On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
When a devastating hit knocks a professional football legend and quarterback Cap Rooney out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to augur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci, now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the... Written by
In the last game, Julian Washington #33 approaches the referee from the right side without his helmet, but in the next shot he's coming from the left side with his helmet on. The helmet appears and disappears in the subsequent shots. See more »
I don't intend to add to the many positive comments about this movie. I agree with them. But from another perspective:
First, I have never been a football fan. However, any movie that combines Oliver Stone and Al Pacino has to get my interests. I loved it.
One thing that did impress me more than anything else was the quality of the sound design. The 3 dimensional noises in the huddle, on the line, from the grandstands; the growls and other sounds from the players; these things made the movie live and my blood boil. I was breathless.
Then these things interspersed with dead silences and slow motion dreamlike sequences gave the action a spiritual quality.
I stayed for the credits to see who had done this sound work and I think Wylie Stateman will get, at the very least, an Oscar nomination for sound design. If you ever wondered what this credit meant, see this movie and you will know. This movie would have lost a great deal of its punch without that sound designer's talent.
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