"Unapologetically brash in dialogue and texture GOODNIGHT JOSEPH PARKER is the classic love story brought to a no-pleasantries bar room. Girl loves man who loves woman, woman isn't worth ... See full summary »
A mind-bending thriller set in Portland, Oregon about an unspoken tragedy and its effects on a house, its temporary caretakers and the owners, a classical music critic and his wife on a recuperative trip to Italy.
Saving Mes Aynak follows Afghan archaeologist Qadir Temori as he races against time to save a 5,000-year-old archaeological site in Afghanistan from imminent demolition. A Chinese ... See full summary »
Steven is 23. He's still at high school, special needs. But he's smart, funny and very entertaining. When his class wins a trip to Portugal, all hell breaks loose. It's a coming-of-age road trip with booze, babes, crime and counterfeiting.
Adolf El Assal
Kennedy is a rebellious, young musician who believes that talent and determination are all it takes to be a success. But as he and his loyal bandmates learn, success carries a heavy price ... See full summary »
"Unapologetically brash in dialogue and texture GOODNIGHT JOSEPH PARKER is the classic love story brought to a no-pleasantries bar room. Girl loves man who loves woman, woman isn't worth his time. Into that mix throw in a hopeless drunk with a good heart and weak stomach, a bartender who's more desperate than his customers and Steven Tyler as a shameless bad boy looking for a good time and fast woman. Powerful, gritty, hard hitting and raw." Written by
Ross Anthony's Hollywood Report Card
Unforgettable indie--why hasn't it surfaced nationally yet?
GOODNIGHT,JOSEPH PARKER (aka LAST CALL) is what every festival circuit film yearns to be: compelling, dramatic,and with a keen insight to the human spirit. I saw it at a preview screening and really liked it. Starring Paul Sorvino, Nick Chinlund and Debi Mazar, it is a film similar to Sorvino's THAT CHAMPIONSHIP SEASON. Like that film, it shows how the past never really goes away and can wreak havoc with the present. The performances are uniformly excellent--with Sorvino being both gruff and tragic. The film also has a great music score--very jazzy and more appropriate to the action than you would think. The writer, director, and producer is Dennis Brooks, whom I haven't heard of before. I get the impression that he's probably a playwright trying to cross over because the movie seems somewhat stagy. Nevertheless, it's highly visual, almost like a color WHO'S AFRAID OF VIRGINIA WOOLF? My big question is, why hasn't this movie been released theatrically yet?
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