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Happiness (1998)

Unrated | | Comedy, Drama | 16 October 1998 (USA)
1:30 | Trailer

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The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection.



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Nominated for 1 Golden Globe. Another 12 wins & 24 nominations. See more awards »



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Cast overview, first billed only:
Justin Elvin ...
Lila Glantzman-Leib ...
Rufus Read ...
Lenny Jordan
Detective Berman


A woman breaks up with her boyfriend, he thinks it's because he's fat. A man is unable to tell her next door neighbor he finds her sexually attractive. An old couple wants to split up, but they don't want to get a divorce. A therapist masturbates to teen magazines. An 11 year old kid is insecure about the fact that he hasn't cum yet. Office workers try to recall the face of a coworker who recently died. A woman is sure she has everything she could ever want. The lives of these individuals intertwine as they go about their lives in their own unique ways, engaging in acts society as a whole might find disturbing in a desperate search for human connection. Written by anonymous

Plot Summary | Plot Synopsis


Comedy | Drama


Unrated | See all certifications »

Parents Guide:






Release Date:

16 October 1998 (USA)  »

Also Known As:

Todd Solondz's Untitled  »

Filming Locations:

Box Office


$3,000,000 (estimated)

Opening Weekend:

$30,230 (USA) (9 October 1998)


$3,000,000 (USA)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


James Urbaniak auditioned for the role of Allen. See more »


The number on top of Vlad's taxi is 5C19, while the license plate number is 8H69. On an actual New York City taxi, these numbers would match. See more »


Allen: I don't know I could ever really begin to talk to her. I mean what can I talk about? I have nothing to talk about, I'm boring. And that I know, I've been told before so don't tell me it's not true 'cause it's a fact. I bore the people. People look at me and they get bored, people listen to me and they zone out... bored. 'Who is that boring person?', they think. 'I've never before met anyone so boring'. And I'm for her to see how boring I am.
See more »


Referenced in A Decade Under the Influence (2003) See more »


Soave sia il vento from Cosi Fan Tutte
Written by Wolfgang Amadeus Mozart
Performed by Orchestra of the Royal Opera House Covent Garden, Montserrat Caballé (as Montserrat Caballe),
Janet Baker, and Richard Van Allan
Conducted by Colin Davis (as Sir Colin Davis)
Courtesy of Phillips Records
By Arrangement with PolyGram Film & TV Music
See more »

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User Reviews

An oft-misunderstood film about quiet desperation
18 August 2001 | by (Woodland Hills, CA) – See all my reviews

I wasn't going to write a comment for this one, but after reading all the nasty things said about it, and considering that _Happiness_ was the basis for one of my final undergraduate philosophy papers, I feel a duty to defend it.

First of all, what you've heard is true: this movie is very graphic and almost impossible to sit through without covering your eyes at least once. However, it is worth noting that the most uncomfortable scenes are uncomfortable precisely because of an empathy that the audience establishes with the characters; it is that precisely that empathy which often pulls the audience in a direction opposite from social mores that makes us squirm. I don't know how many of the other critics here are schooled in film theory, but that kind of powerful emotional effect is typically considered a GOOD THING in films. So, really, what most people object to about this film is the content, regardless of what they want other to believe.

That said, this really is a wonderful film precisely because of the level of human understanding, empathy, and reality it encompasses. It portrays human nature from the inside out, where it is least dignified and most pathetic. What we see are a number of people desperately scrabbling around for fulfillment, because they have all to some degree achieved the fulfillment of their desires and found it hollow. Since they don't realize this fact themselves (most people don't), they look for that fulfillment they feel entitled to by using other people. It is this fundamental destructiveness of human desire (written about masterfully by Zizek) which causes the "evils" in this film.

I put "evils" in quotes because, as Solondz's film masterfully demonstrates, there is no evil to be found in this film; there is only humanity and suffering. This absence of moral judgment, though disquieting, is what allows the spectacular sense of empathy and full moral complexity of this film.

Thus, the moral of the film is that the surest way of destroying happiness is to seek it. And that, I feel, is a message that not only makes this a great film but also an artwork of tremendous social value.

60 of 66 people found this review helpful.  Was this review helpful to you?

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