In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini.
Written by Jeremy Perkins <jwp@aber.ac.uk>
Revealing mistakes:
The Diego Rivera mural, as depicted in the film, is not his original Rockefeller Center version design (for which in-progress photographs exist), but of the smaller re-creation Rivera did a year later in Palacio de Bellas Artes in Mexico City. The Rockefeller Center mural was larger, whereas the spatial arrangement of features in the re-creation (and in the film) is more compact.
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