A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.

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Cast

Credited cast:
Nadia Sibirskaïa ...
Younger Sister
Yolande Beaulieu ...
Older Sister
Guy Belmont ...
Young Man
Jean Pasquier ...
The father
Rest of cast listed alphabetically:
M. Ardouin ...
The mother
Maurice Ronsard ...
The lover
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Storyline

A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.

Plot Summary | Add Synopsis


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Details

Country:

Release Date:

26 November 1926 (France)  »

Also Known As:

Les cent pas  »

Company Credits

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Technical Specs

Runtime:

(Buenos Aires Festival Internacional de Cine Independiente)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

According to the November 15, 1926 issue of Cinéa - Ciné Pour Tous, Joseph Faivre wrote intertitles for the Belgian release of the film, although it had been specifically advertised in France as a film without any titles. See more »

Connections

Referenced in Invasion of the Body Snatchers (1978) See more »

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User Reviews

 
Tragedy
6 April 2006 | by (United States) – See all my reviews

After the violent and brutal death of their parents, two sisters leave to the big city to live. There, one of the sisters falls in love with a young man, but he is unfaithful and she is left having to deal with her own lost dreams and a baby without a job or a friend.

This is an interesting experimental film. It shows a lot more violence and sex than typically shown at the time, and yet it is very contemplative and serene in parts. However, as a subject of lost dreams, mostly it's very tragic. The image of interest here is the recurring motif of water. Water seems to provide all of the "insanity," including the boy seemingly coming from a spilt water barrel and a long montage of the woman contemplating something drastic as she looks out over the river.

It's powerfully affecting. It's strongest when hectic, during death or violence (beginning and end) or the sudden change from the serene quiet of the country to the speed and confusion of the city. It is a tragedy in every way, as lives are shattered in one way or another until a rather biting climax.

--PolarisDiB


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