In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini. Written by
Jeremy Perkins <email@example.com>
The three-toned art-deco console radio seen in an office sequence is a Midwest Radio Model B-16 from 1936. See more »
During the discussion in the Federal Theatre Project office early in the film, a (color) wall map of the USA can be seen including Alaska and Hawaii. Neither of these states were part of the union in 1936. See more »
You are quoting from this Marlowe. Is he a Communist?
I am very sorry. I was quoting from Christopher Marlowe.
Tell us who Marlowe is, so we can get the proper reference, because that is all we want to do.
Put in the record that he was the greatest dramatist in the period immediately preceding Shakespeare.
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This film was edited on old fashioned machines. See more »
This is a classically written piece about the corruptability and compromises of politicians, businessmen and yes even artists. Tim Robbins is quickly becoming one of my favorite writers. I'll admit I had a hard time trying not to misinterpret the dialog, but at least the movie made me think. I also commend Robbins for tackling the hypocrisy involved in being an artist. It's slow, but give it a chance. By the end of this movie the levels and themes he's hitting on tie together very, very well.
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