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Old Plot, New Gags

7/10
Author: Tom from Burlington, VT
31 December 2011

Bluto tries to steal Olive Oyl by besting Popeye at various game booths at the amusement park, a pretty basic plot that they used in the very first Popeye theatrical short.

But while they first couple of gags are good, the short becomes increasingly wild, starting when Popeye and Olive enter the tunnel of Love,and climaxing on an outrageous chase on a roller coaster.

If the the craziness is a bit haphazard, lacking the timing and comic sense of someone like Tex Avery, the ambition is still appreciated.

The establishing shots and backgrounds of the park and roller coaster are wild and beautiful, with an impressive watercolor glow.

Be prepared, however, to see Olive get even rougher treatment than usual. A lot of people understandably dislike the way she's treated on screen, but I have to admit, it's never bothered me. Olive is more a living rubber band than a person.

It is odd, however, that the driving plot device is the protection of Olive, a woman who can be hurled against a factory smokestack hard enough to knock it off its perch without even getting as much as a scratch.

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