High Fidelity (2000)

Director:

Stephen Frears

Writers (WGA):

Nick Hornby (book)
D.V. DeVincentis (screenplay) ...

Release Date:

31 March 2000 (USA)

Genre:

Comedy | Drama | Music | Romance

Tagline:

A comedy about fear of commitment, hating your job, falling in love and other pop favorites.

Plot:

Rob, a record store owner and compulsive list maker, recounts his top five breakups, including the one in progress.

Plot Keywords:

Record Store | Store | Pop Music | Vinyl | Song

Awards:

Nominated for Golden Globe. Another 2 wins & 18 nominations

Cast

John Cusack	...	Rob Gordon
Iben Hjejle	...	Laura
Todd Louiso	...	Dick
Jack Black	...	Barry
Lisa Bonet	...	Marie De Salle
Catherine Zeta-Jones	...	Charlie Nicholson
Joan Cusack	...	Liz
Tim Robbins	...	Ian 'Ray' Raymond
Chris Rehmann	...	Vince
Ben Carr	...	Justin
Lili Taylor	...	Sarah Kendrew
Joelle Carter	...	Penny Hardwick
Natasha Gregson Wagner	...	Caroline Fortis
Shannon Stillo	...	Alison Jr. High
Drake Bell	...	Rob Jr. High

MPAA:

Rated R for language and some sexuality.

Runtime:

113 min

Country:

UK | USA

Language:

English | Danish

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Portugal:M/12 | Iceland:L | Malaysia:18PL | Malaysia:U (cut version) | USA:R (certificate #37241) | South Korea:15 | Philippines:PG-13 | Brazil:14 | Argentina:13 | Australia:M | Chile:14 | Denmark:A (DVD rating) | Finland:K-8 | France:U | Germany:12 (bw) | Netherlands:AL | New Zealand:M | Peru:14 | Singapore:M18 | Singapore:PG (cut) | Spain:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15

Filming Locations:

Buck Town, Lincoln Square, Chicago, Illinois, USA

Company:

Dogstar Films

Trivia:

After his vision of Bruce Springsteen, Rob says the words "Good luck, goodbye" which is the last line of the Springsteen song "Bobby Jean".

Goofs:

Incorrectly regarded as goofs: Rob mentions "Radiation Ruling the Nation" as one of his favorite side A, no. 1 tracks; he correctly identifies it as coming from the album "No Protection" (an album of remixes, and not the first release of the song). Arguably, this isn't a Massive Attack album, since it's actually remixes by Mad Professor. But the list is not restricted to debut albums, as some misinterpreted it.

Quotes:

[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?

Movie Connections:

References Annie Hall (1977)

Soundtrack:

I'm Gonna Love You Just A Little More, Babe

One of the best of all comedies but also a very poignant study of male life

Having read the very good Nick Hornby novel of the same name I looked forward to "High Fidelity" quite a bit, but I never expected it to be as good as it is. This is easily one of the best comedies of all time for its laughs alone - but what separates it from other comedies (particularly new-age ones) is that it's a very poignant multi-layered tale that focuses, primarily, on males - and why we are as we are. Love, life, relationships, music, movies, hobbies, jobs, ticks, ups, downs - everything is here.

It's to John Cusack's credit that he took a "classic" contemporary novel set in London and transposed it to Chicago - and it works just as well (if not better) than the British version. It shows what a universal story this actually is, if so many people from all over the world can appreciate it, no matter where it is set. What we lose here are the abbreviations such as "mate," "cos" and other British expressions - but essentially the story is exactly the same, as is the character of Rob Gordon.

Cusack proves his worth here and there isn't a single bad performance in this film, except perhaps for the love interest who tries to sport an American accent and it's quite uneven at times.

Jack Black is fantastically funny and reveals once again why he's leagues ahead of other obese comedians like Chris Farley who merely relied on OTT acts and weight for laughs - Black, like John Candy, actually acts and so far in his career has turned out some really good films which is more than can be said for many of his competitors.

The script has some very funny one-liners and movie/music in-jokes (I love the "Evil Dead" bit - "Because it's so funny, and violent, it's got a kick-a$$ soundtrack...and it's so violent!").

But at the end of the day what really haunted me (so to speak) about this movie long after I had seen it was the fact that it DOES stay with you ages after the credits have stopped rolling. It's poignant and really spot-on in many regards - add that to a film full of flawless performances and great direction and clever ideas and one-liners and jokes, and you've got a top-notch comedic masterpiece that places "High Fidelity" in the top ranks of American (and British!) comedy - "with," as the DVD back cover says, "a bullet." Highly recommended. 5/5