A young girl goes to work for a modeling agency only to discover that it's actually a call-girl ring.


(as William L. Rose)


(original screenplay) (as W.L. Rose)

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Cast overview, first billed only:
Barbara Wood ...
Karen Anderson
Frank Spencer ...
(as Franklyn Spencer)
Inge Christopher
David Ransom
Theresa Morgano
Elizabeth Walker
Gary Takata ...
Asian flagellation client
Margareta Lindblom
Tracy Lee
Darlene Bennett ...
Water hose bondage girl
June Roberts ...
Straight-haired brunette playing strip billiards
Walter Berger
Helga Andersen
Judy Adler ...
(as Judy Reinhardt)
Harry Rose


A young girl goes to work for a modeling agency only to discover that it's actually a call-girl ring.

Plot Summary | Add Synopsis







Release Date:

15 October 1965 (USA)  »

Also Known As:

Rented  »

Filming Locations:

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
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Did You Know?


Referenced in What Happened to Kerouac? (1986) See more »

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User Reviews

Decent Sexploitation Quickie
29 December 2003 | by (US Midwest) – See all my reviews

Rent-a-Girl is a short (77 min) sexploitation flick with all the elements you would expect: topless girls (who often aren't that good looking), a little kinkiness, extremely bad music, poor acting, poorer editing, and unintentionally hilarious dialog.

The heroine in this case is fairly pretty, but we don't actually see a lot of her; other "rented" girls go thru their set pieces more graphically. The plot revolves around our heroine's distress about falling in with a cheesecake modeling agency that turns out to be a call-girl ring--except that the girls apparently don't actually have sex with clients; they just disrobe and play around a little.

A bit of decent acting here and there stands out, and the plot moves along in workmanlike fashion, but there are no real surprises. Yet, as with sexploitation in general, there's something weirdly erotic (to some of us, anyway) about seeing vintage skin, tame as it is--it's the alternating brazenness and shame the characters exhibit, contrasted with the strict innocence of mainstream films of the era. This is a decent effort, but not a classic.

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