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Simply Irresistible (1999)

PG-13 | | Comedy, Drama, Fantasy | 5 February 1999 (USA)
A magical crab works wonders for a terrible chef's culinary skills, leading her towards the man of her dreams.

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Cast

Cast overview, first billed only:
...
...
...
Lois McNally
...
Jonathan Bendel
...
Nolan Traynor (as Larry Gilliard Jr.)
Christopher Durang ...
Gene O'Reilly
...
Aunt Stella
...
Valderon
...
Chris
...
Francois
...
Gil Shapiro
...
Ramos
...
The Poet
...
Mr. Mueller
...
Ruth
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Storyline

A department store executive (Flanery) tries to resist falling in love with a young woman (Gellar), who he believes has possessed magical powers after inheriting a restaurant. Written by Lawless <lawless@smgfan.com>

Plot Summary | Plot Synopsis

Taglines:

A bewitching romance. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief sexual references | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

5 February 1999 (USA)  »

Also Known As:

The Magic Hour  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$2,232,686 (USA) (5 February 1999)

Gross:

$4,394,936 (USA) (9 April 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The female lead was supposed to be middle-aged, according to the script, but was rewritten to be a 20-year-old so that Sarah Michelle Gellar could be cast. The studio wanted to cash in on Gellar's popularity as the result of Buffy the Vampire Slayer (1997). See more »

Goofs

After Chris is done throwing all the plates in the restaurant, she leaves without taking her purse which is sitting on the floor next to the table. See more »

Quotes

Valderon: This is no knife!
Tom Bartlett: Hey, what the...
Valderon: I spit on your knife.
Tom Bartlett: Hey!
Valderon: I spit on your restaurant. And finally, I spit on...
Tom Bartlett: No, no. Allow me.
[spits on his own arm]
Tom Bartlett: There.
Valderon: That is the first intelligent thing you have done. I fire you!
Tom Bartlett: What you can't...
[...]
See more »

Crazy Credits

For Judy See more »

Connections

References Como agua para chocolate (1992) See more »

Soundtracks

Little King
Written by Phillip Roebuck
Performed by The Hollowbodies
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A modern take on the 1930's style of screwball comedy
5 August 2003 | by (dublin, Ireland) – See all my reviews

This is a charming film, very well acted and with great production values. But, like the screwball comedies of the thirties, and the musicals of Fred Astaire, it isn't for everyone. Of course, a romantic comedy which is based on the magical ability of a crab to inspire Gellar to feats of culinary greatness is a premise which might be hard for some to swallow. But I think its worth the effort, and it's no dafter than many successful comedy of earlier days. For those who follow such things there are three great references to the films of Fred Astaire. First is when Flannery is choosing the floor design for his new restaurant. The wavy black and white design is straight out of Yolanda and the Thief (1946 MGM) where, in a number called Coffee Time, Fred Astaire and Lucille Bremer dance on a huge floor of exactly this design. As if to hammer it home Flannery's boss reacts by saying " it looks like something out of an MGM musical". Reference number two is to The Belle of New York (1952 MGM) where Fred Astaire and Vera-Ellen kiss and float up to the ceiling. This is directly quoted in a kitchen scene where, under the influence of the crab, Gellar and Flannery kiss and float to the ceiling. These references are interesting because both films have fantasy/magical themes and both are somewhat looked down on in Astaire's oeuvre. The third reference is to Shall We Dance (1937 RKO)where in the Gershwin number of the same name Fred Astaire is confronted with a long line of Ginger Rodgers masked look-alikes. In Simply Irresistable Gellar appears reflected in a long line of mirrors with Flannery temporarily confused as to where she is, with both of them standing in a set that seems right out of Van Nest Polglase's Art Deco creations for RKO. Here the reference seems to be to the magician's art of illusion. Anyhow, after all that, you should have a feel for whether this film is for you.


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