Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer. Written by
Jeff Cross <firstname.lastname@example.org>
When the murderer is to turn the steam-pipe he just unbolts the valve flange and then push it to turn it. this is impossible to do, besides you can see the pipe elbow is bolted on the pipe that continuing out of the picture. See more »
Don't Give Up
Written by Peter Gabriel
Performed by Peter Gabriel and Kate Bush
Peter Gabriel appears courtesy of Real world Records, Virgin Records and Geffen Records
Kate Bush appears courtesy of EMI Records See more »
Just when you thought Noyce couldn't do any worse...
Bad directors are generally a lot more reliable than good directors, in the sense that even the greatest of directors can make a poor movie every once in a while, but bad directors hardly ever let you down: They keep churning out turkey after turkey without ever a trace of intrusive talent or inventiveness seeping into their works.
Phillip Noyce is a prime example of this. In my opinion, he is one of the very worst directors, not only working today, but in the whole history of Hollywood cinema (he's got Ed Wood beaten by a mile); and this view is reinforced every time I watch (or, more appropriately, endure) one of his "films" (I would call them something else, but bad language will prevent this review from being posted I'm afraid). I'm not sure if the problem lies in his limited capabilities for the art of storytelling, or in his appalling penchant for choosing wretched screenplays, but the truth is that all of them (and I regret to admit I have seen no less than six) have made me wonder whether to laugh or cry at their incompetence, or simply go to sleep from the boredom.
The Bone Collector is, of course, no exception. In fact, I think Noyce has outdone himself with it, as it is an exceptionally terrible movie. I cannot find a single redeeming feature in it. For one, Jolie is quite obviously miscast, and even the usually solid Washington takes this as an opportunity to overact (Well, It's not like there's any actor's director around on set to restrain him, is there?). The storyline is absurd from its very inception, and I find it extremely hilarious that it pretends to be about the elusive science of evidence-gathering, when this kind of left-there-on-purpose evidence that only a movie killer would leave, is precisely the one kind that requires no talent at all to find. BECAUSE IT IS RIGHT THERE. And then the investigations made from this evidence seems to follow little logic other than Rhyme's whims and *intuitions*, or risible strokes of luck. The film keeps throwing one-or-two-line characters at you so that you wonder which one the killer might be (oh how very exciting), but still the ending won't fail to underwhelm you.
I have to admit one thing: this pathetic excuse for a film kept me hooked not because it was interesting, but because I was morbidly curious to find out how dire it could become as it went on. But of course, that's because I saw it on TV, and I didn't have to pay a ticket; I swore years ago (more precisely, after I saw the narcolepsy-inducing Clear and Present Danger) that they would only take me to the cinema to watch a Phillip Noyce movie if I was WRAPPED IN CHAINS.
Note: This review was written before Noyce directed Rabbitproof Fence. OK, so it turns out he IS able to make a decent film. But it doesn't change the fact that the rest of his output is awful.
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