In October, 1962, U-2 surveillance photos reveal that the Soviet Union is in the process of placing nuclear weapons in Cuba. These weapons have the capability of wiping out most of the Eastern and Southern United States in minutes if they become operational. President John F. Kennedy and his advisors must come up with a plan of action against the Soviets. Kennedy is determined to show that he is strong enough to stand up to the threat, and the Pentagon advises U.S. military strikes against Cuba--which could lead the way to another U.S. invasion of the island. However, Kennedy is reluctant to follow through, because a U.S. invasion could cause the Soviets to retaliate in Europe. A nuclear showdown appears to be almost inevitable. Can it be prevented? Written by
In Boston, Kevin Costner's attempt at a Boston accent is so notorious that a "Kevin Costner accent" is an accepted slang term for a non-Bostonian's unsuccessful attempt at a Boston accent. See more »
Numerous Kennedy administration officials, including Ted Sorenson and Robert McNamara, have said since the movie's release that Ken O'Donnell - far from being the central staff figure during the Cuban Missile Crisis - played almost no role at all. Moreover, numerous scenes - including O'Donnell's phone calls to Cmdr. Ecker and to Adlai Stevenson - never occurred. See more »
They look warlike? Jesus Christ, we're lighting off nuclear weapons like its our own private Fourth of July!
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The Godfather of political thrillers. Magnificent!
This is The Godfather of political thrillers. Magnificent! Until the
final frames - when JFK addresses the White House staff - I expected another
critical problem to emerge. These `wrinkles' kept me perched on the edge of
my seat. I was naïve and 11 at the time. This is a movie not to be
The President's Special Assistant (Kenny O'Donnell aka Kevin Costner) tells
the story. He connects you intimately to the Kennedy White House, the early
60s military machinery balanced against faith and family. Every emotion
kicks into gear over the course of the film. At the end of the day, you're
thankful the man in the oval office was a smart fellow. We need smart
people in that office.
There's a thing called `heart' sprinkled liberally throughout. Performances
are thoroughly believable, as though this is unfolding here and now.
Greenwood and Culp are plausible Kennedy brothers after all their
predecessors, a tough job given the liberal supply of Kennedy film. Your
heart pours out for the insiders who knew how close the world came to the
brink. Then please, join me in becoming a little cynical about the
government's `world safety' report veracity going forward. Thirteen Days
shows you why the government, the press, and the people need to be in
constant check and balance to be effective.
A football metaphor weaves effectively through the film, though the teams
are cliquish at best. Ex-Harvard quarterback Kenny O'Donnell now serves as
a linebacker for the Kennedy team. He's an insider; close a
(near-family) friend. In a crisis, loyalty and teamwork to America's
quarterback (JFK) is the prescription for sanity. War zealots surround and
abound. Someone needs the cooler head to be the wiser man in a world
where warfare is being redefined with weapons of annihilation.
Minutia: There's always something for a fanatic like me. I spotted a bowl
of Post's fruity Pebbles cereal at the O'Donnell breakfast table in the
closing minutes. I don't think these had been invented yet. The thing is:
If I have to dig `that deep' to find flaws with the film's presentation
quality, it's a pretty darned good. I am sure there are historical flaws,
but this is close enough for government work.
I'm still naïve, but no longer 11 years old. Movies have to be well made /
well told to satisfy. An entertainment adventure you will enjoy no matter
your age, gender, race, religion or political persuasions. It rates 9 out
of 10 possible points. But unlike its Godfather intensity, I hope there's
never a sequel to this one.
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