Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer. Written by
Jeff Cross <email@example.com>
When Amelia jumps into the river to rescue the old man and his grand daughter, she was actually jumping into a heated pool. A vegetable dye was added to give the water its appearance. See more »
When Amelia must investigate the Navy Street Station for evidence, she descends into a subway tunnel. However, the old Navy Street Station in New York City was actually an elevated, above-ground station. See more »
Just give it a few seconds to work. Come on, breathe with me. Breathe with me, Rhyme. Rhyme! Come on, now... Hang on, Rhyme. Hang on, man.
Is he gonna make it?
If he does, he won't be happy.
What are you talking about?
He's already finalized arrangements to self-terminate... He's got some doctor friend to help with his "final transition" as he calls it.
But suicide? I mean...
It's the seizures. Any one of them could put him into a vegetative state. That's what he fears more than anything.
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I can envision the writers of this story thinking up this script:
1.Let's make a serial killer movie like Se7en, Knight Moves, Copycat, and Silence of the Lambs. People like serial killer stuff. It'll sell... 2.The killer needs to adopt some sort of pattern. I know; he'll copy it out of a serial killer mystery novel. That hasn't been done yet, at least not exactly like that. 3.Now, we need some kind of way to make this movie unique; of course, the good guy can be bedridden like in Rear Window. 4.Lastly, we need a twist ending that will give this movie the success of The Sixth Sense and The Usual Suspects.
Okay, now that you know these things, you know the whole movie, so don't waste your money. One thing I really hate about moviemakers is that they take a perfectly good concept for movies and completely run them into the ground. I wrote better stories than this when I was in Junior High. I just kept checking my watch every five minutes. When the twist ending finally came, I wasn't shocked, I just said, "Oh. Who cares?!" The characters are two-dimensional. They have your typical movie personalities. This movie is just proof that stealing the elements of other successful movies is no excuse for a bad script. I give this movie 1 out of 10. Normally, it would earn at least 2 or 3, but I'm so sick of the unoriginality. When will they learn? 1/10
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