Richard Lewis plays coach Steven Adler, a one time high profile division one college basketball coach haunted by the demon of having lost five championship titles. Now he finds himself ...
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Jean-Claude Van Damme
Jean-Claude Van Damme,
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Richard Lewis plays coach Steven Adler, a one time high profile division one college basketball coach haunted by the demon of having lost five championship titles. Now he finds himself wasting away in a slack-jawed, low profile town coaching a second rate college program. Once again, he has miraculously brought this unlikely team to the finals. As his behavior on the day of the championship game indicates, he is far more successful at the game of basketball than the game of life. The question remains: if he finally wins the big game, will Coach Adler get his life back on track or is he already too far gone... ? Written by
Steven Weill <SWeillFilm_@aol.com>>
Mesmorizing! Stupefying! The greatest sports film ever made!
This film chronicles the sad and pathetic existence of a second-tier college basketball coach (Richard Lewis) as he prepares for the big game. Rather than preparing by running drills with the team, or going over special plays he catalogs his drug collection and scams on the local college girls. Everything culminates on game day, with one of the most unpredictable basketball games ever filmed.
Richard Lewis is brilliant in this film. His "pep" talks to the basketball squad sound as if they were written by Mamet on his best and most cynical day. The delivery of one speech in particular is perfectly done, you will recognize it when you hear it. This speech is the antithesis of every lame "rah-rah" game winning speech I have ever heard in a sports related movie.
The tag line for this film is: "This ain't Hoosiers," and it is an apt one. It is as if Steven Klein (writer and director) has seen every relevant sports film and passed judgment on them, banishing the sports film to a strange bizarro-world, then returning it, just recognizable.
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