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High Fidelity (2000)

R  |   |  Comedy, Drama, Music  |  31 March 2000 (USA)
7.6
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Ratings: 7.6/10 from 129,255 users   Metascore: 79/100
Reviews: 589 user | 161 critic | 35 from Metacritic.com

Rob, a record store owner and compulsive list maker, recounts his top five breakups, including the one in progress.

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Title: High Fidelity (2000)

High Fidelity (2000) on IMDb 7.6/10

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Nominated for 1 Golden Globe. Another 4 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Liz
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Ben Carr ...
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Penny Hardwick
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Caroline Fortis
Shannon Stillo ...
Alison Jr. High
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Storyline

High Fidelity follows the 'mid-life' crisis of Rob, a thirty-something record-store owner who must face the undeniable facts - he's growing up. In a hilarious homage to the music scene, Rob and the wacky, offbeat clerks that inhabit his store expound on the intricacies of life and song all the while trying to succeed in their adult relationships. Are they listening to pop music because they are miserable? Or are they miserable because they listen to pop music? This romantic comedy provides a whimsical glimpse into the male view of the affairs of the heart. Written by <N2XFYLS@aol.com>

Plot Summary | Plot Synopsis

Taglines:

A comedy about fear of commitment, hating your job, falling in love and other pop favorites.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

31 March 2000 (USA)  »

Also Known As:

Alta fidelidad  »

Filming Locations:

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£696,812 (UK) (21 July 2000)

Gross:

ESP 156,175,029 (Spain) (29 June 2001)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is the eighth film in which John Cusack and Joan Cusack have appeared together. The others are Class (1983), Sixteen Candles (1984), Grandview, U.S.A. (1984), Broadcast News (1987),Say Anything... (1989), Grosse Pointe Blank (1997) and Cradle Will Rock (1999) See more »

Goofs

"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album. See more »

Quotes

[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
See more »

Crazy Credits

The main end credits are printed on music-type flyers posted on poles and walls. See more »

Connections

Referenced in Brief Film Reviews: (500) Days of Summer (2009) See more »

Soundtracks

The Moonbeam Song
Written and Performed by Harry Nilsson
Courtesy of The RCA Records Label
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User Reviews

 
Cusack continues winning streak with this film
5 April 2000 | by (Brooklyn, NY) – See all my reviews

I read the novel when it first came out because the title intrigued me, and I found it quite good. When I heard John Cusack was adapting it and moving the action to Chicago(from London in the novel), I was a little worried, because I worry about changing things during adaptations for arbitrary reasons, but I needn't have worried; though I have a few quibbles, which we'll get to later, Cusack and Co. have done a fine job adapting the novel.

First off, I've read one comment which claims it stereotypes "music geeks." The type of people Hornby, Cusack, his co-writers(D.V. DeVincentis and Steve Pink, who also co-wrote GROSSE POINT BLANK, and Scott Rosenberg), and director Stephen Frears are portraying is a very particular type of "music geek"; the type who is a snob about music. Almost all of us, I would say, are aggressive about our likes and dislikes when it comes to music, but not many, I agree, compare liking Marvin Gaye and Art Garfunkel to "agreeing with both the Israelis and the Palestinians." And probably not many of us would be so cut off from feelings that, when hearing about a person's death, would find no better way of expressing their sorrow than listing their top 5 songs about death. Yet we do like these people as characters because we see even if they have some snotty attitudes, they do have a genuine love for their music, and they're in a low-paying job because they love what they do. And who among us hasn't turned to music when we've felt sad(or happy), like Rob does, or wished that Bruce Springsteen(and a pox on the person who, in their comments, implied he was passe. Bruce will NEVER be passe) would talk to us directly like he talks to us through his music? The novel and the movie captures all of that.

Another strength, of course, is Cusack's performance. Woody Allen once said that while American actors were very good at playing virile men of action, there weren't many who could play more "normal," regular people. Cusack, on the other hand, has carved out a niche for himself playing regular guys. He doesn't look like The Boy Next Door, and he's neither stereotypically sensitive or hip, but comes across as a guy who feels both at ease and yet still longs for something more. At his best, like in movies such as THE SURE THING, SAY ANYTHING, THE GRIFTERS, BULLETS OVER BROADWAY, GROSSE POINT BLANK, and this, he plays people on the cusp of growing up, who are able to if they want to, but aren't sure if they want to, and yet he's made each of them different. Rob's condition may be a little more conventional - he's not sure if he wants to settle down yet - but Cusack, while unafraid to show his unlikable qualities, makes us like Rob anyway.

The rest of the cast is also quite good. The well-known names only get short takes(Lisa Bonet, Joan Cusack, Tim Robbins, Lili Taylor, Catherine Zeta-Jones), but they make the most of their time. I've never seen Iben Hjejle before(I haven't seen MIFUNE), but she does well as the most grown-up person in the movie. But the real stars, besides Cusack and the music, are Jack Black and Todd Louiso as Rob's co-workers. Black especially reminds me of people I knew.

As I said, I do have some quibbles. There are a couple of incidents in the book which don't make it to the film which I would have liked to see(the Sid James Experience, and the lady who wanted to sell Rob a ton of valuable records for a ridiculously low price). I'm getting tired of movies which use rain as an expression of sorrow, and this is an example of overuse. And the character of Laura isn't developed as well in the movie as she was in the novel. Nevertheless, this is well worth checking out.


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