Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Thirty-something Rob Gordon, a former club DJ, owns a not so lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top five lists. The latest of these lists is his top five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in an of themselves could be grounds for her to want to break-up. To his satisfaction, Laura is not on this top five list. Rob feels a need not only to review the five relationships, which go back as far a middle school when he was twelve, and try to come to terms with why the woman, or girl as the case may be... Written by
After Rob realizes that Laura was sleeping with their old neighbor, Ian, there is a flashback with Rob and Laura listening to Ian have sex. Laura is reading a book titled, "Love Thy Neighbor". See more »
Dick plays Stiff Little Fingers' "Suspect Device" for Annaugh.
Though he plays it from the "Inflammable Materials" LP, the version heard is the single version, different in a few ways from the LP version. See more »
What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
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After all the credits, the crackling out-groove of a vinyl album is heard. See more »
"High Fidelity" was a breath of fresh air in an otherwise very ordinary year of cinema. Continually I have been disappointed with the quality of this years movies from all over the world, not just the regulation Hollywood trash.
Admittedly my hopes weren't that high, but I still left the cinema feeling like I got what I paid for with "High Fidelity" (this is very rare these days). John Cusack was his usual competent self, and Tim Robbins sensational in his small but humourous part.
No masterpiece, but well worth watching.
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