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All the Pretty Horses (2000)

5.8
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Ratings: 5.8/10 from 10,369 users   Metascore: 55/100
Reviews: 181 user | 88 critic | 29 from Metacritic.com

Two Texas cowboys head to Mexico in search of work, but soon find themselves in trouble with the law after one of them falls in love with a wealthy rancher's daughter.

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(novel), (screenplay)
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Nominated for 1 Golden Globe. Another 2 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Alejandra
Angelina Torres ...
Luisa (as Angelina C. Torres)
J.D. Young ...
Grandfather
...
Mother
...
J.C. Franklin
...
...
Yvette Diaz ...
Girl
Imelda Colindres ...
Girl's Mom
Augustin Solis ...
Manuel (as Agustin Solis)
...
Don Hector de la Rocha
Elizabeth Ibarra ...
Maria
...
Doña Alfonsa (as Miriam Colón)
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Storyline

A young Texan drifter named John Grady Cole who seeks a better life in Mexico, but when he crosses the border, all he finds is adventure and hardships. Written by Laurence Mixson

Plot Summary | Add Synopsis

Taglines:

Some passions can never be tamed.

Genres:

Drama | Romance | Western

Motion Picture Rating (MPAA)

Rated PG-13 for violence and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

25 December 2000 (USA)  »

Also Known As:

De si jolis chevaux  »

Filming Locations:

 »

Box Office

Budget:

$57,000,000 (estimated)

Opening Weekend:

£41,644 (UK) (25 May 2001)

Gross:

ESP 108,589,809 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Natalie Portman turned down the role of Alejandra. See more »

Goofs

When the three (Cole, Rawlins, and Blevins) are preparing to cross into Mexico, they stop to view the Rio Grande from an elevated position. The Rio Grande is flowing left to right, which, from any point in Texas facing Mexico, would be the opposite direction of the river's actual flow. See more »

Quotes

Doña Alfonsa: In the end, Mr. Cole...
Doña Alfonsa: ...we all get cured of our sentiments.
Doña Alfonsa: Those whom life doesn't cure...
Doña Alfonsa: ...death will.
See more »

Crazy Credits

In the opening credits, the Columbia Pictures emblem is not the 2000 one. Instead, it is the circa 1949 version with the woman holding the torch. This is what would have been used at the time the story is set. See more »

Connections

Referenced in E! True Hollywood Story: Winona Ryder (2002) See more »

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User Reviews

Unreleased Potential
3 November 2004 | by (Edinburgh, Scotland) – See all my reviews

Cormac McCarthy's novel, All The Pretty Horses, the first part of his breath-taking Border Trilogy, is one of the most perfect source materials ever written. Add to this the impressive line-up of talent (Ted Tally adapting, Thornton directing, Matt Damon, back when he was a hot property the first time around, starring) assembled for the film version and it's fair to say my expectations were raised sky high. When the film came out it was buried by the distributor. I managed to catch it in the one week it played at a single cinema in Edinburgh and I would be lying if I didn't admit that the whole experience was a crushing disappointment. It wasn't that the film makers had ballsed the whole thing up, no it was much more frustrating than that. You could tell that somewhere in that film there was a masterpiece straining to get out. Individual sequences impressed but the whole thing moved at such a frenzied pace that the main characters' journey, a true rite of passage in the novel, had become damagingly truncated. The result was underwhelming but at the same time as been annoyed at the film I could tell it wasn't the film makers' fault. It was all too apparent that this was a great film that had had it's guts, it's heart, it's very essence, chopped out of it by a greedy distributor trying to market the film as some kind of Titanic / Young Guns cross over. Guess what, this movie was never going to appeal to the teeny boppers. If only the studio could have realized that and been true to the property they acquired in the first place. My suspicions were confirmed recently when I read an article wherein Matt Damon, a fine actor despite the criticism, claimed that Billy Bob Thornton's integral cut of the movie is the best he's ever been involved in. I don't know about you but that makes me want to see it. Apparently the studio are willing to release this extended cut on DVD (all revenue streams reach the ocean eventually) but Thornton won't settle for anything less than a full cinematic re-release. I can't say I blame him, I get the impression his film deserves at least that much. So for now I can't recommend this film, check out the novel instead and then the rest of Cormac McCarthy's back catalogue. But let's hope that in the not too distant future this film finally gets the treatment I suspect it deserves.


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