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The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to distraction. At night, however, when her father's ghost visits, LV sings the songs of the great divas such as Judy Garland, Marilyn Monroe and Shirley Bassey. One evening LV is overheard by one of her mother's loathsome boyfriends, the disastrous dead-end talent scout Ray Say, who recognizes her innate talent and realizes this is his last big chance for the glittering prizes. Gambling everything Ray Say forces LV to appear at a local run-down, seedy night club run by Mr. Boo. As preparations for the big event proceed apace LV meets the equally shy Billy, a pigeon-racing telephone engineer and they form a tentative, gentle friendship. The big night finally arrives and everything is in readiness, the band, the club and even a big agent from London, but what about LV? Written by
Mark Smith <firstname.lastname@example.org>
Ewan McGregor's character does not appear in the original stage play. Mark Herman - who had just worked with McGregor on Brassed Off (1996) - liked the actor so much, he created the part specially for him. See more »
Quote from Mari Hoff: "What's up with you lots, never had a shag in a Chevy?"
Ray Say's car is a 1972 Delta 88 Oldsmobile Convertible See more »
[Mari and Ray are persuading LV to sing on stage]
/ You might feel shy.
But there's nothing wrong with being shy at first.
It's natural that.
Had a girl recently, wouldn't say boo to a goose. Now she's topping the bill at the reform club.
Who's that? That stripper!
Well, yeah, it's the same thing though really. Teenagers and that.
See more »
Special Thanks to ... Jason Wheeler and Team, ... Staff at St. Nicholas Hotel, Wreahead Hotel and East Ayton Lodge, ... The People of Scarborough ... North Yorkshire Police (Scarborough Department), Scarborough Borough Council, South Bay Traders Association, Haven Holidays (Cayton Bay), Stephen Joseph Theatre. See more »
To be blunt the only reason I watched LITTLE VOICE was because there was absolutely nothing else on and I was expecting some sort of substandard Mike Leigh film . And I wasn`t expecting my opinion to be swayed either as the opening credits rolled , based on a stage play and full of actors with " Eee by gum " northern accents and with a foul mouthed mother bullying her painfully introverted daughter this had all the hallmarks of a tedious 90 minutes , but the more the film went on the more I became engrossed . I`ve never seen Jim Cartwright`s play so I can`t comment if Mark Herman`s script is an improvement but what a great script it is , something that touches your heart and makes you smile . The scene with LV singing a medley is uplifting while the scenes with " Take Fat " and Trigger Smith - Knife thrower will make you laugh outloud . This is a great feel good movie with a great cast , Michael Caine and Jim Broadbent are very good ( Well they do have three Oscars between them ) , Ewan McGregor gives one of his better performances and Brenda Blethyn deserved her Oscar nod , but standing head and shoulders above the entire cast is Jane Horrocks as LV . The fact that she wasn`t Oscar nominated in the title role is one of the biggest travesties in recent academy award history
Just to sum up this is a great film . British cinema experienced an upturn in the 1990s with the likes of THE CRYING GAME , FOUR WEDDINGS AND A FUNERAL , and THE FULL MONTY , but these films are as overrated as much as LITTLE VOICE is underrated . LITTLE VOICE is one of the best Brit flicks from the most recent golden age of British cinema
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