A unique look at total eclipses, capturing the experience within the scenery of a wide range of settings around the planet, from ancient ruins to city skylines. Totality is constantly ... See full summary »
"JOURNEY OF HANUMAN" Preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
After an excerpt from 'Baraka (1992)', featuring the music of Dead Can Dance, we see them in concert in Santa Monica CA, alternated with interview sequences with the lead members (Lisa ... See full summary »
Dead Can Dance,
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's ... See full summary »
EPIC JAVA is a visual of the universe and human culture. A searching process of the mysteries of life and everything related to it. A contemplative depiction that will take us into God ... See full summary »
In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world. Written by
Sujit R. Varma
What a let down. Koyaanisqatsi was brilliant, Powaqatsi was quite good, Naqoyqatsi is the same thing all over again, without the beauty and profundity.
It's not that I don't sympathise with the meaning behind the film, but bombarding me with images of dollar signs and corporate logos is using a sledgehammer to crack a nut. The majority of those who view this movie do not need to be chaperoned around these issues.
The film feels structureless and jumps back and forth from one point to the next and then back again. I suppose you could argue that this reflects the chaotic nature of the films subject matter, but to me, that's just making excuses for a poorly conceived narrative.
The computer graphics don't work well at all. They often feel like an excuse to show of a few fancy special effects and already look dated (Max Headroom came to mind on several oc...oc...oc...occasions.). They just don't have the beauty of a 'real' image.
To add insult to injury, the film has been stretched out from a 4:3 aspect ratio to 16:9 so all of the people appear distorted. This is because the stock footage used was 4:3 and they couldn't be bothered editing it to fit into a widescreen presentation. They just stretched the lot, and when you watch the DVD it is very noticeable. It's claimed that this was a deliberate move and not a decision based on technical difficulties, but I'm not sure.
Overall - I'd say watch koyaanisqatsi again - it's the only film out of the three worth repeated viewings.
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