The idealistic lifestyle of an old West farmer, his Indian wife and half-breed son, who narrates the tale, is disrupted when his grandfather, an old gunslinger, shows up on the farm. ...
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After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
The idealistic lifestyle of an old West farmer, his Indian wife and half-breed son, who narrates the tale, is disrupted when his grandfather, an old gunslinger, shows up on the farm. Although looking to retire, the family is not happy with his return, given his past lifestyle and mistreatment of his family. Things get worse when another gunfighter shows up and terrorizes the town, trying to force the father into a gun fight. Written by
John Sacksteder <firstname.lastname@example.org>
Several of the comments here show negative response to what I feel is really a kind of tribute film to the great Sergio Leone. This film could easily have been Parmesan cheese atop the fabulous westerns Leone and Clint Eastwood created, but I think it keeps a good blend with the genre. Yes, the main character, Doc, is speaking in Italian and English is dubbed in. But that's a big part of the charm of all "foreign" films, especially the spaghetti westerns. And having spent my childhood in Oklahoma, I thought Bowie's psychotic bad man accent was surprisingly good (although I think Dwight Yoakam would have made a better casting choice). The soundtrack, likewise, could have come off as a pale substitute for Morricone's memorable scores. I thought the choice of the Marley's reggaeesque tune was more than suitable, especially since one of the "bad guy" characters was Rastafarian - one of many colorful additions that, in my view, bring nice flavors to the genre.
My only complaint after seeing the film once is that it's too short. If it were expanded to include more about Keitel's character and his earlier relationship with Bowie's, the climactic scene could have carried more punch - maybe not along the lines of the Bronson/Fonda gunfight in Once Upon a Time in the West, but richer character development would definitely have added more suspense and contributed to bringing a well-worn genre into the 21st century.
I don't think anyone who is a true fan of spaghetti westerns would be disappointed in spending 95 minutes with a tastefully created, colorful, quirky film like this.
5 of 9 people found this review helpful.
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