Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
High Fidelity follows the 'mid-life' crisis of Rob, a thirty-something record-store owner who must face the undeniable facts - he's growing up. In a hilarious homage to the music scene, Rob and the wacky, offbeat clerks that inhabit his store expound on the intricacies of life and song all the while trying to succeed in their adult relationships. Are they listening to pop music because they are miserable? Or are they miserable because they listen to pop music? This romantic comedy provides a whimsical glimpse into the male view of the affairs of the heart. Written by
Part of the movie was filmed outside of Lane Technical High School. This occurred during a regular school day and the students were not allowed onto the portion of the lawn where filming occurred. They were also not allowed near the windows of the rooms looking out onto the lawn. See more »
Rob mentions the song "Landslide" while holding up the
self-titled Fleetwood Mac album, which it appears on. The cover is similar to the cover for "Rumours", which confused at least one viewer. See more »
What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
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The main end credits are printed on music-type flyers posted on poles and walls. See more »
Who says familiarity breeds contempt? In this film of heart break, betrayal, true friendship, and love, Cusak adapts Hornby's book perfectly, melding self doubt, fear of death, and a search for truth with modern cinema and pop music. Rob, Dick, and Barry are all struggling men in their late twenties (thirties in the book) trying to find a way to identify themselves, and live at peace. Rob has the most conflict as he flounders through one relationship to another, never getting comfortable, and always finding a way to mess it up. It's a brilliant tale of coming to terms with reality, and having a bit of fun along the way. The casting was pheonimal, scenes perfectly picked, and music parallelling that of the mood set in the book. It's just a shame so much had to be cut. I would recommend this movie to anyone with a calloused ear and a desire to finally relate with a character.
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