Lucita has been locked away in a convent by her family in order to keep her away from her lover, Esteban. The pair make plans to elope, but Esteban is accused of heresy before Lucita can ... See full summary »
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Didier Le Pêcheur
(Japanese with English subtitles) After losing her parent in a tragic traffic accident, Koto develops the ability to communicate with the dead. Hospitalized for extreme trauma, Koto escapes... See full summary »
Lucita has been locked away in a convent by her family in order to keep her away from her lover, Esteban. The pair make plans to elope, but Esteban is accused of heresy before Lucita can escape. Hiding in the convent, Esteban discovers the horrifying depravity of the covent's abbess, Sister Incarnation. Can Esteban rescue his love from this madhouse before the inquisitor discovers what is going on and has everyone executed? Written by
Jean-Marc Rocher <email@example.com>
At risk of sounding sleazy, I do like 70/80's exploitation flicks. I just can't get enough of the weirdness that they offer.
Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.
During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.
Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.
It fails miserably at being a 'real' film and isn't all that good at being exploitation either.
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