| Milton Berle | ... | Himself | |
| Chuck Berry | ... | Himself | |
| Chubby Checker | ... | Himself | |
| Bo Diddley | ... | Himself | |
| Carl Gardner | ... | Himself / The Coasters | |
| Bobby Hatfield | ... | Himself / The Righteous Brothers | |
| Buddy Holly | ... | Himself (archive footage) | |
| Ben E. King | ... | Himself | |
| Jerry Leiber | ... | Himself | |
| Jerry Lee Lewis | ... | Himself | |
| Little Richard | ... | Himself | |
| Bill Medley | ... | Himself | |
| Bobby Nunn | ... | Himself / The Coasters | |
| Roy Orbison | ... | Himself (archive footage) | |
| Patti Page | ... | Herself | |
| Carl Perkins | ... | Himself | |
| Elvis Presley | ... | Himself (archive footage) | |
| Danny Rapp | ... | Himself / Danny and the Juniors | |
| Neil Sedaka | ... | Himself | |
| Phil Spector | ... | Himself | |
| Mike Stoller | ... | Himself |
Directed by | |||
| Bud Friedgen | |||
Writing credits(in alphabetical order) | ||
| Bud Friedgen | ||
Produced by | |||
| Bud Friedgen | .... | producer | |
| Quincy Jones | .... | executive producer | |
| Bob Meyrowitz | .... | executive producer | |
| Jeffrey Peisch | .... | producer | |
| Andrew Solt | .... | executive producer | |
Film Editing by | |||
| Bud Friedgen | |||
| Doug Seelig | |||
Sound Department | |||
| Kent Gibson | .... | sound designer | |
| Kent Gibson | .... | sound re-recording mixer | |
Other crew | |||
| David Naylor | .... | researcher | |
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| The History of Rock 'N' Roll, Vol. 9 | The History of Rock 'N' Roll, Vol. 7 | The History of Rock 'N' Roll, Vol. 3 | The History of Rock 'N' Roll, Vol. 8 | The History of Rock 'N' Roll, Vol. 5 |
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| Full cast and crew | Company credits | IMDb Documentary section |
| IMDb USA section |
This episode shows after the formative years, Rock n Roll becomes a main stream media with more integration going on with white musicians taking in black influence and vice a versa. There was still fear of integration by the status quo, but Elvis Presley, Carl Perkins, and Jerry Lewis crossed the racial barrier, and rock n roll music was coming into mainstream America.
Rock n roll was still pretty much an American phenomena in the '50s, and as rock n roll gained wide acceptance, producers and composers were writing for both black and white artists. Most notable of these producers was Phil Spector. With his many hits and introduction of Ronettes, rock n roll music sees its first golden age.
As the '50s rockers stopped playing (Little Richard becoming a priest, Chuck Berry going to jail, Jerry Lewis marrying his teenage cousin, and Buddy Holly getting killed in a plane accident), early '60s rock gets filled with manufactured stars such as Bobby Vee, Fabien, Rick Nelson, Paul Anka, and Niel Sedaka in which America was about to get a wake up call from a country across the Atlantic.