Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters... See full summary »
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and ... See full summary »
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful." Written by
This Man Ray short has a modicum of plot or, at least, its imagery is essentially related. A woman, possibly a prostitute, picks up a client but, when she undresses, he unaccountably gives her the brush-off! He had 'sung' the woman's praises in the intertitles but it appears that he admires beautiful things in general and, indeed, he eventually becomes infatuated with a starfish! The woman, scorned, attacks the sea- creature with a knife...
It is a typical example of experimental cinema from this era, which also unleashed the likes of Germaine Dulac's THE SEASHELL AND THE CLERGYMAN (1928; the main reason I picked up this Kino DVD collection in the first place!) with a similar aquatic reference, no less! and the Luis Buñuel/Salvador Dali collaboration UN CHIEN ANDALOU (1929), both of which also boasted overtones of eroticism and violence. Even so, the most notable effect here is the frequent distortion of the image, as if it was being shot through stained-glass windows!
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