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High Fidelity (2000)

 -  Comedy | Drama | Music  -  31 March 2000 (USA)
7.6
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Ratings: 7.6/10 from 126,147 users   Metascore: 79/100
Reviews: 585 user | 158 critic | 35 from Metacritic.com

Rob, a record store owner and compulsive list maker, recounts his top five breakups, including the one in progress.

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Title: High Fidelity (2000)

High Fidelity (2000) on IMDb 7.6/10

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Nominated for 1 Golden Globe. Another 4 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Liz
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Penny Hardwick
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Caroline Fortis
Shannon Stillo ...
Alison Jr. High
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Storyline

High Fidelity follows the 'mid-life' crisis of Rob, a thirty-something record-store owner who must face the undeniable facts - he's growing up. In a hilarious homage to the music scene, Rob and the wacky, offbeat clerks that inhabit his store expound on the intricacies of life and song all the while trying to succeed in their adult relationships. Are they listening to pop music because they are miserable? Or are they miserable because they listen to pop music? This romantic comedy provides a whimsical glimpse into the male view of the affairs of the heart. Written by <N2XFYLS@aol.com>

Plot Summary | Plot Synopsis

Taglines:

A comedy about fear of commitment, hating your job, falling in love and other pop favorites.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

31 March 2000 (USA)  »

Also Known As:

Alta fidelidad  »

Filming Locations:

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£696,812 (UK) (21 July 2000)

Gross:

ESP 156,175,029 (Spain) (29 June 2001)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Vince and Justin's recording is an actual song titled "The Inside Game" by the American band Royal Trux. See more »

Goofs

"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album. See more »

Quotes

[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
See more »

Crazy Credits

The main end credits are printed on music-type flyers posted on poles and walls. See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

The Night Chicago Died
Written by Mitch Murray and Peter Callander
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User Reviews

 
One of the best of all comedies but also a very poignant study of male life
13 December 2004 | by (UK) – See all my reviews

Having read the very good Nick Hornby novel of the same name I looked forward to "High Fidelity" quite a bit, but I never expected it to be as good as it is. This is easily one of the best comedies of all time for its laughs alone - but what separates it from other comedies (particularly new-age ones) is that it's a very poignant multi-layered tale that focuses, primarily, on males - and why we are as we are. Love, life, relationships, music, movies, hobbies, jobs, ticks, ups, downs - everything is here.

It's to John Cusack's credit that he took a "classic" contemporary novel set in London and transposed it to Chicago - and it works just as well (if not better) than the British version. It shows what a universal story this actually is, if so many people from all over the world can appreciate it, no matter where it is set. What we lose here are the abbreviations such as "mate," "cos" and other British expressions - but essentially the story is exactly the same, as is the character of Rob Gordon.

Cusack proves his worth here and there isn't a single bad performance in this film, except perhaps for the love interest who tries to sport an American accent and it's quite uneven at times.

Jack Black is fantastically funny and reveals once again why he's leagues ahead of other obese comedians like Chris Farley who merely relied on OTT acts and weight for laughs - Black, like John Candy, actually acts and so far in his career has turned out some really good films which is more than can be said for many of his competitors.

The script has some very funny one-liners and movie/music in-jokes (I love the "Evil Dead" bit - "Because it's so funny, and violent, it's got a kick-a$$ soundtrack...and it's so violent!").

But at the end of the day what really haunted me (so to speak) about this movie long after I had seen it was the fact that it DOES stay with you ages after the credits have stopped rolling. It's poignant and really spot-on in many regards - add that to a film full of flawless performances and great direction and clever ideas and one-liners and jokes, and you've got a top-notch comedic masterpiece that places "High Fidelity" in the top ranks of American (and British!) comedy - "with," as the DVD back cover says, "a bullet." Highly recommended. 5/5


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