Cradle Will Rock (1999)

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

Director:

Tim Robbins

Writer:

Tim Robbins

Stars:

Hank Azaria, Rubén Blades, Joan Cusack

5 wins & 6 nominations.

Cast

Cast overview, first billed only:
Hank Azaria	...	Marc Blitzstein
Rubén Blades	...	Diego Rivera
Joan Cusack	...	Hazel Huffman
John Cusack	...	Nelson Rockefeller
Cary Elwes	...	John Houseman
Philip Baker Hall	...	Gray Mathers
Cherry Jones	...	Hallie Flanagan
Angus Macfadyen	...	Orson Welles
Bill Murray	...	Tommy Crickshaw
Vanessa Redgrave	...	Countess Constance LaGrange
Susan Sarandon	...	Margherita Sarfatti
Jamey Sheridan	...	John Adair
John Turturro	...	Aldo Silvano
Emily Watson	...	Olive Stanton
Bob Balaban	...	Harry Hopkins

Storyline

In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini.

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Plot Keywords:

1930s | play | theater | union | communism | 

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Taglines:

Art is never dangerous -- unless it tells the truth.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for some language and sexuality

Details

Country:

USA

Language:

English Italian

Release Date:

12 April 2000 (France)

Also Known As:

Abajo el telón

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$93,998 (USA) (10 December 1999)

Gross:

$2,899,970 (USA) (21 April 2000)

Company Credits

Production Co:

Cradle Productions Inc., Havoc, Touchstone Pictures

Technical Specs

Runtime:

132 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Cary Elwes and Angus Macfadyen would later act in the "Saw" series, as Doctor Gordon in "Saw" and Jeff Reinhart in Saws "3" and "4" respectively.

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Goofs

Diego Rivera's mural in Rockefeller Center was destroyed in February of 1934. The unauthorized performance of "The Cradle Will Rock" took place on 16 June 1937. Hallie Flanagan testified before Congressman Dies' committee on 6 December 1938. For artistic effect, the film makes it seem that the three events occur simultaneously.

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Quotes

Diego Rivera: When did you stop supporting art?
Margherita Sarfatti: I support your art but that does not mean that I must support your revolution.
Diego Rivera: It's the same thing!

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Crazy Credits

This movie was inspired by actual events, but certain characters, organizations and events have been fictionalized.

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Connections

Referenced in Gangs of New York (2002)

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Soundtracks

"The Cradle Will Rock"
Written by Marc Blitzstein
Performed by Henry Stram, Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark),
Erin Hill, Daniel Jenkins (as Dan Jenkins) and Chris McKinney
Courtesy of RCA Records

User Reviews

Long on Agit Prop, But Well Captures Passionate Arts as Politics Times

While it was fun seeing "Cradle Will Rock" with my mother-in-law who had some memories of the time period, I also did a huge paper on the WPA Arts Projects in graduate school (I recommend Jerry Mangione's book on the Federal Writer's Project as a good introduction) and am quite familiar with the personalities and facts involved so was curious to see it as a docudrama.

But we plus my parents felt the film was too agit-prop and the 20% of it that's over-the-top (aw come on, Hearst -- "Citizen Kane" foreshadowing, Rockefeller and a steel magnate at a Versailles costume party at the climax?) weakens the historical telling of a confluence of happenings -- the strangulation of the Federal Theater Project as a precursor victim to McCarthyism through the Dies Committee (including actual testimony wherein Christopher Marlowe was accused of being a Commie, as were the classic Greek dramatists) and Nelson Rockefeller's benighted sponsorship and then destruction of the Diego Rivera murals at Rockefeller Center.

Effectively written and directed by Tim Robbins is how passionately political the artists were, not as "card carrying Communists" per se, but as committed anti-Fascists and unionists in every aspect of their personal lives--as equally committed as they were to the magic of the theater as a communication device.

It does go over the top (including Susan Sarandon as an elegant Jewish courier to Mussolini selling stolen Old Masters), it is effective to show how TPTB were sympathetic to and profited from alliances with the fascists and how much they hated That Cripple in the White House.

Amidst the politics, the art for art's sake oversize egos of John Houseman and Orson Welles are also well portrayed, if a shade as buffoons compared to the grimness of everyone else around them, most of whom needed these WPA jobs to keep from starving (there's a toss away line that barely explains that FDR had to throw the Theater Project to the wolves in order to save his whole alphabet soup of programs for the vast majority).

It's also a bit over the top in painting those who testified at the Committee as probably crazy, but who knows. The Vanessa Redgrave character is silly but I guess it's making a point that Radical Chic is not new.

The climax of the factual occurrence, the one and only original performance of Marc Blitzstein's "ThreePenny Opera"-inspired political musical "Cradle Will Rock" is a delightful recreation, and from what I've read, true to the real story. This is definitely a very un-1990's story.

(Additional recommended background reading: "Cultural Front: The Laboring of American Culture in the Twentieth Century" by Michael Denning (Verso, 1998, 556 pages)

(originally written 1/2/2000)