6.8/10
100,722
455 user 172 critic

Any Given Sunday (1999)

A behind-the-scenes look at the life-and-death struggles of modern-day gladiators and those who lead them.

Director:

Writers:

(screen story), (screen story) | 2 more credits »
Reviews
Popularity
2,049 ( 636)

Watch Now

From $2.99 (SD) on Amazon Video

ON TV
ON DISC
ALL
3 wins & 9 nominations. See more awards »
Learn more

People who liked this also liked... 

Drama | Sport | Thriller
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

After suffering a career-ending knee injury, a former college football star aligns himself with one of the most renowned touts in the sports-gambling business.

Director: D.J. Caruso
Stars: Matthew McConaughey, Al Pacino, Rene Russo
The Recruit (2003)
Action | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A brilliant young CIA trainee is asked by his mentor to help find a mole in the Agency.

Director: Roger Donaldson
Stars: Al Pacino, Colin Farrell, Bridget Moynahan
Action | Drama | Sport
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Based on H.G. Bissinger's book, which profiled the economically depressed town of Odessa, Texas and their heroic high school football team, The Permian High Panthers.

Director: Peter Berg
Stars: Billy Bob Thornton, Jay Hernandez, Derek Luke
Carlito's Way (1993)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A Puerto Rican former convict, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of N.Y.C.

Director: Brian De Palma
Stars: Al Pacino, Sean Penn, Penelope Ann Miller
JFK (1991)
Drama | History | Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A New Orleans DA discovers there's more to the Kennedy assassination than the official story.

Director: Oliver Stone
Stars: Kevin Costner, Gary Oldman, Jack Lemmon
The Insider (1999)
Biography | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A research chemist comes under personal and professional attack when he decides to appear in a "60 Minutes" expose on Big Tobacco.

Director: Michael Mann
Stars: Russell Crowe, Al Pacino, Christopher Plummer
U Turn (1997)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A man heading to Vegas to pay off his gambling debt before the Russian mafia kills him, is forced to stop in an Arizona town where everything that can go wrong, does go wrong.

Director: Oliver Stone
Stars: Sean Penn, Jennifer Lopez, Nick Nolte
Wall Street (1987)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.

Director: Oliver Stone
Stars: Charlie Sheen, Michael Douglas, Tamara Tunie
Drama | Sport
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

When a plane crash claims the lives of members of the Marshall University football team and some of its fans, the team's new coach and his surviving players try to keep the football program alive.

Director: McG
Stars: Matthew McConaughey, Matthew Fox, Anthony Mackie
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6/10 X  

Two veteran New York City detectives work on a case of serial executions of criminals who escaped justice.

Director: Jon Avnet
Stars: Robert De Niro, Al Pacino, Carla Gugino
Ali (2001)
Biography | Drama | Sport
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A biography of sports legend Muhammad Ali, focusing on his triumphs and controversies between 1964 and 1974.

Director: Michael Mann
Stars: Will Smith, Jamie Foxx, Jon Voight
City Hall (1996)
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

The accidental shooting of a boy in New York leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences.

Director: Harold Becker
Stars: Al Pacino, John Cusack, Bridget Fonda
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Edit

Storyline

When a devastating hit knocks a professional football legend and quarterback Cap Rooney out of the game, a young, unknown third-stringer is called in to replace him. Having ridden the bench for years because of a string of bad luck stories and perhaps insufficient character, Willie Beaman seizes what may be his last chance, and lights up the field with a raw display of athletic prowess. His stunning performance over several games is so outstanding and fresh it seems to augur a new era in the history of this Miami franchise, and forces aging coach Tony D'Amato to reevaluate his time-tested values and strategies and begin to confront the fact that the game, as well as post-modern life may be passing him by. Adding to the pressure on D'Amato to win at any cost is the aggressive young President/Co-owner of the team, Christina Pagniacci, now coming into her own after her father's death. Christina's driving desire to prove herself in a male dominated world is intensified by her focus on the... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Life is a contact sport. See more »

Genres:

Drama | Sport

Motion Picture Rating (MPAA)

Rated R for strong language and some nudity/sexuality | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

22 December 1999 (USA)  »

Also Known As:

Gridiron  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$13,584,625 (USA) (24 December 1999)

Gross:

$75,530,832 (USA) (24 March 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

In a great coincidence, both Al Pacino and Jamie Foxx won their first Oscars in a year that they were nominated in two acting categories. Not only that, but they both won for their lead performances, which were also both blind characters (though Pacino's character was fictional rather than Foxx's). See more »

Goofs

A shot of Tony and Cap on the sidelines appears backwards. The numbers on Cap's jersey are displayed in reverse. See more »

Quotes

Tony D'Amato: That's what a leader's about: sacrifice. The times he's gotta sacrifice because he's gotta lead, by example. Not by fear and not by self-pity.
See more »

Crazy Credits

During the end credits, we see D'Amato accepting an award and telling of his future plans with the league. See more »

Connections

Referenced in TruInside: Comedy Cellar (2016) See more »

Soundtracks

RAIN DANCE
Written and Performed by Robbie Robertson
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Not quite a touchdown, but at least Stone is back
12 January 2000 | by (Brooklyn, NY) – See all my reviews

Oliver Stone is one of the most, if not THE most, passionate filmmakers working today. He's also a talented filmmaker, which a lot of people seem to forget. When both his talent and passion are at full strength, the results are impressive(SALVADOR, PLATOON, JFK, NIXON). When the passion is still there, but the talent is tripped up by his passion and ambitions, he makes flawed movies which are still powerful(WALL STREET, TALK RADIO, BORN ON THE FOURTH OF JULY, HEAVEN AND EARTH). But when he goes outside of his passions, for either experiments(NATURAL BORN KILLERS), or to make "mainstream" movies(U-TURN), he misses wide. NATURAL BORN KILLERS, to me, was a worse film, but U-TURN was, in a way, even more dispiriting, because the former you could at least excuse as an experiment gone wrong, whereas the latter screamed "Cash-in!" You felt after watching Stone was too tired to fight anymore.

Well, as ANY GIVEN SUNDAY proves, Stone, like his on-screen alter-ego, Tony D'Amato(Al Pacino), may look tired, but he's still got fight left in him. Many have seen football as war, so it's appropriate Stone has long wanted to make a movie about football. And as Spike Lee did with HE GOT GAME, Stone wants us to see not only the glory of the actual playing(as well as how tough it is to earn that glory), but also the corrupt forces which are pervading it today. After all, we decry flashy players, and then complain about those who are too boring, we talk about tradition out of one side of our mouth and demand the game be updated out of the other side, we call white players who exhibit boorish behavior "colorful" while calling black players who exhibit similar behavior "punks"(and that's putting it mildly), we complain about players who are overpaid while thinking nothing of owners who spend lavishly on themselves and move teams around, we complain about football being too dominated by TV yet sit around like couch potatoes every Sunday and Monday night, we react with horror when players get hurt badly and get addicted to drugs, yet we yell at them to murder each other on the field and call those who don't chicken(to put it mildly), and so on.

This is a wide canvas to cover, and yet Stone does a pretty good job of it. Especially good is how the relationship between D'Amato and his new quarterback Willie Beamon(Jamie Foxx) encompasses a lot of that canvas. There are two scenes in particular which stand out; one where D'Amato sits with Willie on the plane and tries to talk to him, but can't think of anything which doesn't sound patronizing from Willie's point of view(like music, where D'Amato thinks the fact he's mentioning black jazz musicians is supposed to mean something), and the scene at D'Amato's house, where Beamon talks of how, in the past, "playing for the team" was code for "Know your place, boy," and have things really changed? Willie has to learn that playing for the team really does mean, as quarterback, getting them to respect you so they'll play for you, and Tony has to learn that tradition can't be stodgy, that it has to accept change.

Stone is less sure in other aspects. Cameron Diaz does a good job as the team's owner, but her character is a little too one-dimensional at times. It would have been more interesting to have here not just talk in terms of money, but that the game, to her, really is more interesting the way Willie plays it(maybe I'm biased, but I'm a fan of more pass-oriented games). And while I don't think Stone is as misogynist as he's been charged with in the past, certainly it's evident here. It's one thing to say there are groupies in football, it's another thing to delight in showing them. There are sympathetic woman here, particularly Ann-Margaret as Diaz's mother, who shows what being a football wife costs, and Lela Rochon as Willie's girlfriend, who is unwilling to have that happen to her(the scene at the party, where she feels both isolated from Willie and the other wives, is nicely drawn). Finally, Stone can't resist the ROCKY-type cliches near the end.

But though it's flawed, there's still a lot of power here. Except for Lauren Holly, who I'm not a big fan of, the acting is all around excellent, particularly Foxx. I was particularly impressed with how well the athletes did as actors, particularly Jim Brown(though he's an actor, so this isn't surprising) and Lawrence Taylor. And, of course, all the football scenes are terrific and feel real. It's always good when you see on screen what you can't see watching the game on TV, and Stone accomplishes that here. Call it not quite a touchdown, but a film which convinces us Stone still has fight left in him.


46 of 68 people found this review helpful.  Was this review helpful to you?

Contribute to This Page