7.8/10
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501 user 148 critic

Happiness (1998)

Unrated | | Comedy, Drama | 16 October 1998 (USA)
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection.

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Nominated for 1 Golden Globe. Another 12 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Justin Elvin ...
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Lila Glantzman-Leib ...
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Psychiatrist
Rufus Read ...
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Lenny Jordan
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Detective Berman
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Nancy

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Storyline

A woman breaks up with her boyfriend, he thinks it's because he's fat. A man is unable to tell her next door neighbor he finds her sexually attractive. An old couple wants to split up, but they don't want to get a divorce. A therapist masturbates to teen magazines. An 11 year old kid is insecure about the fact that he hasn't cum yet. Office workers try to recall the face of a coworker who recently died. A woman is sure she has everything she could ever want. The lives of these individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection. Written by anonymous

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Unrated | See all certifications »

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Release Date:

16 October 1998 (USA)  »

Also Known As:

Todd Solondz's Untitled  »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$30,230 (USA) (9 October 1998)

Gross:

$3,000,000 (USA)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jon Lovitz was also considered for the part of Allen. See more »

Goofs

The level of wine in each person's glass changes between shots during the final scene. See more »

Quotes

Trish: How come no matter how much you treat me like shit, I can't help loving you even more?
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Connections

Featured in SexTV: SexTV: Uncovered (2005) See more »

Soundtracks

Piano Concerto
Written by Samuel Barber
Conducted by Andrew Schenck
Performed by London Symphony Orchestra
Published by G. Schirmer & Co.
Courtesy of Koch International, 1998 ASV
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User Reviews

Prozac Cinema
2 May 2001 | by (California, USA) – See all my reviews

I recently saw my first Todd Solondz film, Welcome To The Dollhouse. What a dark ride!

This week it took a couple of evenings for me to get through Happiness. There was a lot to get. Goodness gracious! (As my dear Grandmother might say, who, incidentally, is not a candidate for viewing THIS one!)

I'd read the reviews for Happiness in 1998; I'd had a typically positive Psychic Movie Reviewer moment. This indie sounded unique. I waited for Happiness - sniffle - to appear upon my friendly video store shelves, but saw nada. I imagine that the store probably had like two copies maybe, displayed briefly upon a bottom shelf someplace. I forgot about the existence of this film, until recently. And I recently heard that a certain video chain had allegedly pulled Happiness from its shelves due to customer complaints.

Disturbing yet intriguing, this film pulled me along, the matrix of character interaction becoming increasingly more intricate and strange. Definitely not for all tastes!

The subject of child sexual abuse is handled matter of factly, yet chillingly and effectively. As with the domestic/sexual abuse of women, the problem of child sexual abuse is obviously one that crosses lines of class, social status, and profession. Happiness acknowledges this fact, in the character of family man/psychiatrist Bill Maplewood.

Loneliness, rage, sexual repression/obsession, disintegrating marriages, sadly sophisticated children, relationships built upon artifice, this film has it all. It's Prozac Cinema at its best: try to be on an even keel when pressing 'play'.

Spouses, parents and children seem to be communicating across a void.

After viewing Happiness for the second time, I realized that the entire soundtrack intentionally consisted of melodramatic, and/or ultra perky canned music: a perfectly ironical compliment and contrast in style with the strong, harsh, quirky film scenes.

Presentation: director Solondz sets up the viewer for traditional father/son talk scenes, via mood and pseudo canned music: giving the subject matter and dialogue all the more impact. WHAT did he just say? Ward and Beaver Cleaver never behaved this way.

Got 134 minutes and a desire to see something darkly different? Rent Happiness. Or buy it.


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