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16 out of 17 people found the following review useful:
First Love remembers the important things, 11 June 1999
Author:
xen23
This film seems bound to inspire some confusion in the credits and with
good
reason. From the first screen the viewer is treated to a wild spiral of
aborted story fragments and speed raps by the director on the process of
filmmaking using the very film we are watching as his example. The story
of
his relationship with his producer is dissected and potentialities
explored
behind sunglasses and an out-of-control afro-wig. All the while Chris
Doyle
goes crazy, using his formidable skills to move through various layers of
'production value' to emphasize our directors critique. ( scenes shot on
film transfered to video then shot on film in low resolution off
television
monitor, etc...).When we finally arrive at our story it is classic Wong
Kar
Wai- quirky and delightful love stories for our time, virtually
indistinguishable from Wong Kar Wai at his best.With this film the ' new
Hong Kong cinema' kids raise the ante on postmodern filmmaking. Smart,
careless, and confident with thier inspirations (Godard, Woo, John
Hughes
perhaps) yet philosophical, romantic, and sincere with thier ideas, for
the
moment leaving everyone else in the dust. If you want to know where
storytelling went after MTV wreaked its havoc on the attention spans of a
generation, here you are. There is hope for the post-literate
yet.
People who liked this film should see 'Jam' by Chen Yiwen.(Taiwan,
1998).
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