commissioned for a Rockefeller Center lobby on the high-minded subject of "human intelligence in control of the forces of nature" included a portrait of Lenin, is also based on fact, though it happened in 1933. The incident is also dramatized in the 2002 film Frida (2002). Tim Robbins included it because it tied into the theme of artistic integrity vs. economic practicality.See more »
Goofs:
Continuity: When Tommy Crickshaw and Hazel Huffman are discussing communism, the camera shot from behind Crickshaw shows his hand in a fist, cut to the next shot facing him, his hand is stretched out.See more »
Quotes:
Marc:I am faithful to the ideals of the party.
Orson Welles:I am faithful to the party of ideas.
John Houseman:You are faithful to the idea of a party.
See more »
Movie Connections:
Soundtrack:
HonoluluSee more »

FAQ

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47 out of 53 people found the following review useful.
fascinating slice of history, 10 July 2000
Author: Roland E. Zwick (magneteach@aol.com) from United States

Although ultraconservatives will undoubtedly dismiss `The Cradle Will Rock' as blatant leftwing propaganda, the rest of us will see it as a fascinating rumination on the intricate relationship that has always existed between politics and art. Writer/director Tim Robbins, whose left-leaning sympathies are common knowledge in the film industry, has managed to create a screenplay of amazing complexity and depth, functioning on an enormous number of levels - political, historical, aesthetic, personal - without ever losing clarity and focus. He has set up a dizzying array of characters, yet each one is fleshed out with enough depth and particularity to make him or her a vital part of the overall tapestry.

Set in the turbulent 1930's, Robbins' tale focuses on the National Theatre Company, an organization set up by Roosevelt during the Depression to provide out-of-work artists a vehicle through which to ply their trade and culture-starved audiences a chance to revel in the glories of live theatrical performances. Unfortunately, it was also a time of great civil and political upheaval, with Communism and Fascism battling for supremacy abroad and many Americans divided along similar lines in their loyalties. With passions running deep, it was only a matter of time before many in the United States Congress began suspecting the NTC of Communist sympathizing - and it was a short road from there to the eventual dismemberment of the organization. The film centers on the production of a controversial musical play called `The Cradle Will Rock' that portrays the glorious coming of unionism to a steel factory, a scenario that parallels the events in the lives of several of the characters in the film.

Given this fascinating historical background, Robbins has filled his film with a rich assortment of characters, from Orson Welles, as a fledgling young actor who sees unions as the ruination of artistic purity, to Nelson Rockefeller, as a well-meaning art patron who balks at the mural Diego Rivera has painted for him only after Rivera refuses to remove the image of Lenin from Rockefeller's monument-to-capitalism lobby. In fact, the cast of characters is so enormous, with each one taking a crucial part in the narrative proceedings, that it is quite impossible to mention them all here. Suffice it to say that Robbins covers the social spectrum from industrialists and capitalists to union workers and the unemployed, from sympathetic patrons and patronesses to the little people eager to root out the seeds of Communism even at the expense of their own ostracism. And not a one is uninteresting.

Robbins has assembled an all-star cast that reads like a who's who of contemporary movie acting (albeit of a non-blockbuster variety). Although at the beginning of the film, the casting of such familiar faces seems a bit disconcerting - leading to what critic Judith Crist refers to as the `hey there' syndrome, i.e. destroying the verisimilitude of a work by parading too many recognizable people before the camera - this technique actually helps the audience to differentiate the many characters who might otherwise pass by in a confusing and disorienting blur. Hank Azaria, Ruben Blades, John Cusack, Joan Cusack, Cary Elwes, Bill Murray, Vanessa Redgrave, Susan Sarandon, John Turturro and Emily Watson comprise this truly fine cast.

Liberal as his leanings might be, Robbins is able to focus on the bitter ironies that abound on both sides of the political spectrum. For instance, while Susan Sarandon portrays a Jewish ally of Mussolini, abandoning her pro-worker principles to act as his capitalist representative in the States, Ruben Blades plays a Diego Rivera who has subordinated - if only temporarily - his own revolutionary ethos to the power of the almighty buck. Also, there is a certain paradox to the fact that, when the government has decreed the theater closed and thereby forbidden the premiere performance of the play, it is the actors' UNION that threatens the performers with firing if they carry out their plan to stage it furtively. Robbins is even somewhat evenhanded in his treatment of the `enemy' - the rich capitalists and the anti-communist members of the theatre organization - portraying them with good-natured humor and pathos. Joan Cusack, as a clerk at the employment office and Bill Murray, as a vaudeville ventriloquist, seem like decent people, only hopelessly misguided and lonely. (Unfortunately, Murray's sudden change of heart at the end seems inexplicable and unmotivated). As for the elite in the story, Robbins does a lovely job of spoofery at the end of the film; as the play is finally being performed at a nearby theatre - representing the triumph both on stage and in the world at large of the common man over the oppressive tyrants of industry - the tycoons, dressed in masquerade ball costumes of the 18th Century aristocracy and Catholic hierarchy, mull over their plans to retain control of the art world by bankrolling only those paintings depicting the scenes of utmost blandness and banality. Thus, these men of corporate power are portrayed more as amusingly quaint pests than malevolent or malicious despots.

There is certainly no denying that `The Cradle Will Rock' is, at heart, a bit of a leftwing diatribe. However, it is not a cruel or unreasonable one. And Tim Robbins' extraordinary skills as both a storyteller and filmmaker make this clearly one of the most interesting and impressive films of 1999.

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