In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini. Written by
Jeremy Perkins <firstname.lastname@example.org>
Diego Rivera's mural in Rockefeller Center was destroyed in February of 1934. The unauthorized performance of "The Cradle Will Rock" took place on 16 June 1937. Hallie Flanagan testified before Congressman Dies' committee on 6 December 1938. For artistic effect, the film makes it seem that the three events occur simultaneously. See more »
This is a classically written piece about the corruptability and compromises of politicians, businessmen and yes even artists. Tim Robbins is quickly becoming one of my favorite writers. I'll admit I had a hard time trying not to misinterpret the dialog, but at least the movie made me think. I also commend Robbins for tackling the hypocrisy involved in being an artist. It's slow, but give it a chance. By the end of this movie the levels and themes he's hitting on tie together very, very well.
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