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Bucket of Blood (1934)
"The Tell-Tale Heart" (original title)

 -  Horror  -  14 June 1934 (USA)
6.1
Your rating:
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Ratings: 6.1/10 from 30 users  
Reviews: 3 user

A young man is driven mad by his obsession with the repulsive diseased eye of the old man who cares for him.

Director:

(as Desmond Hurst)

Writers:

(adaptation), (scenario), 1 more credit »
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Title: Bucket of Blood (1934)

Bucket of Blood (1934) on IMDb 6.1/10

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Cast

Credited cast:
Norman Dryden ...
The Boy
John Kelt ...
The Old Man
Yolande Terrell ...
The Girl
Thomas Shenton ...
1st Investigator
James Fleck ...
2nd Investigator
Colonel Cameron ...
Doctor
Rest of cast listed alphabetically:
Tom Shenton ...
First Investigator
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Storyline

A young man is driven mad by his obsession with the repulsive diseased eye of the old man who cares for him.

Plot Summary | Add Synopsis

Plot Keywords:

based on short story | See All (1) »

Taglines:

GORY, GRUESOME MURDER (original ad for U.S. release of "Bucket of Blood") See more »

Genres:

Horror

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Details

Country:

Language:

Release Date:

14 June 1934 (USA)  »

Also Known As:

Bucket of Blood  »

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Production Co:

 »
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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Connections

Referenced in Texas Chainsaw Massacre: A Family Portrait (1988) See more »

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User Reviews

An Undiscovered Gem
10 August 2012 | by (United Kingdom) – See all my reviews

I recently saw a copy of this at the BFI and I have to disagree with the other reviews on this page. Although some of the dialogue (by Edgar Allan Poe) may come across as slightly stilted, this is a small distraction from what is, essentially, an undiscovered classic (it is not currently commercially available). Director Brian Desmond Hurst (John Ford's cousin, allegedly)went on to other things, most notably Alastair Sim's classic Scrooge (1951) adaptation, but maybe not better. This is an expressionistic tour-de-force, on a par visually at least with the revered 'horror'classics of that school (really!), The Cabinet Of Dr. Caligari. Nosferatu etc The camera-work is fluid and expressive and both the sound and visual editing is excellent, all the more remarkable in an era when few British film-makers, Hitchcock and a very select group of others aside, were seen to have mastery in true visual expertise. Even reviewers of the time, usually reserved in their praise of British film-makers, recognised that this was a truly unique exercise in British film In short, this film demands to be seen on so many levels.


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