Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
A woman bears her brothers child and as soon as the child is born, the man takes the child out in the woods to leave for it to die. As soon as the woman finds out it is a lie, she sets of ... See full summary »
Malcolm Striker Lyon
Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the journey of the Kid, a 14 year old Tennesseean who stumbles into a nightmarish ... See full summary »
Two young Texas cowboys on the cusp of manhood ride into 1940's Mexico in search of experience. What they find is a country as chaotic as it is beautiful, as cruel and unfeeling as it is mysterious, where death is a constant, capricious companion. Written by
Richard Foxx <firstname.lastname@example.org>
When getting drinks at the first cantina they come to in Mexico, Blevins takes a sip of his drink from a glass. A few seconds later the girl is filling a glass and hands it to Blevins. He says appreciate it and starts drink his drink from the glass. See more »
In the opening credits, the Columbia Pictures emblem is not the 2000 one. Instead, it is the circa 1949 version with the woman holding the torch. This is what would have been used at the time the story is set. See more »
Newcomers trying for old-style Hollywood feel, and failing
From Cormac McCarthy's novel about young man in 1949 Texas leaving the family ranch for a life in Mexico, and winding up in hot water. Despite mystical undermining (which, presumably, is what director/co-producer Billy Bob Thornton brought to the table), film has a distracting 'formula' feel: two-parts western, one-part forbidden romance, and one-part prison picture. None of it gels, simply because the screenwriter (Ted Tally, of all people) and Thornton are trying for the kind of heavy, romantic movie-western style popular 40 years ago, and yet they do not possess the subtle qualities to make this genre successful for them. Matt Damon frequently flashes his shy/self-conscious movie-star smile, but he's so clean and bland and laid-back, he's practically non-existent on the screen. Penelope Cruz, as his forbidden flame, is better, but the other performers are less charismatic, and the story has no center--it just rambles around. *1/2 from ****
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