In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini. Written by
Originally, an adaptation of 'The Cradle Will Rock' was supposed to be filmed in 1984. Amy Irving and Rupert Everett were already cast in their roles and was supposed to be filming in Rome when the production fell apart. See more »
The Diego Rivera mural, as depicted in the film, is not his original Rockefeller Center version design (for which in-progress photographs exist), but of the smaller re-creation Rivera did a year later in Palacio de Bellas Artes in Mexico City. The Rockefeller Center mural was larger, whereas the spatial arrangement of features in the re-creation (and in the film) is more compact. See more »
You are quoting from this Marlowe. Is he a Communist?
I am very sorry. I was quoting from Christopher Marlowe.
Tell us who Marlowe is, so we can get the proper reference, because that is all we want to do.
Put in the record that he was the greatest dramatist in the period immediately preceding Shakespeare.
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There is a heart in the credit roll with the following initials inside; SS, EMLA, JHR & MGR (SS is likely 'Susan Sarandon,' EMLA for Sarandon's daughter Eva Amurri, JHR & MGR for Robbins' & Sarandon's sons Jack Henry & Miles Robbins). See more »
Tim Robbins has created a masterpiece. A film that stands up in the face of adversity and squashed freedom.Robbin's telling of the legendary events surrounding the Orson Welles production of Marc Blitztien's Labor Opers, THE CRADLE WILL ROCK, not only puts forth the events but he masterfully presents his film in the style of a Brecht theatre piece. The emotional level in the theatre when I saw this film was high,Applause rang out during the films climax. But this film is not only about artistic freedom, it is about freedom as a whole,about standing up for your freedom of belief and expression,could you imagine that there was actually a time in this "free" nation of ours when armed guards actually locked the doors of a theatre ,trying to prevent a show from being mounted.This film is an important one,and what Robbins accomplishes is to present it as entertainment as well,this is not a history lesson but a well executed work of art. As perfomances go everyone was splendid. Hank Azaria wins best honors as Blitztien,Cary Elwes and Angus McFadden as Houseman and Welles are also brilliant in their stellar portrayals.Vanessa Redgrave,Susan Sarandon and Bill Murray also lend their imense talents. John Turrturo deserves special mention for his touching portrait of actor Howard DaSilva. Some critics have pointed out what they felt was a lack of character development in the film. These critics have greatly missed the point. the film is presented as a Brecht (or Blitztein ) style play. Blitztein's CRADLE included characters named for their role in society,or personality, Jimmy Forman,Mister Mister,Reverend Salvation etc. it is this type of acting Robbins successfully evokes from his actors. This film is more than a movie,it is an emotional experience that will change the way you look at society.It is an inspiration,telling us to fight for what you believe in.
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