Cradle Will Rock (1999)

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

Director:

Tim Robbins

Writer:

Tim Robbins

Stars:

Hank Azaria, Rubén Blades, Joan Cusack

5 wins & 6 nominations.

Cast

Cast overview, first billed only:
Hank Azaria	...	Marc Blitzstein
Rubén Blades	...	Diego Rivera
Joan Cusack	...	Hazel Huffman
John Cusack	...	Nelson Rockefeller
Cary Elwes	...	John Houseman
Philip Baker Hall	...	Gray Mathers
Cherry Jones	...	Hallie Flanagan
Angus Macfadyen	...	Orson Welles
Bill Murray	...	Tommy Crickshaw
Vanessa Redgrave	...	Countess Constance LaGrange
Susan Sarandon	...	Margherita Sarfatti
Jamey Sheridan	...	John Adair
John Turturro	...	Aldo Silvano
Emily Watson	...	Olive Stanton
Bob Balaban	...	Harry Hopkins

Storyline

In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini.

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Plot Keywords:

1930s | play | theater | union | communism | 

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Taglines:

Art is never dangerous -- unless it tells the truth.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for some language and sexuality

Details

Country:

USA

Language:

English Italian

Release Date:

12 April 2000 (France)

Also Known As:

Abajo el telón

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$93,998 (USA) (10 December 1999)

Gross:

$2,899,970 (USA) (21 April 2000)

Company Credits

Production Co:

Cradle Productions Inc., Havoc, Touchstone Pictures

Technical Specs

Runtime:

132 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Tim Robbins considered playing Orson Welles.

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Goofs

The Diego Rivera mural, as depicted in the film, is not his original Rockefeller Center version design (for which in-progress photographs exist), but of the smaller re-creation Rivera did a year later in Palacio de Bellas Artes in Mexico City. The Rockefeller Center mural was larger, whereas the spatial arrangement of features in the re-creation (and in the film) is more compact.

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Quotes

John Houseman: I've always said the play would be better on a bare stage.
Orson Welles: Actually, Hallie said that.
John Houseman: No, I said it first.
Orson Welles: No you didn't.
John Houseman: Yes I did.
Orson Welles: No, you didn't!
John Houseman: Yes, I did!
Orson Welles: No, you DIDN'T!
John Houseman: Yes, I BLOODY WELL DID!
Orson Welles: Oh, *fine*, Jack! You win, you've got the biggest creative dick, okay?
[...]

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Crazy Credits

This film was edited on old fashioned machines.

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Connections

References Camera Three: The Cradle Will Rock (1964)

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Soundtracks

"Honolulu"
Written by Marc Blitzstein
Performed by Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark),
Erin Hill, Daniel Jenkins (as Dan Jenkins)
Courtesy of RCA Records

User Reviews

Artsy, elegant manifesto with fascinating sub-plots and details.

Based on the events that occurred in post Depression era New York in 1936, `The Cradle Will Rock' is a spectacular extravaganza of people, places, and most of all, cultures. Truly an exemplary take on the battle of radicals and corporates, art and politics when they could be united in a common bond. Thus, it is only suiting that such a film be directed by uber-liberalist Tim Robbins. This picture simply wouldn't have worked without him.

From an overhead point of view, this is the cinematic equivalent of a protest- a real bite on shady politics. But in actuality it is something far deeper, focusing on numerous interesting sub-plots and taking in everyone's point of view. The backdrop is the closing down of a theatrical play when it is accused of being communist. Throughout the 135 minutes, we take in all of the different `isms'- fascism, capitalism, communism, Nazism, Catholicism and Judaism. Not only does this require a passing knowledge on these people and events; one must have an interest in the proceedings to get the most out of it.

One reason why there have been some negative reviews is because people are confused as to why Diego Riviera, Margherreta Sarfatti etc. are in the story. I can explain. Rather like `Magnolia (which followed on totally dissimilar outlines), you have to read the sub-text. This is a movie about passion for art and music. Marc Blitzein, Hazel Huffman and Diego Riviera (and all connected) had a deep passion for their work that the authorities would soon destroy because of rules and regulations.

Interesting is the fact that all the characters are based on true life people, and Robbins has assembled a fine cast who give noteworthy performances all across the board. One of the hardest to portray has to be Orson Welles. It's a true fact that 21-year-olds from the 1930's look much older than those from the 90's. No one wanted to see James Van Der Beek/ Casper Van Dien in the role. Thus, Angus MacFadyen was a superb choice, portraying Welles as an egotistical, self-centred man. Equally impressive is Susan Sarandon (with an impeccable exotic accent) as a Jewish Fascist art dealer. She knows exactly what she's doing and highlights some of the best scenes. Other standouts include John Cusack's aristocratic Nelson Rockafeller and Cary Elwes' interpretation of flamboyant producer/ soon-to-be Oscar winner (`The Paper Chase'- 1973) John Houseman.

If there were a flaw, it would have to be the last 15-20 minutes. What, for the most part, is an illustrious, brilliant character study later dissipates into a shiny-smiley low glitz `Singin In the Rain' effort. Such a shame, because the film was doing so tremendously up until that point. Then of course, it is 135 minutes long so much of that final sequence could and should have been excised.

Nevertheless, if you can forgive that, you have a remarkable, audacious film on hand. `The Cradle Will Rock' truly is an overseen landmark in ensembles, biopics and interweaving. By far Robbins best movie yet, the sub-plots are equally impressive from Blitzstein's paranoid delusions to Constance La Grange's over-the-top characteristics. If you are in any way interested in fascism, communism etc. then don't miss this polished, spirited picture. My IMDb rating: 7.6/10.