From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction,... See full summary »
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Anna Maria Ashe
From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction, a rekindled interracial love affair, helpful relatives and a painting of great price. She finds more than she bargained for in the labyrinth and milieu of stolen art. Written by
When Maggie is discovered in the tub in her sister's house her pose, etc, is a loose interpretation of Jacques-Louis David's painting "The Death of Marat". See more »
[Oliver has returned home &, hearing "Wild Thing" blaring, knows someone else is in the house: brandishing a cricket bat overhead, ascends the stairs, & more stairs, enters the bathroom. Finding his sister-in-law Maggie snoozing in the bath, he turns the bat toe-down. Maggie languidly turns her head & opens her eyes]
Rain stopped play.
See more »
For art historical support the Producers gratefully acknowledge Mary D. Gerrard's book Artemisia Gentileschi (Princeton University Press 1989). See more »
This movie is totally worth watching, buying and keeping. Helen Mirren is just extraordinary and the plot is outstanding. You'll be caught in the plot from start to finish in one of the most intriguing and exciting mysteries ever put on the screen. Magnificent!
3 of 12 people found this review helpful.
Was this review helpful to you?