"Strange Fruit" had everything that makes a legendary rockband: Money, Fame, Success, Groupies, a Singer who died of drugs and even a divine ending, when lightning struck the stage during ... See full summary »
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At the Paradise Theater, Jonathan Chance from the Music Underground, and Robert Kilroy, who broke out of prison to see Chance, meet, and Kilroy relates the events of the final concert at the Paradise, the night he was framed for murder.
"Strange Fruit" had everything that makes a legendary rockband: Money, Fame, Success, Groupies, a Singer who died of drugs and even a divine ending, when lightning struck the stage during an open-air. Twenty years later, all band members are minding their own businesses, the idea of a band reunion is brought up by, well, public request. Tony, the former keyboard player, sets out only to find his former friends working as a roofer, a gardener and a hotel clerk. They all became rather everyday people, married or still single, they definitely are not wild and crazy anymore. But with the help of former manager Karen, who is still dreaming of Brian, the apparently deceased lead guitarist, they all, old, fat and wrinkled as they are, try to catch that spirit again. Written by
During their Dutch tour, when Ray is being interviewed, we see a Dutch sign behind the band members which reads: "Verboden te parkeren" (No Parking). But the sign above the men's toilet next to the sign reads "Herren" which is German for "Men" instead of the Dutch word "Heren". See more »
Are you still a road dog, Hughie?
Nah. The last tour I did was ten years ago. It was Aerosmith, but they've gone and cleaned up their act. It's all wheatgrass juice and fuckin' pumpkin seeds. I hope you guys are still crazy, or I'm outta here.
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At the end of the credits, voices are heard of members of Strange Fruit playing the Bands-with-body-parts-in-their-name game. See more »
"Here... I've got one - it's got THREE bits of the body in it!"
...Heads, Hands, and Feet - a band from the past, just like Strange Fruit. A triple whammy there. Those who have professed not to like this film are either heartless or under 40, and have had no experience of the real thing. Sad for them. This is an achingly well-observed little picture that is an excellent way of passing an hour or two, and will probably not even fade much on the second showing. Stephen Rae, Timothy Spall as the fat drummer (in many ways quite the most delightful figure of all), and Bill Nighy - a new name for me - as the neurotic vocalist and front man all turn in super performances, and Juliet Aubrey has lovely doe eyes to go with some sharp acting as Karen, who tries to hold the band together as they spectacularly self-destruct.
The Syd Barrett/Brian Wilson echoes are loud and clear, Mott the Hoople rear up before one in all their inflated ridiculousness, and the script is never mawkish for more than a minute. Don't compare this with Spinal Tap or The Rutles or The Full Monty - it's unfair on all of them. The nearest comparison is The Commitments, and that's no bad thing. And any film that can conjure up memories of Blodwyn Pig - a band I do not remember ever seeing, but the name lives on - well, it shows somebody in the team knew what they were on about.
A small delight, and thanks for the memory.
Oh... and I've got ANOTHER one - Stiff Little Fingers; a-a-and what about SteelEYE Span... Spooky TOOTH... Ten Inch NAILS anyone? (You have to see the movie or have been on the road)
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